Furie

A man discovers that his telekinatic son has been kidnapped and is being exploited for his powers. He seeks the help of a young woman who has similar powers to help him locate his son, but it might be too late, because with each growing day he becomes more violent and out of control.

Ambitious horror/suspense film is perhaps one of the scariest, most disturbing and violent films ever released into mainstream America. It reaches tremondous heights for a film in this genre, because of the terrific performances from everybody in the entire cast, top notch direction, superb score, and sensational editing that keeps things tight and never lets the suspense to ever lag. A masterpiece for the horror genre and one of De Palma's best.

Rated R; Extreme Graphic Violence, and Profanity.

Fortunately, De Palma's hyperbolic, visually compelling, science fiction occult espionage thriller moves so fast that the ludicrous dialog, indifferent performances, and Swiss cheese plot don't spoil the fun. The Fury starts from an interesting premise, but De Palma is clearly more interested in the spectacular set pieces than logic or characterization. The potentially most interesting character Robin is off screen for too long and instead we get low comedy relief with Mother Knuckles and the off duty cops in the Caddilac. Also, Gillian's mother and the students at the Paragon Institute seem to disappear. And where Sissy Spacek was touching as Carrie, Amy Irving and Andrew Stevens as psychic teens who unleash the fury are whiny and callow, and you don't really care about their fates. Though Douglas, Snodgress, Cassavetes and De Palma regular William Finley ( Raymond Dunwoodie) are always interesting, the rest of the cast is pretty bad. And a scene between Irving and Douglas on a bus is embarrassingly bad. Still, The Fury with its telepathic visions, its pulse pounding score by John Willams and Richard H. Kline's elegant deep focus cinematography is superior to junk like The Eyes of Laura Mars. De Palma pulls out all the stops and creates some spectacularly over-the-top scenes. Faults and all, The Fury is more entertaining, and less pretentious and derivative than most of De Palma's more recent efforts to say nothing of Dressed to Kill, Body Double, Obsession, Wise Guys, Carlito's Way, Raising Cain, and The Bonfire of the Vanities.

Does anyone remember the famous Star Trek episode, one of the earliest ones where an encounter with an anomaly in space leaves Enterprise crewman, Gary Lockwood with powers and abilities far beyond those of mortal men? If you'll remember he was abandoned on deserted asteroid. The Fury deals with a young man on the way to being another Gary Lockwood.

Young Andrew Stevens has those abilities already, they just need to be focused and developed. Stevens is being raised by his widowed father Kirk Douglas who's a government agent. A raid while they're on vacation in the Mediterranean by some Arab terrorist types allows a ruthless bureaucrat played by John Cassavetes to separate father from son. Stevens believes Dad has died, but Kirk doesn't swallow that so easy.

Kirk's on the hunt for his son and the quest takes him to Chicago where people like Stevens with paranormal abilities are being studied and tested so the USA can have them as a weapon. Carrie Snodgrass and Charles Durning are working there as well. And so is Fiona Lewis who's been given personal charge of Stevens and develops the kid's libido as well as his telekinesis.

Brian DePalma directed this film and it's a good one with outstanding performances by all the cast. Look for a good performance from Amy Irving as another young person with such abilities who literally makes Cassavetes fall apart at the end. And there's a memorable bit from a younger and thinner Dennis Franz before the gain of weight and loss of hair that we all know as Detective Andrew Sipowicz. Franz plays a Chicago police officer who's something of a doofus.

Fans of Brian DePalma in particular and horror films in general will very much like The Fury.

Peter Sandza (Kirk Douglas) a government agent is betrayed by a fellow friend/agent Ben Childress (John Cassavetes), who kidnapped his son for his psychokinetic powers. Where we learn that a secret US agency is holding him and that he's being used in dangerous mind experiments. So Peter gets help from a girl with similar abilities to locate his son's whereabouts.

I wasn't expecting too much from it after borrowing it off a friend that recommended it to me. After seeing it, it's probably De Palma's most underrated film in my books. It might not have dated that well and the premise of the film might be considered ludicrous now, but it doesn't stop it from being an exciting adventure.

