When a liberal music station's owners decide to introduce army recruitment ads, despite the protests of its manager, the rebellious DJs are determined to fight back, no matter the cost.When a liberal music station's owners decide to introduce army recruitment ads, despite the protests of its manager, the rebellious DJs are determined to fight back, no matter the cost.When a liberal music station's owners decide to introduce army recruitment ads, despite the protests of its manager, the rebellious DJs are determined to fight back, no matter the cost.
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The soundtrack is pretty middle of the road, but it's good to hear songs that the years have ground into mush briefly re-contextualized into their natural habitat. I can't think of a better way to hear a lot of late 70's radio fodder ("Baby Come Back"; Billy Joel) than within the confines of this movie.
The film's plot centers on Station Manager and Morning Man Jeff Dugan. Dugan has the right idea, in keeping the station "Q-Sky" as uncommercial as possible. He LOVES playing GOOD music and so dislikes the idea of selling too much airtime to advertisers. Especially when it is the Army that wants to buy airtime, with high spot rotation in prime time hours.
That doesn't sit well with Dugan, and he tries his best to avoid "cashing in" on the deal. Wow, imagine that, a Station Manager who refuses good money! Dugan even attempts to ignore his corporate boss' desire to accept this package. Dugan finally gets so tired of saying "no, no, no!" to the Army and his boss, that he quits.
The rest of the on-air and support staff like Dugan a lot, and they dislike the fact that he quit. So they plot revenge against the same people Dugan was fighting with. Their idea of revenge is to go on strike, on the air. They dump all the commercials and go wall-to-wall music.
If you tried something like this in corporate radio today, kiss your job goodbye. So many radio stations today have taken the approach that Dugan so willingly and unselfishly fought against.
So if you like films about radio, or if you want to get a glimpse of how radio really "should be" today, you might find this film worth watching. This movie includes a good musical soundtrack, with bits of songs that were big in the 70's
Good concert footage of Jimmy Buffet and Linda Ronstadt give a sense of what live concerts were at the time. Of the performers while all are good a few stand out. Martin Mull is a hoot as the egotistical and somewhat child like disc jockey Eric Swan and the great Eileen Brennan makes a lot out of her small part as the world weary DJ Mother. No one did world weary as well as Eileen Brennan. Not a great picture but for any music lover unmissable.
Did you know
- TriviaOften believed to be the inspiration for the sitcom WKRP in Cincinnati (1978), but in fact the pilot for that sitcom was filmed before this film's release.
- GoofsWhen Eric Swann returns after his erroneous on-air silence and after his Marcel Marceau "save", the song he plays (Player's "Baby Come Back") actually begins in the middle instead of at the beginning, as it should.
- Quotes
Jeff Dugan: Do you like music?
Regis Lamar: I can take it or leave it.
Jeff Dugan: I'm throwing a concert tonight... you ought to come. It's with Jimmy Buffett.
Regis Lamar: I love buffets, what are they serving?
Jeff Dugan: Regis, you and I are gonna get along just fine.
- SoundtracksQSKY Jingles
Written by Barry Fasman
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Details
- Release date
- Country of origin
- Language
- Also known as
- FM
- Filming locations
- 8801 Sunset Blvd West Hollywood, California, USA(Record store scene, specifically Tower Records. A real world location. Building still intact, but redeveloped.)
- Production company
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Box office
- Budget
- $2,000,000 (estimated)
- Runtime1 hour 44 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1