Tie hou zi

THE IRON MONKEY is a vehicle for Shaw Brothers star Chen Kuan Tai, the actor well known for his villainous performances in the likes of CRIPPLED AVENGERS and his later appearances in Triad movies. In it, he plays an exile who witnesses the execution of his family before fleeing into the woods and becoming something of a beggar. Later, he turns up at a Shaolin temple and pleads sanctuary, finding himself training in the mystic arts of monkey-style kung fu before going on a rampage of revenge.

This film was made while Kuan Tai was still under contract to the Shaw Brothers studio so he must have filmed it on the side in Taiwan. It looks a little cheap in places but generally provides solid entertainment, and it's a big help that the fight scenes are well-shot and relatively exciting. The opening sequence in which a monkey battles an eagle is quite memorable although the famed monkey style doesn't really come into it until the climax. Kuan Tai's version of the form isn't as showy as that of some other actors but it's definitely hard-hitting.

I've always liked Kuan Tai as an actor, even in his bad guy roles, so it was a pleasure to see him as the imposing hero here. The film is the usual mix of fight footage and training, with the villains getting away with everything until the final half an hour. The last 30 minutes provides an odyssey of fight action, building to a violent end fight in which the monkey style comes to the fore. It's solid stuff. Ka-Yan Leung (aka 'Beardy') stars in support as one of the bad guys and gets to battle our hero in one frenetic scene.

I'm a big fan of Chen Kuan Tai. His elegant style stands apart from other martial arts stars from the same era, and you can tell that people find most of his movies favorable from the high ratings they get.

This is one of my favorite movie of his (Others being The Flying Guillotines, and Executioner From Shaolin), and also one of my favorite kung-fu movie.

He plays a rebel against the Manchus in this movie, but that's almost irrelevant. It's strait forward Chen Kuan Tai with him being at his best. I like this movie more than some of the other kung-fu movies that are considered "classics" such as "The Five Deadly Venoms". None of those characters has the appeal Chen has. In this movie, he's also the director.

One great kung-fu movie that's a classic in its own right.

The movie starts with animal cruelty mixed with two guys sparring. Kam Kong wants all the rebels killed. Chen Kuan-Tai's family is arrested while he is gambling and they are all killed. He is reduced to stealing the offerings at Shaolin. The monks offer him a place. It seems he has already learned most of their kung fu just by watching. He leaves the temple with the strategy "keep your friends close and your enemies closer". He becomes part of the corrupt officials that killed his family in order to get close enough to the general to kill the man at the top. Revenge is certainly the most common plot of martial arts movies and it might be the most common plot of all movies. I find it hard to understand why revenge is such a favorite plot in Chinese culture while at the same time the dominant Chinese philosophy is Buddhism and Buddhism has no place for revenge. "At what price revenge?" typically becomes a moral issue in the revenge plot. I would say never in the history of any martial arts revenge movie did revenge come at a higher price than in this movie. Fans of Chen Kuan-Tai must ask what was his best movie? "The Flying Guillotine" is certainly more well known but I consider this movie his best because he had more to do with it, he both acted and directed "The Iron Monkey" so I rate this as a ten of ten for Chen Kuan-Tai perfection.

Iron Monkey is the nickname of a young man who is a carefree and gambler but once he becomes the sole survivor of a Manchurian massacre where his father and mother are killed he changes drastically: After burying his family, a fate-filled road leads Iron Monkey to the Shaolin Temple, where he masters with agility the fearsome Monkey Fist method. He then leaves the temple to become a guard for the general who killed his family. Before he can reach him he has to take on his cronies.

There's some seriously great choreography in this above average Kung fu film with some excellent weapon work in addition to the hand to hand combat. The hero is in particular quite elegant in movement- his fight with the general is a standout climactic showdown with each getting the better of each other. But what makes Iron Monkey a good film is a solid plot, some great training montages such as training under a bed of nails, and good acting from the lead.

In my opinion this has to be one of the best movies ever made...considering the year is 1978, and the action holds up to this day as credible.The iron monkey is a tormented character and is played to full potential by the actor. The story is good to...very true to chinese history.And any movie that involves a bitter monk from shaolin is a-plus in my book.10 out of 10! I recommend this highly to anyone remotely interested in true chinese storytelling and action!!!