Blue Collar

Excellent urban drama depicting the lives of three friends who work at a car plant, and plan revenge on their boss. Pryor is great in the lead role, which is probably his best performance in a movie. Schrader does a fine job in his directorial debut and makes this film a pure enjoyment. Bravo for Keitel and Kotto in their supporting roles. A highly underrated film that deserves much better than it got.

4 out of 5

I had to admit something to myself after watching Blue Collar; that I have preconceptions about any movie starring Richard Pryor. Pryor made so many silly comedies like "Stir Crazy" and "Moving" I tend to want to dismiss or label every movie in which he appeared...bad move. Blue Collar is a highly entertaining film that works on several levels. Most of all it scores as a raw, gritty, muckraking type of film exposing the corruption of labor unions and corporate America. Secondly, it works pretty well on a comedic level, but its funny because it's real. The acting here is top notch and Pryor really stands out, and as good as Harvey Keitel is as an actor, Pryor matches him step for step.

Zeke, Jerry and Smokey (Pryor, Keitel and Yaphet Kotto) are three buddies working for the Auto union at Checker Automotive. (a real car maker that allowed the movie to be filmed at their plant, after the big three rejected it) By day, they weld, paint and rivet, by night, they drink and party and concoct schemes to get ahead financially. Eventually they stumble upon a ledger that contains proof that their union is corrupt. They decide to blackmail the union bosses and things start to get complicated. At this point, the film starts to take a more serious tone as the union fights back in a way nobody expected. Zeke is the only one of the three the union bosses are very concerned about and soon he is being offered a promotion.

Pryors even-keeled performance is the key to the film. He's tough and unflappable but smart enough to know when to give in to the powers that determine his fate. His decisions aren't necessary the ones you expect out of a Hollywood movie, but they are the ones that would likely be made in real life....and thats part of the tragedy.

Another great aspect of Blue Collar is the bluesy soundtrack by Jack Nitzsche, with guitar work by the legendary Ry Cooder and the title track performed by Captain Beefheart. The establishing scenes over the opening credits are highlighted by the blues soundtrack with actual punch press sounds incorporated into the music. Its really unique... and a special nod needs given to director Paul Shrader, who handles the films change in tone nicely, and gives the film a tightness and realism that keeps our attention focused throughout.

The movie Blue Collar, viewed today, is like a living time capsule from the 1970s. Lynyrd Skynyrd on the Jukebox, "Good Times" on the TV and Strohs Beer being served at the local Bar. Blue Collar will have a special significance for those who (like me) are from the Midwest...the rust belt. This all seems so familiar, the mindset of these union workers, the us against them mentality...feeling defeated by the system...too far in debt to go a different route in life.

Some of the characters here remind me of the fathers of some of the kids I grew up with. It left me contemplating the question -were we better off when the auto unions were stronger or not? 'real wages' haven't gone up in nearly 40 years. We lose more jobs overseas every year. Were the times depicted in Blue Collar actually the "good old days"?...or more like, the last of the good old days?

When Smokey makes his cryptic speech about "the old being pitted against young, black being pitted against white, everything they do is to keep us in our place"...He isn't just talking about the labor unions, I think he is talking about the whole system itself. Scary thought.

Paul Schrader is often overshadowed by his more famous collaborator Martin Scorsese, which is a shame, because despite Schrader's own movies being wildly uneven, when they are good they are very good indeed. 'Blue Collar' is one of his very best works. A funny, sad and powerful look at three working class guys in a Detroit car factory, it is one of the last Hollywood movies to seriously look at your average working joe and the problems he faces on a daily basis. The three leads are all wonderful, and despite rumoured off screen problems, show a lot of genuine rapport and comaraderie. Harvey Keitel ('Mean Streets', 'Bad Lieutenant') is one of the finest actors of his generation, and Yaphet Koto ('Alien', 'Live And Let Die') is a well respected character actor, but the revelation here is funny man Richard Pryor ('Silver Streak') who displays a depth of talent few would have thought him capable of. The three buddies are joined by a first class supporting cast including Lane Smith ('Over The Edge'), Cliff De Young ('The Hunger') and George Memmoli ('The Phantom Of The Paradise'). Also keep an eye out for a brief cameo by future 'Repo Man' star Tracey Walter, who Schrader also used in a bit part in his next movie 'Hardcore'. 'Blue Collar' is a fine movie, one of the most underrated of the 1970s, and still relevant and powerful twenty five years later. Don't miss it.

Certain films remain at the back of one's mind for many years. The first time I saw the film, on television, I was impressed by the realism of the situation and honesty of acting. The film is enhanced by the driving power of the theme music. Years later, I again saw the film on television and was reminded of it and how good it is. The lead actors, Yaphet Koto, Harvey Keitel and Richard Prior, must have enjoyed much critical acclaim from fellow actors for their performances. I would recommend it to anyone who enjoys a good story without too obvious predictability and easy options, especially those who think that all American movies are romanticism floss.

After years of reading about this Paul Schrader drama, I finally watched Blue Collar on Netflix Streaming. It stars Richard Pryor, Harvey Keitel, and Yaphet Kotto as three auto assembly workers who feel let down by their bosses and the union rep they don't trust. While Pryor does have some comic moments, he's allowed to be more serious when the film takes a route that challenges these three friends' loyalty to each other. Keitel and Kotto are also very compelling especially when the story concerns the latter's fate. And the score by Jack Nitzsche and Ry Cooder really pours the blues on. So on that note, I recommend Blue Collar. By the way, having noticed that the movie is produced by Norman Lear's company of T.A.T. Communications, he certainly wasn't above plugging his shows "The Jeffersons" and "Good Times" by putting some long clips in when the characters are watching television!