Mork & Mindy

The first season of this show made it the breakout hit of 1978. However, the producers came up with the bright idea of firing much of the original supporting cast (Corad Janis who played Mindy's father Fred and Elizabeth Kerr who played Mindy's grandma Cora) and replacing them with Jean and Remo DaVinci (played by Gina Hecht and Jay Thomas repectively). Another mistake that was made was by removing the broad slapstick that made the show a success and replacing it with more socially relevant stories. Things got so bad that they decided to put a twist on the old bring the cute kid trick and have Mork marry Mindy and have Mork "give birth" to a middle age baby. At least Jonathan Winters was funny in that role. Too bad it couldn't save what could have been one of the all time great sitcoms.

In one of the weirdest spin off from Happy Days, Mork (Robin Williams) is from the planet Ork. He is sent to Earth by Orson who is frustrated with his irreverent humor. At the end of each episode, Mork reports to Orson about the lesson he learned. Orkans drink with their fingers, sit on their heads, and age backwards. Mork lands outside of Boulder, Colorado and finds Mindy McConnell (Pam Dawber) abandoned by her date. He tells her about his extraterrestrial origins and becomes her flatmate. Her father Fred owns a music store in the first season which he ran with his sharp-tongued mother-in-law. Mr. Bickley (Tom Poston) is Mindy's grumpy downstairs neighbor. The second season has New York siblings Remo (Jay Thomas) and Jean DaVinci (Gina Hecht) as their restaurateur friends. Nelson Flavor (Jim Staahl) is Mindy's pompous cousin. Exidor is Mork's crazy friend with imaginary followers. The most insane and inspired choice is Mearth (Jonathan Winters), Mork's newborn in season 4, after his wacky performance in season 3 as uncle Dave.

This is simply a Robin Williams original. He makes this show. The show really only works with him on the screen. Pam Dawber is cute but she is overmatched. Of course, almost anybody would be overmatched. She has a tendency to laugh at Robin's jokes and do a lot of aww-schucks. The constant changes to the cast are not helpful. The DaVinci siblings didn't do the work that the show had hoped. Nelson Flavor and Exidor are my favorite characters. There is nobody like Jonathan Winters but by the fourth season, the show had no viewers and Robin Williams had better opportunities on the big screen.

This show is my earliest TV memory---my father loved this show and we watched it a lot together when I was very small. I recently discovered Seasons 1 and 2 by chance at my local Fred Meyer, picked them up and enjoyed them immensely. I was reminded again of how funny Williams really is.

Robin is at his manic best, and it's obvious that he often forsakes the script and happily heads off into improv la-la-land. Some of it is of course dated now, but it is still very funny. People sometimes disparage Pam Dawber, but she did exactly what she was supposed to do---be the straight man (or woman). Williams is SO manic that he needed an EXTREMELY normal, average straight man to contrast with, and that's exactly what she is. She's cute and perky, the quintessential girl next door. When she explains basic human nature to a confused Mork (which she does constantly) she seems totally believable, like having an older sister explain something about people you didn't understand before.

Watching it as an adult, I did notice a few things I didn't realize as a child: Pam Dawber spends many scenes trying desperately to not laugh and break character at William's improvisations. You can see it in her face; to me, it makes it even more entertaining. Also, the live audience contributed a lot to the general air of cheerful hilarity on the show. When Mork or Exidor show up for the first time in each episode, the audience literally screams in delight.

All in all, watching the first two seasons again I was greatly entertained, laughing throughout, and it brought back great childhood memories. If you're into checking out past decades of pop culture, you need to see this show.

I began watching Mork and Mindy in reruns in 2005. I quickly began to like the characters in the show, more than the show as a whole if you catch my drift. I can expand on that by saying I enjoyed watching robin ad lib and and do his shtick in the character of Mork, as well as watching the beautiful and warm-hearted Pam Dawber play the straight man as Mindy. Also, I enjoy the repartee between Mork and some of the peripheral characters like Remo, and Mindy's dad. That's where the heart of the show is at in my opinion. Don't try to take the plots too seriously or try to worry about continuity between episodes because you will quickly find holes that can't be filled. Instead of having a willing suspension of disbelief, Just watch it for the performances alone, and not treat this show as you would Happy Days or Laverne and Shirley, even though this show takes place in the same universe. This is an attitude I only take with this show, because I think the performers are good, and Robin's ad- libbing funny, but as a whole I think it isn't well written. Also, it will save you from being disappointed in the declining quality in seasons three and four. I know this sounds like a cynical review, but I still give it a 7 out of ten for the performers outshining their roles, and it's still a fun show to watch if you need a quick pick-me-up.

The comic phenomenon that is Robin Williams was first fully unleashed on the world with this hilarious syndicated TV series.

Created as a spin off from an, admittedly, quite silly episode of Happy Days, this series charts the course of an alien, Ork, (Williams) as he investigates the planet Earth for his superiors back home.

What could have been an absolutely laughable disaster is transformed by Williams into an absolutely laughable success, from drinking with his finger and talking to plants, to his wild dances with Mindy, the woman who unwittingly welcomes him into her home, and reporting back upside down with his fingers in his ears, Williams keeps us laughing from start to finish off every episode.

This series blows away most of the comedic films Williams has done in his career, with the exception of Good Morning Vietnam, and should always be remembered as the ultimate comic performance from Williams.