L'empire de la passion

In 1895, in a small village in Japan, the wife of the litter carrier Gisaburo (Takahiro Tamura), Seki (Kazuko Yoshiyuki), has an affair with a man twenty-six years younger, Toyiji (Tatsuya Fuji). Toyiji becomes jealous of Gisaburo and plots with Seki to kill him. They strangle Gisaburo and dump his body inside a well in the woods, and Seki tells the locals that Gisaburo moved to Tokyo to work. Three years later, the locals gossip about the fate of Gisaburo, and Seki is haunted by his ghost. The situation becomes unbearable to Seki and Toyiji when a police authority comes to the village to investigate the disappearance of Gisaburo.

"Ai no Borei" is a surreal and supernatural love story. The remorse and the guilty complex of Seki make her see the ghost of her murdered husband, spoiling the perfect plot of her lover. The cinematography is jeopardized by the quality of the VHS released in Brazil, but there are very beautiful scenes, inclusive "Ringu" and the American remake "The Ring" use the view of the well from inside in the same angle. The performances and direction are excellent making "Ai no Borei" a great movie. My vote is eight.

Title (Brazil): "O Império da Paixão" ("The Empire of Passion")

In the Realm of the Senses is a beautifully filmed, well-written, and splendidly acted film. It tells the haunting story of a woman who kills her husband after falling in love with another man. The ghost of her husband continues to haunt her lond after his murder. This film is really good, anyone interested should definitely check it out.

An atmospheric, grim, and often visually beautiful film about a man who has an affair with a woman, and convinces her they should murder her husband. Standard plot, but it's done well, and combines the inevitable "things falling apart after a poorly organised crime" stuff with an added horror element, as the murder victim returns as a ghost to haunt the small town the film takes place in.

Wasn't a fan of the horror element at first, as it felt like it wasn't entirely needed, but it grew on me. There are certainly a couple of scenes where the horror stuff is done well, and I guess whether it's a literal ghost or a manifestation of guilt within the minds of certain characters is still nice and ambiguous.

Maybe feels a little long in parts, and there's nothing outstandingly unique about it, but it tells its simple story well, has a great feel-bad kind of mood to it, and all the sets/locations/costumes/other visual aspects are all pulled off expertly.

"Ai no Borei", masterfully crafted by renowned director Nagisa Ôshima, offers a unique blend of eroticism, horror, and drama. Released in 1978, this Japanese film captivates audiences with its surreal and ghostly narrative.

The film follows the tale of a forbidden affair between a younger man and an older woman, Seki, and their subsequent plot to murder her husband, Gisaburo. What follows is a steamy and guilt-ridden journey as the lovers are haunted by the ghost of the murdered man, their perfect plot unraveling amidst local gossip and a police investigation.

Ôshima's direction is a standout feature of this film. He masterfully weaves a complex web of emotions, where the characters' deepest passions and desires are laid bare. The cinematography, though hindered by the quality of some releases, boasts beautiful scenes that have inspired later films, such as "Ringu" and its American remake, "The Ring". The use of specific angles, such as the view of the well from inside, showcases Ôshima's attention to detail and visual storytelling.

The performances are equally impressive, with actors embodying the guilt, passion, and complexity of their characters. The surreal and supernatural elements add depth to the narrative, enhancing the emotional impact of the film.

"Ai no Borei" is a must-watch for fans of Ôshima's work and those seeking a unique blend of eroticism and the supernatural. The film's exploration of guilt and passion in the midst of a surreal love story will leave a lasting impression, showcasing Ôshima's distinct style and talent for pushing boundaries.

A nightmarish tale of guilt and retribution, mixing eroticism and horror, Nagisa Oshima's Empire of Passion marks the director's only true kaidan venture, one of immense passion and offbeat humour. It's a bizarre mix of genres but one Oshima handles well, making fantastic use of Yoshio Miyajima's photography and the compelling performances, taking a very simplistic story and structure and delivering it well. The film does tend to meander quite a lot, with long sections not benefitting the tone or atmosphere the rest of the film builds upon, but regardless, this is a rather savage and unrelenting experience even if the ghostly aspects of its story are relatively cheesy, detailing the emotional and physical downfall a murder has on the individual.