Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
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Collin Wilcox Paxton
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*** out of ****
As a sequel to an immensely popular classic, Jaws 2 had a lot to live up to, and while it doesn't reach the level of sheer terror of the original, it's still effective in creating thrills, some scares, and excitement. The biggest flaw is the pace, since the scenes on land drag on over and over. These moments hurt an otherwise entertaining and often fun motion picture.
The plot is mostly a re-hash of Jaws. It even takes place in the same town, Amity. It's been years since the first shark was killed and Chief Martin Brody (Roy Scheider) begins to have his suspicions of another great white in the vicinity when two divers are reported missing, a boating accident that results in the mysterious disappearance of a mother and daughter, and a killer whale washed ashore with large bites all over it. Brody voices his beliefs to the mayor (Murray Hamilton), who, along with real estate developer Glenn Petersen (Joseph Mascolo), disregard this because of the current production of a hotel on the beach.
Brody's constant paranoia of the situation eventually gets him fired. Meanwhile, his two sons, Mike and Sean, sneak off to sail with a group of other teens. When another shark attack occurs and is confirmed, Brody sets off to find his sons before it's too late.
I've heard a lot of interesting things involving the making of this sequel. Apparently, Spielberg and Dreyfuss were interested in returning, but couldn't due to their filming of Close Encounters. The original story was supposed to be more character-oriented, without as much focus on the teens in peril, but when Spielberg had to back out the studio executives got nervous and went with Szwarc to make a more formulaic and "effective" sequel. Roy Scheider would be the only big star from the original who would return.
I'm a huge admirer of Steven Spielberg's film, and it would be hard for any other director to equal, much less surpass, his filmmaking techniques. Director Jeannot Szwarc does an overall solid job here. He knows what made the first film effective and holds off long camera shots of the shark for a while (in my opinion, maybe a little too long). The beginning of the film does a nice job of creating interest and a good set-up is appreciated. However, this set-up goes on a little too long. A half-hour would have been just fine, but Szwarc takes nearly 75 minutes for the film to focus on the shark hunting down the sailing teens.
You may wonder why I voice my complaint for this when in the original the shark didn't make it's first full appearance until near the end. Well, in that film's case there were three great characters (only one of whom returned) and some classic suspense sequences to crank up the tension (Dreyfuss and Scheider's exploration of the abandoned boat, anyone?). While Szwarc should be noted for trying to build up momentum, he slows down everything a little too much and thrill seekers looking for non-stop action may find it disappointing, and it might be more up their alley to look for Deep Blue Sea (which is considerably faster moving, though is an overall weaker film).
It is initially interesting to see how this sequel builds up its story with such scenes as the examination of a dead killer whale and a diver who runs into the shark, and it is quite entertaining to revisit Amity again, but Brody's constant back and forth debates with the town committee get tiresome after awhile. We know he's right and they're wrong and the film makers should have realized that these arguments get old quickly. To be fair, Scheider's performance does put in a bit more tension into these scenes, but it takes something more clever than that to keep things moving at a brisk pace.
The film does finally get moving in the last 35 or so minutes, and it's in those moments that make the film the overall effective sequel it is. The constant shark attacks deliver the goods. Szwarc knows how to milk tension into these scenes and doesn't disappoint. The finale is particularly an exercise in creating seat-gripping suspense. It's almost a match for the conclusion to Jaws. The final showdown between Brody and the shark is just as memorable and edge-of-the-seat as his final confrontation with the other great white in the original. John Williams' score is as effective as ever and serves to heighten the tension factor by a notch.
Admittedly, there are some implausibilities abound. Great whites aren't nearly that aggressive and for one that eats as much as it does, it's really quite hungry. The shark even pulls down a helicopter in one scene to presumably eat the pilot (In the TV version, there's an added scene of the shark trying to chomp the pilot). Brody's plan to kill the shark relies on quite a bit of luck, though I won't complain as much about this since it is the film's highlight sequence and is an example of masterful direction.
Most people tend to ridicule the visual effects in the Jaws series. In my opinion, they're more effective and significantly better than CGI renditions of animals seen in the more recent thrillers like Deep Blue Sea, Anaconda, and Lake Placid. Szwarc's high angle shots of the great white are the best, evoking a sense of terror by just looking at the top of this ferocious animal. With an animatronic shark, it's not nearly as mobile as what can be rendered by computer technology, but it beats having the animal look like a refugee from a video game. There are also other things that set this film above those aforementioned movies, such as restraint, seriousness, and no annoying over-reliance on mostly unfunny self-deprecating humor.
