Sex hygiene film about transsexuals in the late 60's/early 70's. As with all sex hygiene films it's one part serious documentary and one part sensationalism.Sex hygiene film about transsexuals in the late 60's/early 70's. As with all sex hygiene films it's one part serious documentary and one part sensationalism.Sex hygiene film about transsexuals in the late 60's/early 70's. As with all sex hygiene films it's one part serious documentary and one part sensationalism.
Harry Reems
- Rhoda's Cab Driver
- (as Tim Long)
Ursula Austin
- Blanche
- (uncredited)
Arlana Blue
- Rhoda
- (uncredited)
Vanessa del Rio
- Sandy
- (uncredited)
Michael Gaunt
- Tom
- (uncredited)
Richard Towers
- John in Park
- (uncredited)
Leo Wollman
- Self - Leo Wollman M.D.
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I did not know what to expect when I saw Let Me Die A Woman. Trangender friends told me that Leo Wollman was a noted medical authority, maybe THE medical authority on transgender issues and sexual reassignment surgery back in the Seventies when it was a topic that got very little public airing. The only thing I can say is that the film was done the way it was done was to get the widest possible audience for the subject. Even if said audience was only wanting a few pornographic titillating moments.
This film deals with male to female transitioning, the infinitely more complex subject of female to male transgender folks is for the most part left alone. It certainly is true the criticism that Wollman is no actor. He's a doctor and this is purportedly a documentary.
But a few porn stars like Harry Reems apparently offered their services to generate a little box office. In one of a few porn interludes Wollman notes that you can have problems if you don't sufficiently rest and recover after the surgery is done. Then by way of a demonstration Reems does his thing with a newly transitioned woman who then experiences vaginal bleeding. There's a few scenes like this in Let Me Die A Woman.
Talking about reassignment surgery though, the topic that is left untouched is the attitude of the insurance companies who still treat all of this as cosmetic surgery. That is to me mind blowing. All the transgender people I know both pre and post op have never approached sexual reassignment with the same attitude as one say getting a nose job which insurance companies have this on the level of. Some can never transition because the cost is so prohibitive they can't conceive of it in their lifetimes. This film shows the attitudes of 1977 and even with what we now know and the changing attitudes in public opinion, the medical insurance industry remains unaffected.
I suppose Wollman thought this was the way to get the message out, but wow did he pick the wrong kind of film to do it.
This film deals with male to female transitioning, the infinitely more complex subject of female to male transgender folks is for the most part left alone. It certainly is true the criticism that Wollman is no actor. He's a doctor and this is purportedly a documentary.
But a few porn stars like Harry Reems apparently offered their services to generate a little box office. In one of a few porn interludes Wollman notes that you can have problems if you don't sufficiently rest and recover after the surgery is done. Then by way of a demonstration Reems does his thing with a newly transitioned woman who then experiences vaginal bleeding. There's a few scenes like this in Let Me Die A Woman.
Talking about reassignment surgery though, the topic that is left untouched is the attitude of the insurance companies who still treat all of this as cosmetic surgery. That is to me mind blowing. All the transgender people I know both pre and post op have never approached sexual reassignment with the same attitude as one say getting a nose job which insurance companies have this on the level of. Some can never transition because the cost is so prohibitive they can't conceive of it in their lifetimes. This film shows the attitudes of 1977 and even with what we now know and the changing attitudes in public opinion, the medical insurance industry remains unaffected.
I suppose Wollman thought this was the way to get the message out, but wow did he pick the wrong kind of film to do it.
Let Me Die a Woman (1978)
BOMB (out of 4)
Infamous Doris Wishman "documentary" that deals with men who want to be women and women who want to be men. Wishman is very well known in the exploitation field and I had heard this was her best movie so I decided to watch this one as my first. I got the exploitation but I also got real footage, which I really didn't want to see. I personally find the subject matter gross so having to watch all of this stuff made me wanna puke. The actual operation was insane and downright disgusting as well. While this presents itself as a documentary it's crazy enough to insult anyone who watches it. This is the one film that I wish I never bothered watching.
BOMB (out of 4)
Infamous Doris Wishman "documentary" that deals with men who want to be women and women who want to be men. Wishman is very well known in the exploitation field and I had heard this was her best movie so I decided to watch this one as my first. I got the exploitation but I also got real footage, which I really didn't want to see. I personally find the subject matter gross so having to watch all of this stuff made me wanna puke. The actual operation was insane and downright disgusting as well. While this presents itself as a documentary it's crazy enough to insult anyone who watches it. This is the one film that I wish I never bothered watching.
An extension of the Mondo-style documentary, with their "mission" to illustrate, and exploit unknown or forgotten cultural practises and habits, Doris Wishman's (see Review #298: 'Deadly Weapons' (1974)) Let Me Die a Woman follows the work of sex reassignment surgeon Dr Leo Wollman (who also acted as the films adviser), and his work with both post- and pre-op transsexuals. The film has interviews with the aforementioned doctor, along with several transsexuals in various stages of transformation, and also throws in some re-enactments and dramatisations of some of their experiences.
