Damien : La Malédiction II

This sequel to THE OMEN is a "fun" film. It continues the story of the anti-Christ Damien into his teenage years and his years in military school. Now adopted into the family of his father's brother, an unsuspecting Damien is unwittingly at the centre of a plot to bring Satan's son to the threshold of power. Everyone around him is at risk as the secret of Damien's birth is under threat of exposure by forces emerging from around the world - and at the root of this threat are the mad depictions painted on an ancient wall that reveal the very face of evil.

Jonathon Scott-Taylor gives a commanding and creepy performance as the ultimate misfit son. Looking particularly significant in his military outfit, Scott-Taylor captures - as much as the script allows him - the torment of self-discovery as the truth of his existence is revealed to him. The script could have demanded more from such a fascinating scenario, and tried to make Damien more of a Miltonic Satanic Hero, but the film chooses to go for as much shock value whenever it can. Mysterious and violent accidents - linked by the ever-present shadow of a raven of death - dominate this movie from beginning to end. The scene involving an ill-fated lady on a deserted country road is one of its most grotesque. As death and destruction mount, Damien goes from self-possessed orphan to self-recognized supreme power in the span of two hours.

William Holden and Lee Grant play Damien's surrogate parents, Richard and Ann Thorn. They are not really allowed to display their incredible talents in this film, but Holden does fine trying to duplicate Peck's memorable performance in the original. Grant does what she can with this supporting role, but has a great moment in the film that proves worthy to wait for. The always wonderful Sylvia Sidney makes a memorable appearance as one of Damien's greatest "thorns" - the troublemaking menace Aunt Marion. And the ending is a bit of a shock if you watch the film closely, particularly if you listen to the exposition early on in the film about "The Whore of Babylon."

Another highlight is Jerry Goldsmith's title score - empowering, commanding and downright evil, the opening score is one of my favorites.

Although not as creepy as the first film, DAMIEN: OMEN II has its moments, and is worth seeing for anyone who likes to have a fun time with all this biblical stuff.

If you liked the first installment, you probably will like Damien-Omen II. It still has the creepiness involved in the first movie and the theme of good vs. evil. But like the first Omen movie, it is quite predictable. Some of the kill scenes are good though, especially the elevator scene.

Take a shot and rent this one. Just don't expect to see a classic.

"Damien Omen II" should of been in reality the third film in the "Omen Series". The producers for some reason decided to age up Damien which proved problematic for this film.

David Seltzer, who wrote the first film's screenplay, was asked by the producers to write the second. Seltzer refused as he had no interest in writing sequels. Years later, Seltzer commented that had he written the story for the second Omen, he would have set it the day after the first movie, with Damien a child living in The White House. With Seltzer turning down Omen II, producer Harvey Bernhard duly outlined the story himself, and Stanley Mann was hired to write the screenplay.

This film is a little slow. The original director (Mike Hodge) was replaced. Now how much material that he shot that ended up in the final film is unknown to me.

This film main problem is that there is almost no element of surprise discovery for the audience. The death scenes however are still effective (Even to this day) and it does scare you but not as much as the original did.

The film is worth watching because the film is has Adult Actors that know how to act.

Damien:Omen 2 is a very enjoyable sequel to The Omen in my opinion the first is better but i did enjoy this also. This film was released in 1978 2 years after the first and it tells the story of Damien the Anti-Christ who is now age 12 he is starting to understand his duty in the line of Satan whilst a strange crow eliminates any people who know his real identity and are seen enemies in the eyes of Satan. This film is not the best in the Omen series but it is a very watchable film, it isn't a film that will bore you to death and it isn't a film that will keep you on the end of your seat for 100 minutes but i do recommend it to the people who are interested in these films it is a clever entry in the omen franchise

***/*****

One more example that a sequel can be the equal, or even better sometimes, than the original, the first opus. Here it is exactly the case. Richard Donner was busy elsewhere with SUPERMAN filming, so Don Taylor was hired, after Mike Hodges left, to direct this one. Former actor Taylor proved he was a good film maker with ESCAPE FROM THE PLANET OF APES, another sequel of a not less excellent series, and so the result is here. I felt excatly the same joy and pleasure, excitement with this one, as for the previous stuff: Richard Donner's movie. Production design, acting, directing, editing, special effects, overall atmosphere are absolutely the same, if not maybe a bit better. William Holden as comfortable as Gregory Peck two years before. I think the EXORCIST sequel - during the same period, late seventies - was a bit different from the William Friedkin's first opus of the franchise. But Boorman's film was certainly not less interesting, just different. A simple smart declination of the genuine material. Here, I repeat, the difference between the two features is very very thin, IF there is a difference. Watch out for the elevator and train sequences, scenes that could have inspired FINAL DESTINATION films series....