Gant d'acier

This movie isn't the best thing I've ever seen, but as a fun PI flick from the late seventies it gets the job done and has a quirky personality of its own. In other words, it isn't an exploitation classic or an ultraviolent actioner, it kind of just is what it is. The great John Saxon is great here, as a down on his luck PI. His somewhat over the top narration is fun. Rosy Grier is great as an angry convict out for revenge. The movie doesn't really have much of a drive, there are many pointless scenes, but it doesn't really bore either. The ending is excellent, with a big surprise at the last minute. Overall, if you aren't expecting some 70s cult phenomenon and you like John Saxon, its worth watching.

A film like this can't be rated on any normative 1-10 scale which we usually enlist to appraise the world's great cinema landmarks. This movie appeals only to the shrewder connoisseur of the halt and the lame, the distressed, and the warped. There is no scale for such a movie as 'The Glove' (except perhaps if we use negative integers or decimals).

'The Glove' has that quintessential charm of the 1970's movie. The grainy stock, fuzzy sound recording, squinty leading men, large automobiles, aimless & episodic screenplay; yes, everything right down to the sentimental piano notes in the score wordlessly 'decrying the violence deep inside man'.

The plot is simple at first. Hulking Marauder, methodically eliminating Taxpaying Citizens in a Relentless Revenge Ritual. Big and ugly in the black leather outfit (+ black motorcycle visor helmet?? yes!) has some incredible wicked strange instrument of death--fascinating in its own unique way--a bonafide 'restricted' riot-glove {sometimes used by law enforcement personnel in the course of their 1970s duties}. You can still buy these via mail-order, you know. They are fearsome devices. OK so, simple plot wrapped around an obscure piece of morbid guy-gear--true. But this film is not without character or psychology.

I say, any film with Rosy Grier is worth a look. Need I remind you of 'The Thing with Two Heads'? Now, in this movie, Grier plays his role with restraint and aplomb. Let's give him some credit. Even if just for his sheer physical size, he is interesting to watch. Combine that with his wispy, faint-hearted voice (in this film, philosophizing about 'defining boundaries' and 'the cyclical nature of violence' and you have the basic ingredients for a memorable cult film. In one scene he even plays guitar.

In fact, he is jovial throughout most of the flick. It's perfect. He plays the anti-hero well, and by the end of the movie, fully manages to evoke a twinge of sympathy. Makes an engaging contrast with our growing suspicion that of course, it is him committing these brutal executions.

The violent scenes we witness (as the film develops), fyi, are not boring at all! Lovable Aldo Ray (another big guy, remember him from 'Battle Cry'?) getting "the Glove treatment" while he is trying to instead cage some nooky in the shadowy back seat of what looks like a Chevy LeSabre. Coitus interruptus! Fantastic. 70's film-making at its seamy best.

Another great 'Glove revenge' scene: a revisitation of that old stand-by of the 70s thriller--masked assailant and victim thrashing around in a brightly-lit bathroom, with the shower curtain flailing wildly around and the light strobing. Ending with victim seeping blood over white grouted porcelain tile. Classic.

As for John Saxon: he is fine in this movie. He does his best. Makes it look sincere as he can. He has a secretary he is pursuing, debts to pay, a young daughter to raise, a great old Caddy convertible to keep up--this is a sensitive guy. You can see he is not really that into the violent side of his work. This is a character that has some delicacy, not just the usual 70s slob cop/bounty hunter/detective.

Saxon's character is soft-spoken--shrewd--and good at his job, where his job requires brainwork. Where it requires the strong arm stuff--well, we see that he gets by. But here's where the psychology comes in: Grier (the suspect) is not just a dumb ex-con and through their game of cat-and-mouse he gradually works on Saxon and makes Saxon at least see Grier's motives for the crazy glove killings.

So the interplay between Saxon and Grier is basically where it's all at in this film. And of course that fiendish glove. You just gotta wonder what its like both to hit someone with that thing and also to get hit by it. Anyway, Grier, tired of being chased, forces Saxon to give him a fair fight. And he gets it. And that Glove is used one last time.

Guys, a good fight scene like this deserves our esteem. Take another look at what's going on. Would you accept the terms of the final fight as laid down by Grier? You can at least see how smart he is, by arranging it just in this manner? Its clever resolution to what would be, in any other movie of the same stripe, just another shootout.

This movie is worth recalling in any retrospective of twisted B-violence flicks. I personally, will always recall 'The Glove' with some fondness.

Oh God almighty, what a weird film this is! It starts out with a

horrendous theme song (with a singer that sounds like Englebert

Humperdink!), and it follows a grisly attack by a huge soul-brother with a glove that can kill with even a flick of its finger! John Saxon is the only saving grace for this movie as a smooth-talking bounty hunter

tracking the glove-man. Everything else, well, let's put it this way: it's like Ed Wood deciding to make a sleazeball action movie from the

late 70's and early 80's. That's how bad the film is!!

Shot in 1978 but released in 1980, "The Glove" (also known under an alternate title as "Blood Mad") is a competent B-movie featuring John Saxon as a latter-day bounty hunter, not unlike the character played by Steve McQueen in his final pic "The Hunter". A gratuitously violent subplot involving vengeful Roosevelt Grier provides the film's title but throws it off its dramatic tracks in an unsuccessful effort to cater to the blood 'n guts market.

Saxon plays an ex-ball player and ex-cop, eking out an existence by chasing down bail jumpers. He voices over his world-weary lament in well-written film noir fashion, but the film's episodic structure, and flat, unatmospheric direction fail to capture the ambience of those '40s pics.

Saxon's possible big score comes when a Prison Guards Association offers a $20,000 reward for the apprehension of Grier, who is on a revenge rampage beginning with his brutal attack on guard Aldo Ray at film's outset. Grier was motivated by the ruthless treatment he received in prison from guards equipped with a "riot glove". Supposedly invented in the '60s to deal with student riots and outlawed after its use in prisons, the metal and cloth glove is the film's gimmick. Dressed in black with helmet and the glove on to wreak revenge, Grier looks like a refugee from "Rollerball" in his violent scenes. Stuck with an absurdly underwritten role, Grier is Mr. Nice Guy when not cracking heads, wont to serenade ghetto kids with his guitar.

As pic meanders along to the inevitable he-man showdown between Saxon and Grier. Saxon impresses with a strong, personable performance which indicates he could be a solid detective-type hero if given better material. Girlfriend Joanna Cassidy is a distinctive presence stuck in a non-role, while various guest stars (including the late Joan Blondell) have little to do in their episodic cameos. Social consciousness in the violent finale is very poorly conceived as the filmmakers contrive to whip up audience support for mob violence and then cop out with "There has to be another way" line of dialog. Tech credits are okay.

My review was written in January 1981 after a 42nd St. Theater screening.

John Saxon is a down at heel bounty hunter chasing down a criminal with $20,000 on his head.

The film is, despite the lurid poster and overblown opening theme song, a character story about the life of a bounty hunter. I must admit, I was hoping for a dumb action flick with a huge guy dressed in riot gear and wearing riot gloves going on a rampage. Riot gloves are are armoured and weighted gauntlets which are used to beat people into submission. In fact the glove only really plays a big part approximately three times in the whole film. The film is pretty dull in actual fact, except for a couple of unintentional laughs. It's cheesier and cornier than Veggie Supreme pizza and not really worth watching.