Mafu cage

Nobody going to say a word about Carol Kane's extraordinary performance? She was working with a series of animals, and having to ad-lib her character continuously. An amazing job by this superb and often overlooked actor.

Regarding the film itself - boggle. It's been years since I saw it, but it blew me away at the time. Here's hoping some noble figure will step up and put it on DVD soon.

Maybe it didn't deserve a straight 10 rating, but certainly 9 . I didn't watch this movie as the ratings weren't very good and some of the feedback was downright abysmal. How wrong they are . And although this movie dates back to 1978 which makes it nearly 45 years old by now it still was captivating by today's standard. It certainly is not a horror movie , but a very well made psychological thriller. The performance by Carol Kane as the mad sister Cissy was absolutely convincing. And for once the ending was not open for interpretation by the viewer, but completely in line with the story. I just regret not have watched it before. Highly recommended.

This adaptation of a play by Eric Wesphal stars Lee Grant and Carol Kane. They're cast as sisters who live in an old mansion; Kane is clearly very disturbed and is also very childlike. She pitches fits when she doesn't get her way and also resorts to emotional blackmail. Grant has a very tough time playing nursemaid to her younger sibling, but had made a promise to their dying father that she always would take care of her. When Grants' co-worker (James Olson) expresses a romantic interest in her, the thought of a man coming between them drives Kane even further into insanity.

Kane always has been a unique and remarkable performer; "eccentric" would be a kind way to put it. This independent, now somewhat obscure feature showcases her to great effect. In fact, she's all too convincing, in a role that was improvised to an extent, and which requires her to work extensively with an orangutan named Budar. Grant is no less impressive, as the kind of character that naturally earns some sympathy. It can't be easy looking after someone like Kanes' character. (Although it must be said that leaving Kane to her devices at a crucial point was a disaster waiting to happen. This viewer realizes that it's an essential part of the plot, but still doesn't exactly ring true.)

A highly engaging Will Geer, as a character named Zom, and Olson provide fine support, but "The Mafu Cage" is first and foremost a vehicle for the two talented ladies at the centre. It's also decidedly unpleasant in its psychological approach (characters take turns being victimized in the title location), and it must be said that people who take exception to animals being mistreated on film (even if the scenes had to have been simulated somehow) will want to give this film a pass.

Notable assets are the production design / set decoration (the main room of the abode has an African jungle theme), and the striking, atmospheric score composed by Roger Kellaway. This was an interesting venture for the director, Karen Arthur, who made only a few feature films over the course of her career. It even touches upon such taboo subjects as incest. Overall, it's something unusual for seekers of cinematic curiosities.

Six out of 10.

"The Mafu Cage" follows two sisters (played by Lee Grant and Carol Kane) who reside in a dilapidating mansion in the Hollywood Hills, built by their renowned anthropologist father. The younger sister (Kane) is mentally imbalanced, spending her days in the company of various monkeys, while the elder (Grant) attempts to live a somewhat normal life. Naturally, conflicts begin to arise.

While marketed as a horror film, "The Mafu Cage" is more of a psychological thriller with shades of horror--in truth, it is a character study, and a rife exploration of a strange, insular world crashing against "normal" society. The central plot here is a power struggle between two sisters who grew up in highly unusual circumstances, and who are unable to reconcile their circumstances with the everyday world--one of them, because she simply does not want to, and the other, because her sister is holding her back.

The film plays out with all the trappings of a Greek tragedy, and even when it goes a more salacious route, it is remarkably well-acted. Lee Grant is fantastic as the elder sister stuck between two worlds, while Carol Kane is riveting as the disturbed younger sister who cannot function outside of her deceased anthropologist father's lair of artifacts and primates. The crumbling Los Angeles mansion in which most of the film unfolds has a stark California gothic look, obviously inspired by "What Ever Happened to Baby Jane?".

Overall, "The Mafu Cage" is a potent, unusual film. It excels as a psychological thriller, largely because its lead performers are completely keyed into the material. Though not particularly pleasant, "The Mafu Cage" is disturbing and thought-provoking. 8/10.

I recently acquired a Wizard Video VHS copy of The Mafu Cage in a large lot of tapes I received. I instantly knew it looked right up my alley and interesting, so I set it aside to view later. Two nights later I popped it in the VCR...Wow! I was shocked that I had never seen or even heard of this interesting, bizarre, yet original flick. It's hard for me to say anything bad about this movie except for the fact that it seems to be a "lost" or "set aside" piece of cinema that not many have seen. (not sure if it has been released on DVD or not) Everything from the rich colors, the acting, and the story line lead to a film that seems to depress the individual as a previous review stated, haha. I personally enjoy when a movie, music or any piece of art actually makes you "feel" emotions. This is one of those movies that should not be missed or taken lightly. Carol Kane is amazing in her role as Cissy.