Rebecca

I remember watching this in serial form on public television with my wife and then 10 year old son. We were mesmerized by it. While the Hitchcock version is terrific, we all wish we could obtain a video of this TV version. Diana Riggs' version was a disappointment...perhaps because we kept comparing it with the Hitchcock version and with our memory of this version.

This Rebecca unfolds the same way Du Maurier wrote her novel. In fact when Gene Shalit hosted this showing on Mystery he told how Ms. Du Maurier had commented it was the truest telling of her book. Yet that isn't what compels the viewer; it's Jeremy Brett as Maxim, Joanna David as the second Mrs. DeWinter, poor dear who has no first name, and Anna Massey as Mrs. Danvers. Julian Holloway is wonderful as Favell. The entire cast is flawless. The sets are as you would picture Manderly. Truly you go back to Manderly again...

Really, I'd love to see this once more, then over and over again. Please whomever has the power to bring this to DVD, do it. New fans will flock to this best version of Rebecca.

Intense atmosphere, visual beauty, mystery and emotion.

Haunting, Debussy-derived music.

Breath-taking evocation of the dazzling scenery around Monte Carlo, and then of the paradisal estate on the Cornish coast, Manderley - for which Maxim has sold his soul. (The estate - house, gardens, azaleas, beach, boathouse, butler and maids - is so convincing that you have to believe the story is real too.)

Poignant imagery of flowers: exotic, red blooms associated with Rebecca, and wild flowers with the new Mrs de Winter.

And always the threat that the sea will give up its dead.

Unsurpassable performances from the three principals: Jeremy Brett, Joanna David and Anna Massey. All three characters far more deeply analysed than in the Hitchcock movie, and Mrs Danvers no less sympathetic than the others.

Hitchcock changed the manner of Rebecca's death, but this version faces up to what really happens in the book.

The BBC are still refusing to release this superior production of 'Rebecca' officially, but I have finally been able to view a copy, many years after first hearing about it.

So, does it match up to all the discussion and speculation? Close to the book, and well-cast (Jeremy Brett as Maxim, Joanna David - whose daughter Emilia Fox appeared in another Rebecca twenty years later - as the second Mrs De Winter, Anna Massey - the former Mrs Brett - as Mrs Danvers, and Julian Holloway as Jack Favell), it certainly does not disappoint. In four episodes it involves the viewer while making a good stab at translating a complicated book to the screen.

Not broodingly Gothic like Hitchcock's version with Olivier, or convoluted like the Emilia Fox/Charles Dance version, the 1970s Rebecca stands up well against a selection of other period dramas made at the same time by the BBC. Certainly it seems unfair that it is suppressed from view in the UK - the US has had TV repeats, although no video or DVD.

This film contains three superb performances, and it really is a shame that it is not available on video.

Anna Massey, Jeremy Brett, and Joanna David are a wonderful team of actors who bring a great deal of depth to their roles. David has the most difficult job; her character is so self effacing we never even know her name. She is meek without seeming stupid, and perfectly captures the body language of a very young girl.

Anna Massey is a terrifying Mrs. Danvers and is never more sinister than when she is smiling. She did 'everything' for her late mistress, and we get the impression that she was in fact in love with the title character. Massey's original take on this character has influenced all subsequent portrayals. She also resembles an Edward Gorey drawing in her bleak black costume.

Jeremy Brett is all burning eyes and barely-suppressed rage as Max. The character gradually progresses from a vaguely sinister, sardonic figure to a hunted man who finally appreciates his second wife's devotion. This is a fine portrayal by a wonderful actor and it is an excellent complement to his similarly superb portrayal of Sherlock Holmes.

This film has the usual high production values of a British adaptation, and has the sense to use the music of Claude Debussy on the soundtrack instead of some dated 'horror music' that often mars Seventies films.

All supporting cast members are excellent. My criticism is that the show is a trifle long; the Manderley ball and the visit to Max's grandmother do not really need to be portrayed at this length. The ending is, if anything, even more ambiguous than the ending of the novel It would be a wonderful thing to have this title back in print.