Le ciel peut attendre

I couldn't think of any other way to describe it in the summary - so I used the word "classy". That's right, classy. It probably stems from the fact that the movie is done in such good taste - very appealing and witty humor.

The entire cast does an absolutely perfect job in this movie. From Warren Beatty, to James Mason (is James Mason physically capable of putting in a bad performance ? ), to Buck Henry, to Jack Warden.

Perhaps the two best performances are Charles Grodin (the slimy personal assistant to Leo Farnsworth),and Dyan Cannon as the psycho Julia Farnsworth. They are both brilliant in their roles.

Very worth watching. Also worth more than its IMDB 6.9 rating.

Although made in the very late 1970's, "Heaven Can Wait" is really a throwback to a bygone era of fantasy film-making. Hollywood offerings such as "The Bishop's Wife" (where Carey Grant plays an angel), "Angels in the Outfield", "It's a Wonderful Life", and "Here Comes Mr. Jordan" (which is actually the inspiration behind "Heaven Can Wait") were innocent 100-minute escapist fair whose only mission was to entertain. Some modern offerings include "Mr Destiny", "Maid to Order", and the TV shows "The Flying Nun" and "Touched by an Angel". None of these kinds of films have much in the way of cutting social commentary or even ground-breaking cinematic techniques. However, their entertainment value is very high, being nothing but. "Heaven Can Wait" is this kind of a movie, maybe the perfect "chick flick" as it combines fantasy, football and even a little love story.

The story is relatively simple: Joe Pendleton (Warren Beatty), a quarterback in the twilight of his career, feels destined to make it to the Superbowl. The LA Rams, his team, are in the playoffs. One day during early-morning training after consuming his liver-and-whey shake, he bicycles into a tunnel where two large vehicles taking both lanes are charging from the other direction of the tunnel. Looks like Pendleton will be playing in a Superbowl coached by Vince Lombardi with George "The Gipper" Gipp as one of his teammates. The next thing he knows, he's jogging among clouds with an escort (played by writer-director Buck Henry who also played the hotel attendant in "The Graduate") in a suit and tie trying to get him to stop running around. Pendleton is still in his athletic clothes sporting a soprano saxophone and doing push-ups among the fluffy billows. He doesn't quite realize he's died. Or has he? Turns out the escort made a mistake: Pendleton would have survived, perhaps avoided, the collision, but the escort nabbed him from his body before the resolution of the event, relying on "probability and outcome", a recurring theme of the movie. Pendleton was not due for many decades.

His case is taken up by Mr Jordan (James Mason in one of his later roles) a kind of heavenly supervisor who apparently coordinates peoples' souls. Realizing the mistake, Jordan takes Pendleton back to earth to find him a new body so he can live out the rest of his life as he was meant to. The only one available is the body of millionaire Leo Farnsworth who has just been murdered care of his estranged wife and personal assistant, played brilliantly by Dyan Cannon and Charles Grodin. One of the best scenes is when Pendleton reappears as Farnsworth, and Cannon nearly has a conniption. Pendleton, now as stuffy gazillionaire Farnsworth, must forge a way to get back to the Rams in time for the Superbowl.

The aspect that saves this film from falling too far into sentimental gush or absolute unbelievability is the quality of the acting of the leads (particularly Warren Beatty, Charles Grodin, Dyan Cannon, Julie Christie, James Mason, and Jack Warden as Max, the Rams' trainer) coupled with a fine screenplay. Everything is believable. Certainly the whole concept is just about as far-fetched as the Land of Oz, but you never contemplate that possibility for a moment. For some reason, everything works, and you run with it, not unlike "It's a Wonderful Life". As silly and fantastical as it is, the trip is well worth it.

