Rebecca

The BBC are still refusing to release this superior production of 'Rebecca' officially, but I have finally been able to view a copy, many years after first hearing about it.

So, does it match up to all the discussion and speculation? Close to the book, and well-cast (Jeremy Brett as Maxim, Joanna David - whose daughter Emilia Fox appeared in another Rebecca twenty years later - as the second Mrs De Winter, Anna Massey - the former Mrs Brett - as Mrs Danvers, and Julian Holloway as Jack Favell), it certainly does not disappoint. In four episodes it involves the viewer while making a good stab at translating a complicated book to the screen.

Not broodingly Gothic like Hitchcock's version with Olivier, or convoluted like the Emilia Fox/Charles Dance version, the 1970s Rebecca stands up well against a selection of other period dramas made at the same time by the BBC. Certainly it seems unfair that it is suppressed from view in the UK - the US has had TV repeats, although no video or DVD.

I wish this show was available on video. It perfectly catches the spirit--and leisurely pace--of the novel, which might not to be to the taste of the MTV-cut-watching public, but I think it still has great acting and excellent direction to recommend it.

All the principals are excellent. They have to be, since nothing happens for so long the interaction between the characters is the main 'action' in the film, and it's all rather compactly staged despite some spectacular locations. The production does not date--thankfully, no one tried to 'update' the women's fashions and the music, a major pitfall in shows from this time, is all based on Debussy.

Anna Massey is a terrifying and sadistic Mrs. Danvers, Joanna David is perfectly cast as the clueless heroine (she's pitiful without seeming stupid, no mean feat), and Jeremy Brett is brilliant in showing the past hurts of an essentially selfish and cruel hero, entirely with his facial expressions.

Intense atmosphere, visual beauty, mystery and emotion.

Haunting, Debussy-derived music.

Breath-taking evocation of the dazzling scenery around Monte Carlo, and then of the paradisal estate on the Cornish coast, Manderley - for which Maxim has sold his soul. (The estate - house, gardens, azaleas, beach, boathouse, butler and maids - is so convincing that you have to believe the story is real too.)

Poignant imagery of flowers: exotic, red blooms associated with Rebecca, and wild flowers with the new Mrs de Winter.

And always the threat that the sea will give up its dead.

Unsurpassable performances from the three principals: Jeremy Brett, Joanna David and Anna Massey. All three characters far more deeply analysed than in the Hitchcock movie, and Mrs Danvers no less sympathetic than the others.

Hitchcock changed the manner of Rebecca's death, but this version faces up to what really happens in the book.

This was a four part movie on PBS. I did not care much for fiction at the time, but after the second night, I went out and bought the book so I could find out what the finish was. I watch Rebecca nearly every time it is showing.

I've read the book at least six times and always reread it with great pleasure. It is so well written, really. This TV movie was an excellent adaptation, the best compared to a more recent one with Charles Dance as Max De Winter (Charles Dance.... give me a break! This guy has the charisma of an oyster shell!) and even compared to Hitchcock's movie with Laurence Olivier and Joan Fontaine.

Anna Massey is a terrifying Mrs Danvers, skinny and cold with perfect tight lips. Joanna David plays the ingénue with much wit and charm. Jeremy Brett is the perfect British gentleman, charismatic and mysterious, hiding a terrible secret. As for Rebecca, the first dead wife, she is a real character in this version, the central character even despite the fact that we never see her on screen. Only hear about her but in such a way that it

I've been looking to buy this version in VHS (or DVD now) but BBC has not yet released it. It's a real shame.