To mention how effective the script is would probably be a moot point. Anybody watching this movie wants to see it for the shark attacks. Howard Sackler and Carl Gottlieb do a reasonable job of repeating what was successful in the original story without completely ripping it off. This time around, there's no compelling monologue like Robert Shaw's retelling of the fate of the men on the U.S.S. Indianapolis, but the screenwriters can be credited for not writing any laughably ludicrous dialogue. When the stranded teens argue, everything they say is reasonable within the context of the situation they're in.
The film's performances are overall decent. Roy Scheider has always been one of my favorite actors; he's easily the best here and is very good as the man determined to save his sons. Martin Brody is still by all means a great character, and Scheider's portrayal of him as an everyman caught up in a terrifying situation makes it extremely easy to sympathize with him. Lorraine Gray is decent as his wife and though she gets more screen time than before she's still not given a chance to fully flesh out her character. And, boy, we all saw her character develop in Jaws the Revenge, but we all know how that turned out. Murray Hamilton and Joseph Mascolo are appropriately sneaky and sly as the town mayor and real estate developer. They're really not so much people as they are those who have to be wrong all the time. It's a cliche, and it's not as effective as it was in Jaws. I can't really say which actor who portrays the teens does the best job. They're all fairly equal and they are pretty good at not annoying us, which makes it easier to feel for them when the shark attacks begin.
It's basically like this: when the film takes place on land, it's sometimes slow-moving and not always interesting. When it's on water, it's often exciting and tense, with suspense that sometimes equals the original. It's definitely not as great a thriller as Jaws, but it is a worthy sequel and certainly is better than the likes of Deep Blue Sea, Anaconda, and Lake Placid.
As a sequel to an immensely popular classic, Jaws 2 had a lot to live up to, and while it doesn't reach the level of sheer terror of the original, it's still effective in creating thrills, some scares, and excitement. The biggest flaw is the pace, since the scenes on land drag on over and over. These moments hurt an otherwise entertaining and often fun motion picture.
The plot is mostly a re-hash of Jaws. It even takes place in the same town, Amity. It's been years since the first shark was killed and Chief Martin Brody (Roy Scheider) begins to have his suspicions of another great white in the vicinity when two divers are reported missing, a boating accident that results in the mysterious disappearance of a mother and daughter, and a killer whale washed ashore with large bites all over it. Brody voices his beliefs to the mayor (Murray Hamilton), who, along with real estate developer Glenn Petersen (Joseph Mascolo), disregard this because of the current production of a hotel on the beach.
Brody's constant paranoia of the situation eventually gets him fired. Meanwhile, his two sons, Mike and Sean, sneak off to sail with a group of other teens. When another shark attack occurs and is confirmed, Brody sets off to find his sons before it's too late.
I've heard a lot of interesting things involving the making of this sequel. Apparently, Spielberg and Dreyfuss were interested in returning, but couldn't due to their filming of Close Encounters. The original story was supposed to be more character-oriented, without as much focus on the teens in peril, but when Spielberg had to back out the studio executives got nervous and went with Szwarc to make a more formulaic and "effective" sequel. Roy Scheider would be the only big star from the original who would return.
I'm a huge admirer of Steven Spielberg's film, and it would be hard for any other director to equal, much less surpass, his filmmaking techniques. Director Jeannot Szwarc does an overall solid job here. He knows what made the first film effective and holds off long camera shots of the shark for a while (in my opinion, maybe a little too long). The beginning of the film does a nice job of creating interest and a good set-up is appreciated. However, this set-up goes on a little too long. A half-hour would have been just fine, but Szwarc takes nearly 75 minutes for the film to focus on the shark hunting down the sailing teens.
You may wonder why I voice my complaint for this when in the original the shark didn't make it's first full appearance until near the end. Well, in that film's case there were three great characters (only one of whom returned) and some classic suspense sequences to crank up the tension (Dreyfuss and Scheider's exploration of the abandoned boat, anyone?). While Szwarc should be noted for trying to build up momentum, he slows down everything a little too much and thrill seekers looking for non-stop action may find it disappointing, and it might be more up their alley to look for Deep Blue Sea (which is considerably faster moving, though is an overall weaker film).
It is initially interesting to see how this sequel builds up its story with such scenes as the examination of a dead killer whale and a diver who runs into the shark, and it is quite entertaining to revisit Amity again, but Brody's constant back and forth debates with the town committee get tiresome after awhile. We know he's right and they're wrong and the film makers should have realized that these arguments get old quickly. To be fair, Scheider's performance does put in a bit more tension into these scenes, but it takes something more clever than that to keep things moving at a brisk pace.
