Dimension de la mort

Life. It is a strange merry-go-round. Events and situations can change a man. A near death experience, the birth of your first child, a new found skill. For me, it was this movie. Suffering manic depression from the loss of my job and recent death of my beloved wife, I stumbled into the video store whacked up on Prozac. "Help me!" I said to the confused Video Store Clerk. "Only one thing can help you now" the teenaged Messiah said, as he slipped me a copy of the 1978 Masterpiece "Death Dimension". I liken this movie to having your first beer when your fifteen, cold, refreshing but with an underlying tone of naughtiness, with a bit of pizzazz thrown in. What can I say.... Myron "Bruce" Lee? You are a God. You make Jet Li and Chuck Norris look like a couple of half-baked sissies who couldn't rip wet toilet paper in half. Thank god Christopher Walken shunned the role of Captain Gallagher or our pupils would not have been treated to the precision like pistol whippings of Georgie Laze. Wrapping up this cultural melting pot of actors is the Giant of Afro-American cinema, Jim Kelly. He rips on to the screen like a young Fred Astaire, and dances his way in to our hearts. Not since "Casablanca" has A black-Kung Fu teaching cop, Australian detective and Taiwan-born sidekick so deliciously melded together to form an acute crime-fighting team hell-bent on stopping a Korean obese man from instigating the destruction of the world. Death Dimension? More like `Out of this world' Dimension, this movie deserves to be placed along side other classics such as `Gone with the Wind', `Ben Hur' and `Police Academy 4: Citizens on Patrol'. Wow, Al Adamson, you've blown us all away again, if you don't stop this soon I'll never get to wash my soiled underpants. 5 thumbs up.

Despite the ratings I found this to be the second best "Jim Kelly" movie I have watched. (And by that I mean one where he is top of the bill, so not the likes of "Enter The Dragon" or "Three The Hard Way"). In other words better than "Black Belt Jones", "Hot Potato" or "Black Samurai".

Why? Mainly because the action is for the most part competently choreographed and shot when compared with the others. The cutting and camera angles make for better movie action viewing.

The second thing which makes this more fun is the novelty cast, which include, George "James Bond" Lazenby, Harold "Odd Job" Sakata, Aldo Ray, the ever reliable Bob Minor and Myron "Bruce" Lee" (Myron? Really?). Lazenby, contrary to his reputation, can act quite adequately, but he can't fight convincingly in this company, which is where the competent use of cutting and camera angles come in. Sakata can't act, but he is the most iconic Bond villain of the Connery era, "Odd Job", so it doesn't really matter. Turns out he can't fight convincingly either and on this occasion the action Director doesn't come to his rescue for some reason, which is disappointing. Aldo Ray's career peaked early, around 1955 when he was in "We're No Angels" with Bogart and Ustinov, and his acting channels all the grumpy frustration that he must have been feeling by this time;- finding himself down among the B movie bottom feeders. Meanwhile Jim himself is in as good form as I've ever seen him.

The plot premise is ridiculous but barely explored, used merely as a "McGuffen" to set the ball rolling, the plot structure is routine but serviceable and the dialogue banal, but in the World of Jim Kelly movies that is all par for the course.

More than one dimension, possibly two dimensions, but not three.

I think anyone studying film making should be required to watch this film, and learn how NOT to make a film! This is just plain stupid!! I can see why the "Goldfinger" director had OddJob mute. Because Sakata's line readings are so bad, they might as well have dubbed in his voice. Why was poor George Lazenby cast to play in such trashy films? Was he really that bad in "On Her Majesty's Secret Service"? Did the director of this film think that by casting two Bondian actors in this film that he would be raising the production value of such a horrible script? The action scenes are so tame and unexciting, that you can't believe why Jim Kelly would allow this to be vehicle in his career after the success of "Enter The Dragon". The only one aspect of this film worth viewing (with the exception of the Bondian actors) is the soundtrack. Not that it's completely brilliant, but it definately has a Rare Groove edge to it (if that's your bag), but I doubt a Soundtrack album ever accompanied this "drive-in" "B-" movie. Oh, and Jim Kelly has a cool red jump suit to wear. But that's about it. If the opening scene (with a woman getting stitched up in a nauseating slow pace) doesn't get you to turn the video off, the action will slowly put you to sleep. Only interesting if you were ever curious to see what George Lazenby got up to after his turn at James Bond.

This film begins with a scientist by the name of "Dr. Mason" (T. E. Foreman) implanting a microdot containing top-secret information related to some environmental research into the forehead of his attractive assistant "Felicia" (Patch McKenzie). Immediately afterward he is then summoned by a ruthless man named "Santo 'the Pig' Massino" (Harold Sakata) who has essentially been holding both Dr. Mason and Felicia as hostages and forcing them into misusing their knowledge of the environment to construct a devasting weapon known as a freeze bomb. Fortunately, while Dr. Mason is reporting to Santo, Felicia has taken the opportunity to escape from the fortified compound without being detected. Not only that, but anticipating Santo's wrath, Dr. Mason also injects some poison into his body so that Santo has no ability to retrieve the valuable information he possesses as well. Needless to say, this infuriates Santo who immediately sends his Haitian hitman "Tatoupa" (Bob Minor) to find Felicia and bring her back at all costs. Meanwhile, upon learning of the death of one of their agents investigating Santo's operation, "Captain Gallagher" (George Lazenby) sends "Lt. Detective I. J. Ash" (Jim Kelly) to find Felicia before Santo and his men manage to catch up to her. Now, rather than reveal any more, I will just say that this film certainly had some potential as it contained a fairly decent plot and several good actors to carry it to fruition. What it didn't have, however, was capable direction as most of the action scenes looked poorly stages and extremely cheap. Not only that, but the scenes involving Jim Kelly's martial arts abilities could have used serious improvement as well. That being said, considering the actors involved, I was rather disappointed with this movie and I have rated it accordingly. Below average.

Well, the cast of this movie certainly has great cult value: Jim Kelly, George Lazenby, Harold Sakata. The movie itself, however, is not as much fun as it could have been. Kelly still has the moves, but while some of his fighting isn't bad, it is spoiled by the unslick presentation (lighting, framing, etc.). Sakata is, for me and many others, an iconic presence: his Oddjob is arguably the best henchman in the entire Bond series. However, his role here adds nothing to his stature, in fact it probably detracts from it. Lazenby's participation is minor. The film is poorly directed, and obviously drawn-out at the climax. Worth a look for its cast, but don't expect too much. (*1/2)