Whilst this is billed under the exploitation banner, and would have been shown in these types of cinema, the film is not overly exploitative, and presents the stories and their participants in quite a sympathetic manner. However, the film does explore, in a very graphically visual manner the operations required to alter the genitalia. Of course with this being made in the 1970's means that the screen is filled with incredibly hairy, militant-looking pubic areas, whilst these men with tits flash their flaccid c***s for the camera. In one scene the doctor probes a post-op vagina with his fingers - a sexual orifice so hideous that I simply had to avert my eyes.
Aside from the Mondo movies (and of course Faces of Death (1978) et al), I am not really aware of any other exploitation film that used this documentary style to expose new, sometimes weird phenomenon - except for Being Different (1981) that focused on exploiting circus sideshow acts, and included a modern day Elephant Man - so I am unqualified to state whether this film is emblematic of it's kind. What does strike me is the fact that this type of documentary was so new, and also that it was marginalised to the exploitation/grindhouse circuits. The subject matter, and the gratuitousness of the film highlights to me how this kind of "exploitation" is in fact now a fundamental part of prime-time television, with shows such as Embarrassing Bodies or any others of the many, many similar formats that infest our screens, in our homes, whilst we f*****g eat our dinner! Given this parallel, and shift in the ways in which the participants are exploited in the modern-day TV show and the cinematic format, the film is pretty naive.
www.the-wrath-of-blog.blogspot.com
Whilst this is billed under the exploitation banner, and would have been shown in these types of cinema, the film is not overly exploitative, and presents the stories and their participants in quite a sympathetic manner. However, the film does explore, in a very graphically visual manner the operations required to alter the genitalia. Of course with this being made in the 1970's means that the screen is filled with incredibly hairy, militant-looking pubic areas, whilst these men with tits flash their flaccid c***s for the camera. In one scene the doctor probes a post-op vagina with his fingers - a sexual orifice so hideous that I simply had to avert my eyes.
Aside from the Mondo movies (and of course Faces of Death (1978) et al), I am not really aware of any other exploitation film that used this documentary style to expose new, sometimes weird phenomenon - except for Being Different (1981) that focused on exploiting circus sideshow acts, and included a modern day Elephant Man - so I am unqualified to state whether this film is emblematic of it's kind. What does strike me is the fact that this type of documentary was so new, and also that it was marginalised to the exploitation/grindhouse circuits. The subject matter, and the gratuitousness of the film highlights to me how this kind of "exploitation" is in fact now a fundamental part of prime-time television, with shows such as Embarrassing Bodies or any others of the many, many similar formats that infest our screens, in our homes, whilst we f*****g eat our dinner! Given this parallel, and shift in the ways in which the participants are exploited in the modern-day TV show and the cinematic format, the film is pretty naive.
www.the-wrath-of-blog.blogspot.com
Let Me Die a Woman was a semi-serious attempt in 1978 by underground director Doris Wishman to film the attitudes and lifestyles of sexually confused individuals who want to change their gender. The film also enlisted the aid of Dr. Leo Wollman M.D. (surprise, surprise, he's actually a legitimate doctor), who relates case histories of individuals who have had sex changes and the problems they face. We do get to see an actual sex change take place (although most of it's covered with a surgical sponge) and witness numerous probes of newly constructed sex organs. All pretense this has of being a real documentary falls apart quickly when it becomes a string of softcore porn scenes. Apart from that, several of the people being interviewed are obviously either homosexuals or women and while talking about dildos as medical aides for operatives, Dr. Wollman makes a bold statement by telling us that "not all dildos are used for medical purposes" (!) A tremendous amount of the impact of this film has been taken away by the so-called talk shows that feature these people as guests every week so that now, they seem routine rather than shocking. Though not Doris Wishman's best film, it is an interesting time capsule and on a camp level, Let Me Die a Woman is an entertaining film.
First of all, anyone who watches ANYTHING directed by Doris Wishman has to expect to see bizarre camera angles, choppy film making, and bad acting...it comes with the territory and this film is no exception. That not with standing, this is probably one of the more superior Wishman films and it concerns a subject that, at the time, was considered taboo...transsexualism. Anyone who knows Wishman also knows that she is an exploitationeer so you have to expect a bit of sensationalism in Wishman's work as well. This film has that too as it is chock full of scenes and sexual anecdotes about the sexual lives of this "third sex". Yes, at the time of this film's release, transsexuals were actually considered to be a "third sex". The scene where the man gives himself his own sex change operation is exceptionally disturbing as is the scene where the transsexual has her vagina cave in on her. Yes, this film leaves no stone unturned as it explores every aspect of transsexualism including the female to male transsexuals. All in all it should be taken as an exceptionally classy exploitation film but NOT an educational tool.
Did you know
- TriviaFilm was originally released in 1972 in a significantly different form under the title Strange/Her.
- GoofsThere is reason to believe the cause of the transsexual phenomenon is a genetic defect, not a psychological condition per se as is suggested in the film.
- Alternate versionsA "screwdriver castration" sequence was deleted from the film and thought to be lost, but was in fact recovered from the original camera negatives.
- ConnectionsFeatured in American Grindhouse (2010)
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- Хочу умереть женщиной
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