The film does finally get moving in the last 35 or so minutes, and it's in those moments that make the film the overall effective sequel it is. The constant shark attacks deliver the goods. Szwarc knows how to milk tension into these scenes and doesn't disappoint. The finale is particularly an exercise in creating seat-gripping suspense. It's almost a match for the conclusion to Jaws. The final showdown between Brody and the shark is just as memorable and edge-of-the-seat as his final confrontation with the other great white in the original. John Williams' score is as effective as ever and serves to heighten the tension factor by a notch.
Admittedly, there are some implausibilities abound. Great whites aren't nearly that aggressive and for one that eats as much as it does, it's really quite hungry. The shark even pulls down a helicopter in one scene to presumably eat the pilot (In the TV version, there's an added scene of the shark trying to chomp the pilot). Brody's plan to kill the shark relies on quite a bit of luck, though I won't complain as much about this since it is the film's highlight sequence and is an example of masterful direction.
Most people tend to ridicule the visual effects in the Jaws series. In my opinion, they're more effective and significantly better than CGI renditions of animals seen in the more recent thrillers like Deep Blue Sea, Anaconda, and Lake Placid. Szwarc's high angle shots of the great white are the best, evoking a sense of terror by just looking at the top of this ferocious animal. With an animatronic shark, it's not nearly as mobile as what can be rendered by computer technology, but it beats having the animal look like a refugee from a video game. There are also other things that set this film above those aforementioned movies, such as restraint, seriousness, and no annoying over-reliance on mostly unfunny self-deprecating humor.
To mention how effective the script is would probably be a moot point. Anybody watching this movie wants to see it for the shark attacks. Howard Sackler and Carl Gottlieb do a reasonable job of repeating what was successful in the original story without completely ripping it off. This time around, there's no compelling monologue like Robert Shaw's retelling of the fate of the men on the U.S.S. Indianapolis, but the screenwriters can be credited for not writing any laughably ludicrous dialogue. When the stranded teens argue, everything they say is reasonable within the context of the situation they're in.
The film's performances are overall decent. Roy Scheider has always been one of my favorite actors; he's easily the best here and is very good as the man determined to save his sons. Martin Brody is still by all means a great character, and Scheider's portrayal of him as an everyman caught up in a terrifying situation makes it extremely easy to sympathize with him. Lorraine Gray is decent as his wife and though she gets more screen time than before she's still not given a chance to fully flesh out her character. And, boy, we all saw her character develop in Jaws the Revenge, but we all know how that turned out. Murray Hamilton and Joseph Mascolo are appropriately sneaky and sly as the town mayor and real estate developer. They're really not so much people as they are those who have to be wrong all the time. It's a cliche, and it's not as effective as it was in Jaws. I can't really say which actor who portrays the teens does the best job. They're all fairly equal and they are pretty good at not annoying us, which makes it easier to feel for them when the shark attacks begin.
It's basically like this: when the film takes place on land, it's sometimes slow-moving and not always interesting. When it's on water, it's often exciting and tense, with suspense that sometimes equals the original. It's definitely not as great a thriller as Jaws, but it is a worthy sequel and certainly is better than the likes of Deep Blue Sea, Anaconda, and Lake Placid.
A lot of people come under the misconception that only Jaws is good while all the sequels are bad but that's not entirely true. Of course Jaws 3D and Jaws the Revenge are the ones you should definitely avoid at all costs but Jaws 2 is the one that gets under-looked and unfairly rated because of the bad rep the later sequels did. I assure you all, Jaws 2 is nothing like those said bad sequels films, in fact this film is actually as enjoyable as it's preceding film.
Like a proper sequel should do it directly continues from where the first film left off with most of the same characters returning including main protagonist Police Chief Martin Brody (Roy Scheider), he is just an excellent main character, it wouldn't be a Jaws film without him who has the unfortunate task of dealing with another man eating shark that is terrorising the sea of this island resort town of Amity. Although the film starts off slow but as more of the film gets going the better it becomes. I loved the moments when the shark kills the victims like a horror villain should.
Now of course Jaws 2 may not match up to the original film but at least the people who made this film actually tried to make a good film with a decent story. I enjoyed it and I highly recommend it, it's one of the many underrated sequels that should be given a chance.
Like a proper sequel should do it directly continues from where the first film left off with most of the same characters returning including main protagonist Police Chief Martin Brody (Roy Scheider), he is just an excellent main character, it wouldn't be a Jaws film without him who has the unfortunate task of dealing with another man eating shark that is terrorising the sea of this island resort town of Amity. Although the film starts off slow but as more of the film gets going the better it becomes. I loved the moments when the shark kills the victims like a horror villain should.
