Zombie : Le Crépuscule des morts-vivants

Dawn of the Dead is a brilliant film. You gotta love those zombies. I loved the bit where one of the bikers arm got stuck in the blood pressure machine and the zombies ate him alive. If you're going to see it, make sure it is the Director's Cut.

Sequel to "Night of the Living Dead". In this one it seems the dead are taking over the country. Four people (three men, one woman) escape to a shopping mall and try to fight off the living dead and figure out what to do.

It starts off great with a confusing and VERY gory sequence and then sort of slows down when they get to the mall. There are still the occasional bouts of gore but it quickly turns into a satire on consumerism! There's nothing wrong with that but it makes that point...and keeps rubbing it in the audiences face. It slowly starts to get dull...until a gory rampage kicks in to end the movie.

In 1978 this was considered a strong movie in terms of gore and satire. The gore still works (there's a lot and it's graphic) but the satire seems very dated now. Still this is a classic--in its way. It was released unrated but no one under 17 was allowed in the theatre. Despite that it was a big hit and a rare horror film that critics actually liked. I remember finding this great back in 1979--but it seems kind of weak and dated over 20 years later. However the gore still holds up and it does have a few moments guaranteed to make you jump. Great music score too. I do agree it's a classic but I can truthfully only give the movie a 7. The satire really weighs this down.

This movie has always been a big favorite of mine. I went through a zombie phase in high school and this is, hands down, the best zombie film ever made. With all the crap coming out today, it still stands out.

Dawn is a great satire of materialistic modern society. All of the performances are spot on, George Romero's writing and direction is flawless as usual, and the gore is brilliant. What could be better than a bunch of zombies taking over a shopping mall? That's right, nothing.

If you call yourself a horror fan and you haven't seen the original Dawn of the Dead, you need to get with the program immediately! No one messes with Romero, no one!

Some people believe that "Dawn of the Dead" is the greatest zombie film ever made. I respectfully disagree. While it is certainly "one of the best", I am a firm believer that its predecessor, "Night of the Living Dead", deserves that honor. Be that as it may, this movie essentially takes up where "Night of the Living Dead" left off. The zombies have multiplied to an extent that society has broken down and chaos has emerged. In this environment, four humans (3 men and 1 woman) have escaped by helicopter to an abandoned shopping mall. Realizing that this is a good place to hide out, they decide to make it their temporary home. It has food, liquor, guns and ammunition. It even has an arcade for entertainment. Their main task then, is to secure the mall to keep the zombies out. Once this is accomplished though, the zombies on the outside continue to want to get in. And they never quit trying. Unfortunately, the zombies aren't the only ones who want to get in. At any rate, rather than give away the entire storyline I'll just say that this film has plenty of blood and guts for the hard-core fans of this genre. It also has some humorous scenes interspersed throughout as well. And while some of the humor is a bit over-the-top, it just seems to fit in for some reason. The acting is decent and the director (George A. Romero) is probably the world's greatest expert when it come to this kind of film. That said, I thoroughly enjoyed this movie and I think that most zombie fans would probably say the same thing.

Thoughtful if unsubtle epic follow-up to Night of the Living Dead was one of THE influential movies of the late 70's; pity, then, that the people it influenced paid more attention to the amped-up gore than to the sense of contained hysteria that makes what should be tough going (there are basically three scenes in this movie: zombies attack people, people attack zombies, people stand around talking) a uniquely involving and provocative self-analysis of the zombie film.

The symbolism is, well, not delicate. Just in case we missed it the first time, the trope that the mall attracts the zombies "because it was an important place to them" is repeated for our rumination. But the overall sustained atmosphere, inside and outside of the banal environment of the shopping mall, is by far the film's salient contribution; even when there is no obvious action onscreen, there is the threat of an attack to come, and the clock is clearly ticking on the four protagonists during their idyll. Moreover, it takes the conspicuously familiar and catapults it into an apocalyptic situation, creating a powerful sense of displacement.

The violence, which is primarily what draws people to or repels them from this movie, comes on strong, but quickly becomes monotonous (as it is, the vast majority of the violence in the movie is inflicted against the zombies rather than by them, though is none the less repulsive for that); the scariest part of the movie is how plausible it makes the concept of total disintegration of what we perceive as civilization. The soundtrack, highlighting pulsing, insistent synthesizer chords, contributes much to the onscreen tension, which the action choreography is exemplary. An unlikely masterpiece.