La colline a des yeux

On a road-trip through the New Mexico desert, a family stranded in the area finds that a group of inbred, cannibalistic hillbillies have targeted the group and are set on killing them for food, forcing the family into a desperate race to stop them and get away alive.

This here was quite the fun if slightly flawed effort. When this one works, it's mainly due to the fact that there's quite an effective atmosphere here of being out alone in the wilderness. The film does an incredible job in the first half of depicting the desert of this one as creepy and chilling which really makes it so that being trapped on an open road in the middle of nowhere is a pretty terrifying ordeal and forces the ultimate traveling nightmare. The darkness that surrounds the family is terrifying, as anyone or anything can hide in there, and this film provides that fear in spades as tons of times we see or hear all these sights and sounds that would terrify any sane person. That gets exemplified best in the one scene of the characters run down the highway in the dark as these crazy laughs were heard echoing alongside him, a pretty terrifying ordeal, and it only gets better from there. That comes from the rather impressive event that kick-starts the film into overdrive which is the main assault on the van as the family gets into attacking the trapped members during an insanely fun ploy here, as the mounting tension plays into the initial first trap before the charge into the van and all the battles to confront them attempting to escape as well as one of the most horrendous acts ever committed to screen, and the audacity to pull it off and make it as striking as it is a huge testament to do something like that. By subjecting us to this scene, it works to keep the audience on the edge because now we don't know what else will be thrown at us and become anxious as the waiting game begins. The best part is the events that follow as the film is all action featuring plenty of solid action as the brutal encounters offer a lot of great moments. Also great is the family has a creepy air around them that makes us all become scared of them, and along with their great behavior patterns are the best parts. It doesn't have too many flaws here as the main issue is the illogical manner of getting them on the shortcut which really makes no sense and features plenty of stupid character decisions to move them along. There's also the manner of the rather sloppier effects for the gore and kills which does take away a bit of their effectiveness. Otherwise, this is quite an enjoyable effort.

Rated R: Graphic Violence, Graphic Language, attempted rape, violence-against-animals and children-in-jeopardy.

Wes Craven's second film is well-crafted and frightening to say the least. LAST HOUSE ON THE LEFT was more realistic (almost too much), but this perfect drive-in movie leaves you wanting more. It must have been an unbearable shoot. Check out the 2-disc DVD.

A definite 7 out of 10 with Michael Berryman giving the best performance. Perfect locale in these California mountains that is scarier than the Bates Motel. Great cast with all unknowns. Dee Wallace was quite touching as the young mother and the old Grandpa Fred in the beginning was authentic to the max! Even if you're not a big horror fan, you should check this out late at night. Wes Craven has a good eye and feel for blood relations!

