The Sandbaggers

I completely agree with the astute reader comments. This was a brilliant show. Good 'spy' drama without gun fights and fiery explosions.

Even the British portrayal of the American agent -- slovenly, incessantly eating and talking with his mouth full, crude -- nice one Brits!

I rate this English drama show right up there with I, Claudius and Hitchhikers Guide to the Galaxy.

Just proves what the Brits and Japanese know -- riveting drama doesn't require car chases and cleavage.

Thank you London and PBS!

This is one of those series, you think you know and when you get to the end you realize, you missed something important.

This is a series which has many layers, in most cases something is missed and you feel you need to watch it again see how it was missed.

This is not a James Bond style series. It is centred around the head of the special ops of the British secret service. On the surface it appears to be about the politics of running a department. Even though it was filmed in the 70's, it holds up well. This is not to say it does not show. This could be a distraction for anybody wanting the slick production of present day.

It is well written, the acting does not get in the way of the stories, the characters are believable.

I watched the series again recently and it left me wanting more TV of this quality. I highly recommend this series.

A previous commenter noted that the series seemed to end abruptly and wondered if our British friends were holding out on us. The reality is that the series was supposed to continue for at least another season, but there was one problem: the producer/writer of the series died at the end of the first season. This was one of those rare situations where the originator of the series also wrote all of the episodes. That intimacy with the characters and the ability to weave various plot lines over multiple episodes was one of the characteristics that made Sandbaggers so enjoyable. But it also made it vulnerable to disaster because only the producer/writer knew all the plot lines he had planned for the second season. Most of that was in his head. With few notes to go on, the production company staff found it impossible to figure out what to do with the series, so the second season was never produced. It's a tragedy because Sandbaggers was so wonderfully done. We can only guess whether Willie survived and how Burnside dealt with his ex-wife.

"The Sandbaggers" is the best spy drama ever made for TV, and is certainly the most realistic. Focusing on a group of special agents of the British SIS, it shows spies as they probably really are: overworked, underpaid, under-appreciated and expendable.

The acting in the series is top notch by all of the cast, particularly Roy Marsden as the workaholic Burnside and Ray Lonnen as the amiable Caine. There's also particularly good work by Alan MacNaughton as the wily Wellingham. The plots rely less on action and more on intrigue, with battles won and lost in "drab dusty corridors in Whitehall", as Burnside puts it. There isn't any real gunplay until the sixth episode, in fact.

The first season of the series, with all episodes written by series creator Ian MacIntosh, is the best. It follows a rough story arc involving the introduction of troubled agent Laura Dickens (well-played by Diane Keen). It leads up to the powerful season finale "Special Relationship", which is a stunner.

The second season isn't as good. Other writers besides MacIntosh are involved and there are some ill-advised plot developments. Also, there are less-than-successful changes in some characterizations. But, still, it remains a superior and thoughtful drama.

I highly recommend this series. It's well-worth tracking down on video or on PBS. Just remember what Burnside says in the first episode: "If you want James Bond, go to a library."

I can't remember how I managed to stumble across this series a good many years ago now, but somehow - and I still haven't been able to work out just how - it managed to hook me almost instantly. There is so much subterfuge, nasty, backroom dealings and internal politics going on and plain intrigue that it hardly matters that there's almost no real action in this series. Virtually everything goes on in the offices of the Sandbagger unit and there's not even very much outdoor camera work, so I suspect this series was made on an incredibly cheap budget, but the scripts are good, the plots are believable, the acting is excellent when you consider that these guys are spies who are not meant to betray too much emotion, and the tension is constant. Good British psychological drama.