Oeil pour oeil

I SPIT ON YOUR GRAVE is a straightforward rape/revenge drama with the tone of a documentary.

The coverage is plain, there is no music, there are no "stars", there are no concessions to a mainstream audience.

The exploitation film audience may be served, although the rape sequences are neither dynamic nor stylish.

Camille Keaton (Buster's granddaughter), a writer, drives to the country to stay at her house on the river. Local losers stalk her and rape her and rape her again.

The rest of the film details the victim's bloody revenge.

Labeled rubbish by the ignorant, this is very restrained exploitation that is often perversely effective and confronting.

The rape sequences are nasty and ugly, not enhanced by camera moves, rich sound effects or lurid angles.

On the other hand, the revenge sequences are more cinematically manipulative and poorly executed.

An intriguing document of merit.

I tried to watch this film once before and made it up to the second rape scene before leaving the room, believing I was seriously about to throw up. I finally forced myself to watch it all the way through recently, and I'm glad I did.

Jennifer Hill is a young, hip, free-spirited woman of the 70s, who leaves her home in New York City for a long vacation in Connecticut, where she plans to write her first novel. Jennifer soon attracts the attention of four lowlife scumbags as she sunbathes in her bikini. The semi-evolved thugs kidnap Jennifer, drag her into the woods, rape her, beat her, sodomize her, beat her some more, follow her home, rape her again, kick her when she's down, make fun of her manuscript, rip it to shreds, rape her with a bottle, beat her up one last time and leave her, bleeding and unconscious on the floor of her vacation home. Damn. They send the retarded Matthew back into the house with a knife and instructions to kill her, but Matthew can't bring himself to do it. He tells the guys that he has killed her, and they stupidly believe him and leave. But Jennifer is alive, and as she heals from her hideous wounds and recovers her strength, she plots revenge against her rapists.

Roger Ebert called this the worst film ever made and feminists damned it to hell for all eternity, but you know what? I'm a woman and I liked it. Jennifer is no weak, whimpering, helpless little victim. She tries her best to fight back. When threats and violence fail to work in her favor, she uses the only other weapon she has: sex. The men are all stereotypical slobs, disgusting pigs who are clearly already emasculated and use Jennifer as an outlet for their frustration and rage. The rapes have nothing to do with sex and are portrayed most realistically - they are ugly, brutal, violent, nasty and completely devoid of eroticism. The sodomy scene was the one scene that horrified me the most, as Jennifer emits the most bloodcurdling scream of pain ever heard. It is very difficult not to flinch from that sound. Jennifer's revenge is every bit as bloody and painful, and nowhere is it more sadistic than in the infamous "bloodbath" scene. These guys all get what's coming to them, and Jennifer makes sure that the punishment fits the crime, turning the men into the helpless, pleading victims and feeding their own sadism right back to them.

Okay, so not all of the plot points make sense, and not everyone is going to agree with Jennifer's decision to kill the men, but it's still a powerful film. It's told primarily from Jennifer's point of view but it never takes sides. It simply tells the story and lets you decide - is Jennifer an insane psycho-killer who ought to go to jail for her crimes, or is she an angel of vengeance delivering poetic justice?

Scaredy cats like me might prefer to watch this film with the audio commentary by Joe Bob Briggs turned on. Joe Bob provides a lot of interesting information about the making of this film, and also supplies some much needed comic relief throughout.

I am honestly kind of surprised by the lack of reviews in the 4-6 out of 10 range. To me, that's exactly the range this movie belongs in.

First of all, I'd heard of how controversial this film was since I was in high school (around the year 2000) but never quite had the urge to seek it out considering it was commonly described as being mostly just rape, I suppose. Finally, in 2019, I felt it was the right time - and, it lived up to it's legend, in the sense that the majority of the movie really was just one long, extended rape scene. 2/3 of the film basically revolves around that, I'd say. I definitely haven't seen that in any other movie, ever, which does give this film it's own identity. But, as one would assume, it's not pleasant. It's also not impressive in the sense of realism, or in any sort of artful manner. So, instead, you're just choosing to watch an hour of gritty, artless, trash film rape. Since this is the majority of the film, this is what loses it the most points. I seriously doubt I will ever watch it again.

I think the movie is a bit long for what it is. If it were hyper-realistic, the grueling pace would make more sense, but since the acting is schlocky, it would have made more sense to move things along quickly. I really think this film would have served a lot better as a 80-85 minute feature rather than a 100+ minute one. Those 15 minutes of cuts could make a world of difference.

The complete lack of soundtrack also gives the film a lot of it's own unique character. While a haunting score is generally one of my favorite elements of vintage horror, I ended up admiring this movie's complete lack of one. The sound of the motorboat coming really does become I Spit On Your Grave's "theme song", and it's pretty effective in that regard.

On the plus side, Camille Keaton really does bring a lot to the role. This was a very brave performance on her part and the shift from battered victim to sly vengeance seeker is actually believable and satisfying. Though the final act wasn't enough to redeem the movie much as a whole, I did find the acts of vengeance to be quite satisfying and memorable in comparison to a lot of forgettable horror deaths throughout history. I also enjoyed the cinematography for the most part - as often stated, it has a very real element of amateurism and also voyeurism to it, which adds a lot to the gritty surrealism of it. All the distant, out-on-the-water shots really did create quite a bit of an out-in-the-middle-of-nowhere ambiance.

This is a controversial cult classic for a reason. If you're a fan of gore, exploitation, or movies that push things as far as they can go, then yes you should absolutely see this. If not, don't even think about it!

In summertime, the aspirant New Yorker writer Jennifer Hills (Camille Keaton) rents a lakeside cottage in the woods of the peaceful Park Hell Lane, Connecticut, to write her first novel during the vacation. A couple of days later, she is successively and brutally gang raped by three local bigoted rednecks and one retarded delivery boy from the supermarket. The humiliated and abused Jennifer does not report the sexual assault to the police and a couple of weeks later, she is physically recovered and has just plotted revenge against the rapists.

"Day of the Woman" is extremely realistic and violent; therefore the simple and scary story is absolutely credible. The unknown Camille Keaton has an amazing performance, especially in the impressive long sequence when she is repeatedly beaten and raped. However, this gore movie is only recommended for very specific audiences and prohibited to sensitive persons due to the savagery of most of the scenes. My vote is seven.

Title (Brazil): "A Vingança de Jennifer" ("The Revenge of Jennifer")

You plan to spend the summer locked away, in a cabin in the woods is where you'll stay, start to write a piece of fiction, enjoy your time without restriction, what could possibly go wrong, get in the way? It's not too long before you're woken from your dream, as four assailants hunt you down and make you scream, raped and beaten left for dead, terror, fear, alarm and dread, but you will get recompense, and start to scheme.

A vicious and brutal piece of filmmaking that has the remarkable Camille Keaton excising a violent attack from her mind by replacing those memories with ones that are far more rewarding.