Wes Craven's 'The Last House On The Left' is a horror milestone. It's a very crude and uneven movie, but still for me a very powerful one. It contains some scenes that are still extremely intense and disturbing, and that have rarely if ever been surpassed in subsequent horror movies. I don't known if Craven is embarrassed by it or what, but he seems to have distanced himself from it in his subsequent career. He went on to make several movies that were much more commercially successful, but were a lot tamer and much more viewer friendly. 'The Hills Have Eyes' is almost a transitional movie, the beginning of the slow journey from "old" Craven to "new" Craven. Compared to 'Last House...' it's a walk in the park, but alongside say the 'Scream' trilogy it looks the Manson family's home movies! Craven was still working with a very low budget compared to the mainstream, but for him it was a big step forward from 'Last House...' the results are not as shocking and confronting but it's a lot more consistent and technically more efficient, so I can understand why some horror buffs regard this as his best movie. Personally I find it difficult to choose between the two. The story concerns a family on a road trip looking for a silver mine they have acquired. There's Dad (Russ Grieve) a retired cop, Mom (Virginia Vincent), and three kids - Brenda (Susan Lanier), Bobby (Robert Houston) and Lynne (Dee Wallace). Also along for the ride is Lynne's husband Doug (Martin Speer) and their baby. Despite warnings from a local old coot (John Steadman) they stray from the main road and soon find themselves stranded in the desert. Little do they know that Jupiter (James Whitworth) and his cannibalistic clan, which includes sons Mars (Lance Gordon) and Pluto (Michael Berryman) have sniffed them out and are miiiighty hungry! Craven manages to create a lot of tension in this movie, the "normal" family are realistic and convincing, especially when things begin to fall apart, and Jupiter, Mars and Pluto are three fantastic baddies. Michael Berryman really capitalizes on his naturally odd looks (the results of multiple birth defects), and steals every scene he's in. Of all the cast Dee Wallace went on to the highest profile career ('The Howling', 'Critters', 'E.T.' etc.), but this movie made Berryman into a horror icon. James Whitworth is also terrific, and Lance Gordon gets THE line of the movie ("Baby's fat. You're fat... fat and juicy."), but Berryman outshines them both in the same way that Krug (David Hess) dominates his gang in 'Last House...' I like this movie a lot. I don't think it's as impressive as 'The Texas Chainsaw Massacre' or 'Dawn Of The Dead', but it still deserves a place among the best of 1970s American horror, and should be watched by anyone with an interest in the genre. If Craven had retired after the double punch of 'The Last House On The Left' and 'The Hills Have Eyes' he would be a horror legend. Unfortunately he didn't, and went on to be involved in some very lame movies (especially the sequel to this which should be AVOIDED AT ALL COSTS!) This decision has obviously proved to be very financially rewarding for him, but it is one that will forever divide horror movie fans.

While traveling in a trailer through the desert to California, the retired detective Big Bob Carter (Russ Grieve) stops in an isolated gas station with his family for fueling and rest. Bob is traveling with his wife Ethel (Virginia Vincent), his son Bobby (Robert Houston), his daughters Brenda (Susan Lanier) and Lynn (Dee Wallace) and his son-in-law and Lynn's husband Doug (Martin Speer) and their daughter baby Katy (Brenda Marinoff). When they leave the gas station, the owner advises Bob to stay in the main road. However, the stubborn driver takes a shortcut through a nuclear testing site and wrecks his station wagon. With the family stranded in the middle of nowhere, Bob and Doug walk on the road trying to find some help. Bob is captured by an insane and sadistic member of a deranged evil family that lives nearby the spot. Doug returns to the trailer, and along the night the Carter family is attacked by a group of psychotic cannibal criminals. Absolutely trapped by the murderers, they have to fight to survive.

The 1977 "The Hills Have Eyes" is still an impressive movie thirty years after the release date. I have never had the chance to see this low-budget movie, which has not been released on DVD in Brazil, and the VHS is rare. The violent, crude and claustrophobic story has not been dated; on the contrary, I believe it is more credible in the present days, when we can see violence everyday on the news, than in 1977. This movie is certainly one of the best in the filmography of Wes Craven. The cast is pure emotion and fear on the side of the Carter family, and evilness and sadism on the side of Jupiter's family. Ruby, performed by Janus Blythe, is probably the most interesting and ambiguous character, living with a dysfunctional family but still acting like a human being. My vote is eight.

Title (Brazil): "Quadrilha de Sádicos" ("Sadistic Gang")

Note: On 30 December 2014, I saw this movie again.

Note: On 09 July 2020, I saw this film again on DVD.

A Wes Craven classic, he truly nailed the suspense and the awkward atmosphere of the beginning. Almost nothing is revealed to the viewer until the later half of the film, which greatly increases the horror of the movie as a whole.

Despite the crappy cheesy costumes and really bad wigs this still manages to hold up pretty well because its all go from beginning to the end and it should have you one the edge of your seat. Basically a cast of unknowns, with Michael Berryman's performance the stand out.

Along with the Elm street series it's arguably the greatest contribution from Wes Craven.

This style of movie has been copied over and over since, but this one stands out from the rest for genuine horror fans.