Mafu cage

Nobody going to say a word about Carol Kane's extraordinary performance? She was working with a series of animals, and having to ad-lib her character continuously. An amazing job by this superb and often overlooked actor.

Regarding the film itself - boggle. It's been years since I saw it, but it blew me away at the time. Here's hoping some noble figure will step up and put it on DVD soon.

I recently acquired a Wizard Video VHS copy of The Mafu Cage in a large lot of tapes I received. I instantly knew it looked right up my alley and interesting, so I set it aside to view later. Two nights later I popped it in the VCR...Wow! I was shocked that I had never seen or even heard of this interesting, bizarre, yet original flick. It's hard for me to say anything bad about this movie except for the fact that it seems to be a "lost" or "set aside" piece of cinema that not many have seen. (not sure if it has been released on DVD or not) Everything from the rich colors, the acting, and the story line lead to a film that seems to depress the individual as a previous review stated, haha. I personally enjoy when a movie, music or any piece of art actually makes you "feel" emotions. This is one of those movies that should not be missed or taken lightly. Carol Kane is amazing in her role as Cissy.

"The Mafu Cage" is a boring and pointless trudge through god knows what. It was mislabeled a horror movie, which is okay by me - I'm fine with drama, especially those adapted from plays - but lord. What was the point of it?

The plot is something to do with two sisters whose explorer father dies, and leaves them a house which comes equipped with a jail cell with chains he apparently used to tie up an orangutang (?). The younger sister, played by Carol Kane, is mentally ill, though the hows and whys of her illness are unexplained and unexplored.

The elder sister is an astronomer.

One day, some guy brings an orangutang into the house and they chain it up. The crazy sister kills it, in an unpleasant, if not graphic, scene.

I can hardly even bring myself to explain any more about this movie.

Here's one thing: Carol Kane, who plays the crazy younger sister, is the only performer in the movie who has any kind of presence, and leaves any kind of impression on the viewer at all. I guess it could count as a positive that it's not a horror movie, since I don't know if she's work in that role, but she was obviously born to play quirky, eccentric, and even mentally ill women - if not really violent ones.

So why doesn't it work? The fact that none of the other actors work at all? They're not bad actors, just not very watchable. The fact that the movie doesn't get into the heads of any of the characters? The fact that you can't believe the situation - what was the point of the cell, exactly? That was just a bizarre contrivance coming between you and the movie.

I just couldn't wait for this movie to be over. With any luck, I'll forget about it soon.

This adaptation of a play by Eric Wesphal stars Lee Grant and Carol Kane. They're cast as sisters who live in an old mansion; Kane is clearly very disturbed and is also very childlike. She pitches fits when she doesn't get her way and also resorts to emotional blackmail. Grant has a very tough time playing nursemaid to her younger sibling, but had made a promise to their dying father that she always would take care of her. When Grants' co-worker (James Olson) expresses a romantic interest in her, the thought of a man coming between them drives Kane even further into insanity.

Kane always has been a unique and remarkable performer; "eccentric" would be a kind way to put it. This independent, now somewhat obscure feature showcases her to great effect. In fact, she's all too convincing, in a role that was improvised to an extent, and which requires her to work extensively with an orangutan named Budar. Grant is no less impressive, as the kind of character that naturally earns some sympathy. It can't be easy looking after someone like Kanes' character. (Although it must be said that leaving Kane to her devices at a crucial point was a disaster waiting to happen. This viewer realizes that it's an essential part of the plot, but still doesn't exactly ring true.)

A highly engaging Will Geer, as a character named Zom, and Olson provide fine support, but "The Mafu Cage" is first and foremost a vehicle for the two talented ladies at the centre. It's also decidedly unpleasant in its psychological approach (characters take turns being victimized in the title location), and it must be said that people who take exception to animals being mistreated on film (even if the scenes had to have been simulated somehow) will want to give this film a pass.

Notable assets are the production design / set decoration (the main room of the abode has an African jungle theme), and the striking, atmospheric score composed by Roger Kellaway. This was an interesting venture for the director, Karen Arthur, who made only a few feature films over the course of her career. It even touches upon such taboo subjects as incest. Overall, it's something unusual for seekers of cinematic curiosities.

Six out of 10.

Maybe it didn't deserve a straight 10 rating, but certainly 9 . I didn't watch this movie as the ratings weren't very good and some of the feedback was downright abysmal. How wrong they are . And although this movie dates back to 1978 which makes it nearly 45 years old by now it still was captivating by today's standard. It certainly is not a horror movie , but a very well made psychological thriller. The performance by Carol Kane as the mad sister Cissy was absolutely convincing. And for once the ending was not open for interpretation by the viewer, but completely in line with the story. I just regret not have watched it before. Highly recommended.