La Dernière Valse

In the words of Robbie Robertson, "The Last Waltz" began as a concert and turned into a celebration. There is no word that can be used to describe "The Last Waltz" better than 'celebration'. This is a celebration of The Band, and of music, specifically American music, which The Band loved and played so many styles of.

"The Last Waltz" is a concert film, and there's a common sentiment outside of the rock fan community that such films can never be true art films. If proof exists that this is not true, "The Last Waltz" is it. The film is brilliantly directed by Martin Scorsese, who captures this incredibly powerful and remarkable performance with skill that can't be described as anything other than amazing. This film looks absolutely stunning. What else can one ask for other than a film that looks pristine and beautiful, and contains some of the best music ever written? Scorsese is a smart filmmaker and knows that he could add to the film by including short interview segments with the members of The Band, all of which are relevant to and enhance the film.

The beauty of "The Last Waltz" is its simplicity. The Band were probably the most unpretentious major musical group there has ever been. They were interested in nothing other than playing good music, and Scorsese, at least in this instance, is not interested in doing anything other than creating a simple, true document of a memorable, great musical event. That's what he does, he captures a brilliant concert where the addition of celebrity musical guests does not cheapen it at all, but makes it a true celebration of music. Muddy Waters, Paul Butterfield, Joni Mitchell, Neil Diamond, Van Morrison, Eric Clapton, Dr. John, Neil Young... the list goes on and on.

Phenomenal musicianship, phenomenal film-making, a phenomenal film all around. One of the best and most joyous films ever made.

10/10

Either I'm getting older or the world's getting younger, but when a rock concert documentary film airs on TCM, there should be some sort of pause for a reality check. In a salute to WALTZ'S director Martin Scorsese, the film aired on TCM over the New Year's weekend. I hadn't seen it or thought about it in 25 years. And all I can say is that it hasn't lost any of its power. (And this from someone who's never been to a live rock concert.) The stars of the film- the all-purpose backup and touring band called 'The Band-' give a simple but enlightening insight to the mechanics of their 16 years on the road and how their Thanksgiving Day final concert in San Francisco turned into a revival-like celebration. Even though I grew up on jazz music more so than rock, I can fully appreciate The Band's intense, immense music background- influenced by everything from blues to country to folk music. As for the concert itself you have the likes of Neil Young, Ron Wood, Joni Mitchell, Van Morrison, Muddy Waters, and Dr. John (who gives a standout, honky-tonk performance of "Such A Night,") kickin' it on stage before it's all over. And if these live performances weren't enough, there are additional performances done on a sound stage with artists that weren't part of the live show woven into the 117-minute film: a fabulous folk/gospel jam session of the song "The Weight" teamed with the Staples Singers (lead by Mavis Staples, who sounds very Gladys Knight-like) and about thirty minutes later shifting gears into the lovely folk ballad "Evangeline," replete with fiddle, mandolin, and acoustic guitar from Emmylou Harris. Also cool is Muddy Waters bluesing on "Ain't that a Man," and the finale with all the artists of "I Shall Be Released." You just might be.

Standouts include-- Rick Danko performing a soulful rendition of "It makes no difference".

Eric Clapton jamming with Robbie Robertson shows that Robbie is an excellent, and I believe, under rated guitarist.

"The night they drove old Dixie down" is another great performance with Levon belting it out.

Bob Dylan on "I shall be released" and "Forever young" are moving even though he is obviously renown for his song writing and not vocal abilities.

Muddy Waters, Ronny Hawkins, and Van Morrison also deliver the goods.

There is some gray material, however, for me, the diamonds outweigh the granite.

If you like blues, country rock, or electric folk there will be something for you in this film.

The interviews are interesting but, of course, it's the music that makes the movie.

I rented this for $3 at Blockbuster on DVD. It was worth more.

If you, as a music lover, have ever wondered what it would be like to see a concert starring the very cream of the crop from the sixties and seventies, you have that opportunity now. Martin Scorcese has produced a film that should be mandatory viewing for anyone who calls themselves a rock lover. While all the performances are memorable, Van Morrison, Bob Dylan, Eric Clapton and, of course, The Band are incredible. Beyond the music, the very premise of the concert is amazing: A big bang to end the era, thanksgiving dinner for thousands, a wicked lineup, great music and some really enlightening interviews. The Last Waltz is a must see if you are a fan of the rock&roll genre, as The Band and friends not only play their hearts out, but also pay tribute to the sound that we all know and love.

Watch it, you won't regret the time spent.

Forget "Woodstock". Forget "Gimme Shelter". "Let It Be'? Forget that too. This is, truly, THE greatest rock and roll film ever made. Why? Well, try for a moment to forget that the actual performance itself features the great artists it does (including The Band) and focus on the film itself.

This film is shot in 35mm format which gives the picture pristine look (as opposed to all other previous rock films, which were shot on 16mm). But it's not just a spralling work, this is also well executed as well. By that, I mean the production value is outstanding. The lighting is unlike any rock concert I've seen (and I've seen many). The camera work is top-notch (apparently it was done by the best in Hollywood at the time). It's also easy to see that a great deal of planning went into the production. Other concert films (Woodstock, Monterey Pop) suffer from a "last minute scramble" look that simply isn't there with "Waltz".

Add to that the shear magnitude of what The Band had undertaken. Imagine learning, arranging and performing so many songs in so many styles by so many artists in one night with only one take of each allowed. When that is taken into consideration, you have to have a degree of respect for them. Of course, I'm bias. I'm Canadian, as were 4/5ths of The Band.

My only critique would be a technical one. It seems Rick Danko redubbed all of his bass playing. Whether this is attributed to a technical problem or unhappiness with his performance is unclear. However, what is clear is that what you hear the bass doing in the audio and what you see on the screen are completely different.