L'aigle de Shaolin

The 'script' is hilarious. The kicking is awesome. All the men with beards look the same. The love interest is a bit of a minger, and her brother appears to be retarded.

This is by far my favourite kung fu film, and I believe was also sounded endorsed by Quentin Tarantino when he was doing the rounds for Kill Bill 2.

You will laugh, you will go 'oooooh' you will clasp your face with agony at the dire dubbing and acting and YOU WILL ENJOY THIS.

Also, it has a man defeated by an 'iron finger' attack _down there_ if you know what I mean. Nice.

This has to be the Best martial arts/ Kung Fu movie of the era! It can be hard to follow though so you must pay attention. There are 3 major guys who look alike and have similar sounding names even and then there are 2, 3 or 4 old master types who all look identical and in fact 2 of them are brothers in the film... LOL. I have to rewatch it of course to see if I have exaggerated too much for this review but as far as bad guys go, this bad master is one of the toughest I've seen in these kinds of movies. There are many fight scenes and most of the fighting is pretty realistic if you can suspend your disbelief of course and all are well choreographed.

Those elaborate, Shaw Brothers-style period costumes just don't work against a Poverty Row background like the one we see in "Invincible Armor", but hell...why quibble? Hwang Jang Lee and John Liu, two of the top three kickers in the business (the third being Delon Tam, Liu's instructor), tear up the screen in this film and that's what counts. My only complaint about the fight scenes is that there were too many distracting, split-second shots of shattered eggs every time someone attacked what they thought was Hwang's vulnerable point (his testicles, naturally). Just concentrate on the action, guys, please! Otherwise, this is a fun, straightforward flick that you'll enjoy if Hong Kong kung fu cinema is your thing.

John Liu and Hwang Jang Lee once again star together in this Ming Dynasty kung fu epic film. The movie deals with a Ming General being framed for murder. He must fight off soldiers while looking for the real murderer. The movie was choreographed by Yuen Woo Ping (along with Corey Yuen and Yuen Biao) and the fights are great. Liu's kicks are awesome, simply delightful. Hwang Jang Lee mostly uses the eagle's claw technique and doesn't kick as much as he should. However, the choreography isn't as complex and drawn-out as many movies during that time period are. It's fast-paced and very fluid. Overall, a must see for kung fu fans. You won't be disappointed.

THE INVINCIBLE ARMOUR is a solid piece of period fu that doesn't disappoint when it comes to hard-hitting fight action. The storyline is some needlessly convoluted thing that draws in various sub-plots, the most prominent of which involves a man who is framed for murder and must fight to clear his name while the authorities pursue him. As is usual for this period of kung fu, the heroes are all Ming patriots fighting for their country's dynasty.

The complexities of the narrative pale in comparison to the martial arts involved, which is rather complex. There are no less than three styles studied in-depth here: the titular 'iron armour', which renders the human body impervious to strikes; the 'iron finger' strike, which has the power to combat the 'iron armour' technique, and the 'eagle claw' strike, which is just all-round deadly.

The producers in Hong Kong headed to Taiwan to shoot this on the cheap, but cheap production values mean that they could afford to put a whole host of Hong Kong talent up on the screen. Not least of these is the immortal Hwang Jang Lee as the villain; hidden behind his long white hair and beard, Lee remains as deadly as ever and never disappoints in the fighting stakes. I love the sinister music that accompanies his character wherever he goes (elsewhere, the soundtrack of the spaghetti western DAY OF ANGER is ripped off extensively). John Liu is acceptable as the upstanding young hero out for justice, but the supporting cast is even better. We get Phillip Ko as another long-haired master, while Corey Yuen and Yuen Biao team up for cameos as an assassin pair.

The fight action is hugely entertaining and the strikes are all hard-hitting and convincingly staged. As is usual for these films, the action gets better and better as the running time progresses, finishing with a furious final bout. Yuen Woo-ping worked on the choreography, and it shows. Hard-working director/producer Ng See-Yuen has also handled GAME OF DEATH 2 and THE SECRET RIVALS during his lengthy and illustrious career.