Enjoyable "It's a Wonderful Life"-styled remake of "Here Comes Mr. Jordan", a memorable and sometimes forgotten production from 1941. An over-zealous angel (Buck Henry) takes the quarterback of the Los Angeles Rams (Oscar-nominee Warren Beatty) before his time. Naturally the body is cremated and Henry has to find Beatty another one. Beatty is then re-incarnated as a recently murdered billionaire. This development confuses the billionaire's two-timing wife (Oscar-nominee Dyan Cannon) and accountant (Charles Grodin, also Cannon's lover). Beatty promptly purchases his former team and makes himself the quarterback with aspirations of leading his club to the Super Bowl and winning it. Also along for the ride is the love interest (the always excellent Julie Christie) and the hard-nosed head trainer (priceless Oscar-nominee Jack Warden). "Heaven Can Wait" is a film that teaches about love, compassion, friendship and good moral values. Co-writer/co-director Beatty (nominated in both categories) is the primary catalyst here. His ability as a film-maker raises the movie to a near classic level. Admittedly the production never does quite reach the greatness of films of the type from the 1940s, but still ends up being one of the major winners from the 1970s. Co-star Henry shared a directing nomination with Beatty. Is it just me or do you miss having the Rams in Los Angeles? 4.5 out of 5 stars.

6.9 is not a terrible score on here, but for a movie of this quality it is a shame. I very rarely have given a film a 9 and it is very unusual for me to give a higher than average score. This was my favorite movie when I was a kid and when I saw it again recently I was just as impressed as an adult. The cast was excellent and they managed to evoke much emotion out of a fairy tale like story. One of the few remakes worthy of discussion. I would consider this a must see for anyone who has any kind of feelings whatsoever.

After appearing the rare Mike Nichols misstep THE FORTUNE (1975), it took Beatty three long years to return to the screen with the genteel comedy/fantasy HEAVEN CAN WAIT (1978). In addition to essaying the lead role, Beatty also made his debut in the director's chair, with the assistance of legendary comedy writer Buck Henry (who also plays a supporting role in the film). A remake of 1941 semi-classic HERE COMES MR. JORDAN, HEAVEN CAN WAIT may not surpass the delightful whimsy of the original classic, but it emerges as somewhat of a modern classic in it's own right. The film was an instant hit with both critics and audiences, was nominated for an astounding 9 Oscars including "Best Picture," and remains a magical film that is almost impossible not to love.

Beatty not only proves himself to be a perfectly competent film director, and the picture also provides the star with one of his best roles as an actor. Beatty's good-natured football player Joe is the exact type of lovable stud that you cannot help but fall for. The film's screenplay takes Joe from earth to heaven and to back to earth again through an assortment of various bodies, and Beatty's easygoing charisma holds it all together and keeps viewers involved in the story and fixated on the screen. This is a star performance if there ever was one, and Beatty has rarely been more likable.

The rest of the cast is particularly winning. The still silver-tongued James Mason (in a part originally offered to the retired Cary Grant) as the heavenly Mr. Jordan and the endearing gruff Jack Warden are perfect as father figure-types for Beatty's Joe, and Charles Grodin and Dyan Cannon are absolutely terrific as the film's pair of villains. The only performer missing the boat is a blah Julie Christie, who is pleasant but unconvincing in the sadly underwritten role of the ecologist love interest of the body Beatty has temporarily inherited. It seems as though the creators thought dressing Christie in frumpy wardrobe and frizzy hairstyle was enough to give the character depth, but all they succeeded in was making a natural beauty look rather hideous.

The film is a joyous, comedic piece of whimsy that manages to incorporate slapstick comedy, romance, fantasy, and even an underdog sports story without ever feeling bloated or disjointed. The true emotional highpoint comes with Mr. Jordan's farewell to Joe, as well as Max failing to recognize him in his new body. The rather shallow development of Christie's character leaves the film's THE WAY WE WERE-like finale ringing a bit hollow, but it's still an effectively bittersweet coda nonetheless. This film launched a major revival of whimsical comedies that remained popular until the late-eighties, and it easily remains the best effort of this revival.