Mort sur le Nil

Holds up well, even after multiple viewings. The violence for a PG rated movie is affectively brutal. A slew of great actors fleshing out memorable characters; what more do you need? One of the better movie adaptions of Christie's extensive library, even with a few of its more detailed threads reduced in film form. (It rarely hurts the story)

This contains one of Mia Farrow's best performances.

The screen version of Agatha Christie's Death On The Nile would be one of the definitive adaptions of the very old fashioned(but still strangely popular) murder mystery genre. After twenty-seven years the movie holds up very well.

The most was made of the Egyption setting of the film as it was filmed mostly on location and the stunning ancient sites of Egypt are filmed beautifully. Tourism in Egypt apparently increased significanlty after the film's release. Not surprising.

Also making the film a treat is the wonderful cast. Peter Ustinov stepped into the role of Hercule Poirot for the first time and despite no resemblance to Christie's descriptions of Poirot, made the role his own for the next decade. Ustinov gives a stern but comic portrayal of Poirot which is balanced with the casting of Ustinov's close friend David Niven as Colonal Race, Poirot's sidekick.

Heading the feast of suspects is the legendary Bette Davis as a grand dame with a sour Maggie Smith as her paid nurse/companion. There bickering scenes together are a hilarious highlight of the movie. Angela Lansbury is also a scene stealer as a tipsy, uninhibited novelist who does a hilarious tango with David Niven. Mia Farrow delivers a very good dramatic performance, as the women scorned which almost steers away from the usual cardboard stereotype characterisations of Agatha Christie.

Director John Guillerman let his great cast have fun with their characters partly because veteran thriller writer Anthony Shaffer wrote the screenplay. Although the murder mystery is a clever one and played out very well Shaffer injected the script with more wit and spice than the original novel had. (The Bette Davis and Maggie Smith scenes being the best example) The soundtrack of the film is an underrated gem with veteran composer Nino Rota producing a grand, sumptuous, inviting and mysterious soundtrack which perfectly complements the setting and the drama. Also his arrangement of the tango tune "Jealousy" is the best I've ever heard.

All this makes for a fun, lively old fashioned treat of a film that can be returned to from time to time.

An heiress is murdered while honeymooning on a Nile cruise. Fortunately, the famous Belgian detective Hercule Poirot is holidaying on the same paddle steamer, and begins an investigation. However, it would seem that all of the other passengers on board have clear motives for committing the murder.

This was the second of Agatha Christie's novels featuring Hercule Poirot to be filmed, after the success of 'Murder On The Orient Express' a few years earlier. The great Peter Ustinov, who so recently passed away, took on the role this time, and injected it with his own droll humour. Indeed the whole film seems rather tongue in cheek, with the all star cast having fun with their roles. Bette Davis, Maggie Smith and Jack Warden all enjoyably ham it up, but Angela Lansbury manages to outdo them all with a delightfully over the top performance as the perpetually drunk author of erotic novels. David Niven, ever the archetypal British gent, proves a good foil as Poirot's partner in the investigation.

Where the film really scores is in the locations and photography. Egypt proves a stately backdrop to proceedings and veteran Cinematographer Jack Cardiff makes the most of it. The 1930's setting also gives an air of genteel opulence to the surroundings. While the film couldn't claim to be a classic tension filled mystery, it is a pleasant, laid back and enjoyable entertainment, that's clever enough to keep you guessing until the end.

This film has to be one of my all-time favourites! I must have seen it at least 100 times and I always enjoy it as much every time. One of the greatest casts EVER, music is stunning (NINO ROTA) and the scenery is breathtaking. SEE IT. There haven't been many films like this and there certainly haven't been any to match it since when it comes to this particular genre. Surprised it hasn't been released on DVD yet.. oh well.

I had read DEATH ON THE NILE (probably Christie's best novel, superior to the overrated MURDER ON THE ORIENT EXPRESS) before I saw the movie, so I was sure there would be no real suspense. But, to the everlasting credit of everyone involved, the movie does manage to hold the book's air of mystery throughout. It's not as faithful to the book as it could have been--a whole major subplot is given just a few small scenes; several characters who were more substantial in the book are reduced to barely more than window dressing--but it is remarkably true to the main story, sticks to it nicely, and allows both Poirot and the viewer to come to such a completely logical conclusion about the murder that you will wonder on repeat viewings how you could have possibly missed the clues the first time.

The real gems in this film are not the leads and big names, but the smaller parts--Simon MacCorkindale as Doyle, Lois Chiles as Linnet, Jane Birkin as Louise. In particular, Simon MacCorkindale (more familiar to American audiences from MANIMAL, FALCON CREST, and COUNTERSTRIKE) is a criminally underused actor, and he does a spectacular job here in this, his first movie role, playing the hopeless and hapless Simon Doyle, caught between two captivating women (Lois Chiles and Mia Farrow--wow, what a choice to have) and ultimately driven by greed as he chooses between them.

This film is finally out in DVD, and widescreen at that, so if you like good murder mysteries and old-fashioned costume dramas, pick yourself up a copy and prepare to be entertained.