This is a flashy and mostly fast-paced thriller by director Brian De Palma. It does have a couple of slow moments and maybe it was a tad too long, but it's well compensated by superbly tense situations and blistering action sequences, especially in the first opening hour involving Douglas's character when his son is kidnapped and when his hiding out from government agents. There are also some scenes that are not recommended for the squeamish. As some scenes are filled with a lot of blood and more blood. It's rather graphic violence. Not to forgot the whooping and hearting-pounding conclusion. The make-up and special effects throughout the film are truly stunning.

The plot basis is on psychokinetic powers and at times it's rather absurd and incoherent. With some incredibly cheesy moments within the dialogue. Though, the direction is what covers the story's inconsistencies, with great and simply memorable set-ups and some well-shot scenes. The music score is fairly effective in building up the tension and thrills, but also it has an impact in the quieter moments.

There are great performances from the experienced Kirk Douglas (who's incredibly fit for his age and has some physical roles) and Cassavetes, who really boost and add some class to the film. There is such a great chemistry between them and Cassavetes is simply riveting as a conniving agent. Amy Irving was good in her role as Gillian Bellaver, the girl who is having trouble coming to grips with her strong psychokinetic powers. Though, the same can't be said about the rest. As Andrew Steven's as Robin Sandza is incredibly hammy and Carrie Snodgress as Hester is fairly irritating.

I wouldn't class it as one of De Palma's best, but still it's far away from his worst. Overall, it's a fascinating set-up that has its fair share of flaws, but that doesn't disrupt entertainment factor.

Suspense, thrills and grisly killings by imitative director Brian De Palma . This scary triller is plenty of mystery , intrigue , suspenseful and creepy scenes . It is a potentially brilliant and ingenious chiller that concerns about a government agent , Peter Sandza , (Kirk Douglas , he was aged around sixty-one years of age , Kirk was cast as the lead because director had felt that his previous picture had suffered at the box-office without a name draw-card) determined to come to his son's (first major cinema movie role of actor Andrew Stevens) rescue , when a sinister official (John Cassavetes) kidnaps him to harbor his extremely powerful psychic abilities . As he is forced to take on a super-powerful government agency called MORG (it stands for the Multiphasic Operations Research Group) which has kidnapped his son with psychokinetic skills . The intrepid father is helped by a good friend called Hester (Carrie Snodgress) . And then things really get worse . Meanwhile , a young girl (Amy Irving who married Spielberg , she attended a biofeedback clinic to learn about different levels of consciousness, as she had a better sense to play) who personally experiencing psychic changes is taken in a strange Institute of supernatural forces . Peter uses desperate attempts to save hid gifted son from being used or destryed . At the end takes place the ultimate revenge story .

This stylish chiller contains long-drawn-out tension , flash violent scenes and shock effects with the accent on gas-provoking , but on most occasion without finesse . Adding special characteristics techniques as ominous camera movements and wide screen . This flick was made and released about two years after its source novel of the same name by John Farris was first published in 1976 ; Farris also wrote the screenplay for the film . It is is a contemporary thrilling tale that utilizes the average man against the unknown approach that made Hitchcock 's suspense films so effective . All this said , the mechanics of suspense are worked quite well and may frighten the easily scared quite badly , but De Palma has made a habit of dwelling on their more sordid shoots . Director 'Brian de Palma''s second movie featuring Telekinesis, his first had been Carrie (1976) , as actress Amy Irving appears in both films . In fact , this picture has often been described as a cross between The Omen (1976) and a peculiar follow-up to Carrie (1976) . Very good cast plenty of familiar faces such as John Cassavetes , Charles Durning , Rutanya Alda , Fiona Lewis , Carrie Snodgres and William Finley who played for De Palma , Phantom of paradise . Being the first film for both Daryl Hannah, Laura Innes and look fast James Belushi as an extra , as you can see him in a pair of dark trunks a few steps behind Irving . The film displays a great and haunting musical score by John Williams , previous his fruitful collaboration to Steven Spielberg ; he composed in the style of a Bernard Herrmann score from an Alfred Hitchcock movie . Furthermore , appropriate and colorful cinematography by excellent cameraman Richard H Kline .

The picture was brilliantly directed by Brian De Palma , adding special characteristics techniques and special camera movements . The movie was realized during his period when Brian made outwardly odes to Hitchcock , such as ¨Obsession¨ , ¨Sisters¨, ¨Dresssed to Kill¨ and ¨Blow out¨ . Rating : Above average , as it gets some riveting basic ideas and fascinating images. Essential and indispensable watching for Brian De Palma buffs and Kirk Douglas fans .