Le Roi des gitans

...not as good as "Time of the Gypsies" (1988) Dom za vesanje (original title) or "Black Cat, White Cat"(1998) Crna Macka, Beli Macor (original title), both directed by Emir Kusturica or "I Even Met Happy Gypsies" (1967) Skupljaci Perja (original title) of Aleksandar Petrovic. Despite the fact that we have an entire orchestra of good and very good actors, such as Sterling Hayden, Shelley Winters, Susan Sarandon, Judd Hirsch, Eric Roberts, Brooke Shields, Annette O'Toole, Annie Potts, the film does not have consistency, it's only a mediocre attempt to show how gypsies really are. Eric Roberts is honest in his role debut. Susan Sarandon is more beautiful than ever and very talented as always. Best of all is Judd Hirsch he's the most natural and believable gypsy. Beautiful music with Stéphane Grappelli, accompanied by other talented musicians.

A great small movie, with a not unusual plot, some nice and some OK acting, very nice direction and photography and most of all, a fantastic soundtrack -- Stephane Grappelli (a gypsy jazz violinist who played with Django Rinehardt) does incredibly fine gypsy style music - worth it for this alone! Also fun to see a young, dishy Susan Sarandon and a very young Eric Roberts in this movie. Judd Hirsh is great playing a counter to his usual sweet image (or gruff old guy a la "I'm not Rappaport"). In this movie, Hirsh is positively evil. A great peek into a unique culture of traveling people who have been vilified and chased all over the world.

Peter Maas's book is a non-fiction look at the Gypsy culture, particularly how it has translated into 20th century America. This movie is mostly fiction, although it draws on some of the material in the book.

It's basically a family drama, with a rebellious youth (Eric Roberts) squaring off against his abusive father (Judd Hirsch). I'm not sure if a case can be made for Eric Roberts as a terrific actor, but he doesn't embarrass himself here, and the rest of the cast, Hirsch, Shelley Winters, Susan Sarandon, and Sterling Hayden, is superb. A fascinating look at a culture that may be dissolving into modern life, and a well-paced and acted film that is consistently entertaining.

There's a special treat for jazz fans, as violin giant Stephane Grappelli appears in the movie, along with mandolin player David Grisman, performing a medley composed by Grisman and performed with Grappelli on a live album that has always been one of my favorites. This is the only footage I've seen of Grappelli performing, and while it's limited to a few shots, it's still worth the price of admission.

A DVD release has finally been announced for June 3, 2008.

I remember seeing "real" gypsies as a child!They used to camp at different places at the Jersey shore!They had trailors,tents,cadillacs and all lived and traveled together in big families!They seemed so loud and happy!But where have all our Gypsies gone?You can hardly even see a genuine gypsy fortune-teller anymore!Perhaps this is because of the lure of American life!With welfare,WIC,medicare,section-8 housing,disability and eldercare who really wants to live a nomadic life?Let alone be an "outlaw" Gypsy and make a squalid living stealing and telling fortunes? "King of the Gypsies" answers a lot of these questions without really saying so! We view many of the so-called traditions of American gypsies and witness their members decline into poverty and organized crime.The movie isn't completely true to the book.But by the movie's end we realize that the wild and colorful gypsy world is passing away.To be replaced by the hustle-n-bustle of American middle class life!

This movie was panned by critics, but it seems to have gained cult status among those who like 70s films.

I liked it simply for its fascinating subject--Gypsies in modern day urban America.

This is certainly not a definitive study of the culture, but it is exciting and most of the acting is solid. Roberts and Shields are incredibly beautiful, and the cinematography has that ripe, but overcast look you see in so many films released during the era. Stephane Grapelli's violin in the background adds weight to the glorious score.

The biggest downside is Sterling Hayden's performance. His voice tends to rupture and bark in its heaviness; it lacks nuance. Also, I sometimes felt embarrassed for Sarandon. Though she was perfectly cast, she seems embarrassed herself at times; there is a brief scene where she has to dance, and her body language suggests she's thinking "Do I still have time to reconsider?" Another problem is the continuity. Where was the script supervisor? Shield's character was supposedly born in the 1940s, but when we see her again as a young teenager, it is clearly the late 1970s. You hear Disco in the background, see the long leather coats, and wait for John Travolta to make a grand entrance.

But enough of my nit-picking. Maybe this is not the finest film, but it is indeed a *fun* film. The subject is intriguing, and the plot itself is good. What it lacks in directorial perfection, it makes up for in soul.