Now of course Jaws 2 may not match up to the original film but at least the people who made this film actually tried to make a good film with a decent story. I enjoyed it and I highly recommend it, it's one of the many underrated sequels that should be given a chance.
While Steven Spielberg's "Jaws" a dark, scary, and gripping thriller, "Jaws 2" is a scary movie for kids who don't really want to be scared. The imagination and unique style that Spielberg put into the original is sorely lacking here; this is merely a teenagers-in-jeopardy thriller as hordes of sailboating teens are terrorized by the giant killer shark. Spielberg did not expose us to the actual shark until much later in the film, which added to the heightened tension. We see the shark up close right away in this film, and it's no sense of terror. The shark chomps on water skiers, attacks boats, drags a helicopter out of the air and into the ocean, snacks on scuba divers, and the day is once again saved by Chief Brody (Roy Scheider.) With all this chomping and chewing going on, "Jaws 2" is oddly ineffective and unscary. While alot of kids were genuinely frightened and scared by the original "Jaws," this sequel is more like a carnival ride that provides a few thrills but is forgotten after it is over. The music by John Williams is absolutely fabulous and the atmosphere is sunnier this time around, but "Jaws 2" fails to satisfy. It's just alot of kids screaming and falling in the water. While the original is a horror masterpiece, this is an O.K. film for squeamish little children.
If I were to make an appropriate comparison, Jaws 1 was a White shark bite, ferocious and huge, Jaws II would be a bite from a Blue Shark, still nasty, but lacking the ferocity.
The film reminds me of the Halloween follow up in so many ways, the first being a moment of cinema where the game was changed, a massive act to follow, both feel like a direct continuation of the first, both have quality, but lack the originality and impact of their predecessor.
Jaws II is slow to start, but as it gets going it really cranks up the tension, featuring some really good, tense moments. The shark has become a psycho killer instead of just a predator, and is now intent on killing its victims in the way Michael Myers did.
Some good strong special effects, I thought in several scenes the shark looked very realistic, I've never been a fan of the ending though, it's just a bit silly. Roy Schneider clearly did not want to do this film, and I think it shows in his performance, he is not happy.
It's a pretty good sequel, trouble is the original is a classic.
The film reminds me of the Halloween follow up in so many ways, the first being a moment of cinema where the game was changed, a massive act to follow, both feel like a direct continuation of the first, both have quality, but lack the originality and impact of their predecessor.
Jaws II is slow to start, but as it gets going it really cranks up the tension, featuring some really good, tense moments. The shark has become a psycho killer instead of just a predator, and is now intent on killing its victims in the way Michael Myers did.
Some good strong special effects, I thought in several scenes the shark looked very realistic, I've never been a fan of the ending though, it's just a bit silly. Roy Schneider clearly did not want to do this film, and I think it shows in his performance, he is not happy.
It's a pretty good sequel, trouble is the original is a classic.
Was it as good as the original? Spoiler Alert: Flat out NO. However, it wasn't a terrible movie either. It had some good fright scenes, great acting by Roy, and an overall enjoyable time. This movie should be in the 7 range, as it's far better than the other two sequels, and better than any other modern day shark attack movie.
Did you know
- TriviaThe movie's tagline "Just when you thought it was safe to go back in the water . . . ", became one of the most famous and popular taglines in motion picture history. The blurb has frequently been spoofed and referenced in both social vernacular and in other movie promotions as well.
- GoofsWhen the kids are lifting the unconscious Mike Brody out of the water and the shark swims past the side of the boat, the main pneumatic piston in its mouth can be seen, and the mouth gets all bent out of shape when running alongside the boat.
- Quotes
Martin Brody: But I'm telling you, and I'm telling everybody at this table that that's a shark! And I know what a shark looks like, because I've seen one up close. And you'd better do something about this one, because I don't intend to go through that hell again!
- Alternate versionsTwo additional scenes were shot but cut from the final version. These are not included as part of the "deleted scenes" on the DVD releases, however were originally included in '80s Brazilian TV broadcasts and their first-generation CIC VHS. These scenes involve Hendricks and Red taking Tom Andrews and his partner out to the missing divers' cruiser, where they dive on the wreck of the Orca and recover the divers' camera. This scene takes place after the montage of the kids going day sailing (which ends with Doug being hit with the water balloon). Following this is the scene in Brody's office where Phil Fogarty complains about the kid's radio. Extended dialogue and interaction with the other irate townspeople present follows, including Brody conversing with (a recast) Polly.
- ConnectionsEdited into Cruel Jaws (1995)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Les Dents de la mer, 2ème partie
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $81,766,007
- Opening weekend US & Canada
- $9,866,023
- Jun 18, 1978
- Gross worldwide
- $187,884,007
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