American Hot Wax

This movie is based very loosely on the career of Cleveland disc jockey Alan Freed and his contribution to the development of rock 'n' roll. I thought the acting was way over the top. I do appreciate Tim McIntire's portrayal of Freed. He put the point across that Freed lived and breathed rock 'n' roll and introduced a score of hit makers to the world. But remember he was also trying his best to better his own career.

My favorite part of the movie is the finale where wild man Jerry Lee Lewis stands singing on top of a piano in the middle of a riot. Chuck Berry helped make the move legit. And Screamin' Jay Hawkins brought the house down.

I hate to say that I thought the whole movie was pretty much self serving, but very fun to watch. If you were a teen or near teen as I was when the real thing was happening, you will certainly start having flashbacks.

Also in the cast are a very young Jay Leno and Fran Drescher. There is also Laraine Newman and Melanie Chartoff way before they made careers in comedy. You also might notice Hamilton Camp, Moosie Drier and Brenda Russell.

Watch this again and don't be afraid to let the good times roll.

This movie has heart, soul and a passion for the music. A loving tribute to an exciting era. I grew up in Philadelphia, where guys doo-wopped in garages and on street corners, hoping Alan Freed would someday play their song. This movie successfully shows how important our new music was to us. Long Live Rock and Roll!

This film was the great story of Alan Freed, his struggle to bring black Rythym and Blues to the forefront, and the events of one such Rock and Roll show set in the mid 1950's. Alan Freed has been said to have coined the term 'Rock and Roll', but long before he used this word it was used in old blues songs for many of the same reasons: To describe a feeling.

My interest in this film had to do with one performer who wasn't mentioned in the credits here at IMDB and that was Jerry Lee Lewis. He chose to play himself in an earlier setting and his performance was a wee-bit more electrifying than those charming Chesterfields: Who were they anyway and why were they in this movie? I know, they used them to illustrate the struggling groups at that time... The movie was only successful as far as I was concerned by the appearances of Jerry Lee Lewis, Chuck Berry and Screamin' Jay Hawkins. Where was Fats Domino and where was Little Richard? Well, we got a glimpse of what was supposed to be Little Richard, out in the alley playing drums on the garbage cans. I think that the message there was that black performers of the day just didn't get a fair shake...We all know that this really isn't true, but we also know that many of them were exploited merely because they didn't know business too well, and for one bottle of whiskey a good blues recording could be made, a contract signed and the pockets of the smarter, more knowledgeable white businessmen in the record industry lined as the royalties rolled in, signed back to the studio instead of the artist. Alan Freed did a lot for black rythym and blues. He took the heat in the payola scandal when others like him, who by then, had branched out into television went away free as a bird. Alan Freed made no apologies: The black Rythym and Blues would have a place in history---- even at the expense of shows being closed down because of that so-called 'negro music'. The IRS thing was just the excuse-- Alan Freed was a hero and in my book, he still is. The appearance of Fran Drescher and Jay Leno is amusing to look back on today, but in no way do they help to accurately portray the story of Alan Freed, the big Rock and Roll shows, and the success of the Rock and Roll that we have come to know and love today. If you see this movie, get a good book on Alan Freed and read it. It will help. The movie really doesn't convey the story with as much passion as the real bio of the man Alan Freed does. Still a great soundtrack to have in your LP collection. Jerry Lee's segment will rock away all of your blues....

The anachronisms fly in this Hollywood rendition of the beginnings of Rock and Roll (a genre best defined as the introduction of black Rhythym and Blues music "crossing over" to white teenage audiences in the early and mid-fifties).

The subsequent discovery of the economic power of these teenagers buying the records would change popular music forever.

The movie is redeemed by some energetic youthful performers and the exuberance that was such a feature of the time. But nowhere near enough credit,however,is paid to the original black harmony groups who were overwhelmingly responsible for this explosion of a new popular culture without precedent in US history. They are overshadowed by white single performers who Freed never played.

The movie stars Tim McIntyre, son of renowned character actor John McIntyre, delivering a sensitive portrayal of Freed. A pretty Fran Drescher is here before she assumed her affected froggy-voiced caricature so familiar today. Jay Leno is here also, sincere as always, and quite good as Freed's chauffeur.

Framed around the payola scandals, an ill-disguised attempt to destroy the music and its too-black associations, Freed was convicted of what was hardly a major offense (a common practice in the industry at the time), lost his job, and died a few years later. It's hard to convey today how virulent was the opposition to this music by the moral majority of that time.

One has only to listen to the Chesterfield's ersatz performances in the movie imitating Frankie Lymon and the Teenagers, which are workmanlike, and then listen to the original. It is probably the best way to understand how this movie doesn't quite measure up to the reality it is trying to describe (what Hollywood movie ever does?). The real Frankie Lymon had a voice that was simply unbelievable, and a stage presence that awed Bing Crosby (!). Frank Sinatra, uncharacteristically, said he had never seen nor heard anything like him. (Crosby and Sinatra had been invited to the Apollo to see Lymon). Frankie Lymon died tragically about a decade later - long forgotten, and a microcosm, perhaps, of the black groups who started the whole thing.

Worth watching, but for a more truthful approach to the music itself, and much grittier, catch the earlier rock movies from 1956 with the real Alan Freed and the great original artists. Not much plot, but - oh! what performances!

While a lot of movies have tried to show what the early rock'n'roll era was like -- American Hot Wax is the only movie that showed us what it FELT like.

Jerry Lee, Chuck Berry, Screamin' Jay Hawkins, and groups put together for the movie -- The Chesterfields (as Frankie Lyman and the Teenagers), The Delights (as The Chantels), and Timmy and the Tulips (as The Fleetwoods) -- Man Oh Man -- Wowee! These last three groups were in some ways better then the originals -- if that's possible. Check out those "Dee-Lites!"

What music, what a house band! What a recreation of an early rock'n'roll show in a movie theater. Hot Wax is amazing!

The Freed character -- Somewhat sanitized, but dynomite! Jay Leno and Fran Dresher -- wonderful! Lorrane Newman was a knock out! Every character is perfect. Teenage Louise's parents -- real or what?

Look for period details like the manager's (of the Laverne Baker-like singer) shades. Like the lable on the Little Richard record in the film's opening scene.

In a recent TV movie about Alan Freed, the character played a Little Richard record on the radio. The camera focused on the turntable. There was a generic record playing. Phony baloney. I changed the channel.

In American Hot Wax, the record was spinning on a turntable in the foreground. It was a Little Richard record all right -- and it was on the Specialty lable!

We originally saw American Hot Wax at the drive-in back when it first came out. Somehow it seemed fitting. I now have the sound track and a video copy of the movie from an HBO showing. Someday, hopefully, this great film will be commercially available on video. You have got to see this movie!

There is a scene in the radio station where the Program Director asks Freed why he has to play his monitor speakers so loud. "Because they know when you are listening," answers Freed. How true. Crank it up Alan!