Tie hou zi

There's a decided brusqueness in the editing and storytelling that makes for a somewhat choppy viewing experience, with movement between scenes and beats (and even points in time) that's far less than smooth, and therefore less than fully convincing. It's gratifying that there is at least a complete, cohesive, compelling story told, which is more than can be said of some lesser contemporary martial arts flicks. Set this aside, and in 'Iron Monkey' we see facets common to most all such fare: a period setting, brought to bear with gorgeous sets and costume design; pronounced sound effects, exaggerating blows or even just movement; dubbing in the widely available version that's questionable at best; direction that accentuates spectacle where possible - and, of course, excellent stunts and action sequences. There is perhaps less emphasis here on fight scenes than in similar titles, surely making it a tad less appealing when that's what we come here for in the first place, but those that we do get (almost entirely in the last act) are fantastic, and worth the wait.

Despite how the plot is structured, and the editing that shapes it, over a runtime of ninety-five minutes the narrative shows itself to be rather simpler than one might think. It's still a good time, though, for that's all that the picture wants to provide, and that's what we get, however much one may reasonably critique various aspects. The fight choreography really is terrific, however long we wait for it - and in fairness, while the most significant and invigorating action violence waits over an hour to show up, we do get the obligatory training scenes in the meanwhile that are enjoyable in and of themselves. I think the feature would have definitely benefited from a more careful, mindful hand, in most every capacity, not to mention even more of the martial arts that audiences anticipate in the first place, yet it remains well done and worthwhile in its own right, with the climax naturally being the best of all. While 'Iron Monkey' falls short of being a must-see compared to many of its kin, if one has the chance to watch it's nonetheless suitably entertaining despite its weaknesses, and sometimes that's all a movie needs to be.

THE IRON MONKEY is a vehicle for Shaw Brothers star Chen Kuan Tai, the actor well known for his villainous performances in the likes of CRIPPLED AVENGERS and his later appearances in Triad movies. In it, he plays an exile who witnesses the execution of his family before fleeing into the woods and becoming something of a beggar. Later, he turns up at a Shaolin temple and pleads sanctuary, finding himself training in the mystic arts of monkey-style kung fu before going on a rampage of revenge.

This film was made while Kuan Tai was still under contract to the Shaw Brothers studio so he must have filmed it on the side in Taiwan. It looks a little cheap in places but generally provides solid entertainment, and it's a big help that the fight scenes are well-shot and relatively exciting. The opening sequence in which a monkey battles an eagle is quite memorable although the famed monkey style doesn't really come into it until the climax. Kuan Tai's version of the form isn't as showy as that of some other actors but it's definitely hard-hitting.

I've always liked Kuan Tai as an actor, even in his bad guy roles, so it was a pleasure to see him as the imposing hero here. The film is the usual mix of fight footage and training, with the villains getting away with everything until the final half an hour. The last 30 minutes provides an odyssey of fight action, building to a violent end fight in which the monkey style comes to the fore. It's solid stuff. Ka-Yan Leung (aka 'Beardy') stars in support as one of the bad guys and gets to battle our hero in one frenetic scene.

The movie starts with animal cruelty mixed with two guys sparring. Kam Kong wants all the rebels killed. Chen Kuan-Tai's family is arrested while he is gambling and they are all killed. He is reduced to stealing the offerings at Shaolin. The monks offer him a place. It seems he has already learned most of their kung fu just by watching. He leaves the temple with the strategy "keep your friends close and your enemies closer". He becomes part of the corrupt officials that killed his family in order to get close enough to the general to kill the man at the top. Revenge is certainly the most common plot of martial arts movies and it might be the most common plot of all movies. I find it hard to understand why revenge is such a favorite plot in Chinese culture while at the same time the dominant Chinese philosophy is Buddhism and Buddhism has no place for revenge. "At what price revenge?" typically becomes a moral issue in the revenge plot. I would say never in the history of any martial arts revenge movie did revenge come at a higher price than in this movie. Fans of Chen Kuan-Tai must ask what was his best movie? "The Flying Guillotine" is certainly more well known but I consider this movie his best because he had more to do with it, he both acted and directed "The Iron Monkey" so I rate this as a ten of ten for Chen Kuan-Tai perfection.

Fans of Sonny Chiba and Bruce Lee may not find this movie to be their pride and joy, but will probably find it enjoyable nevertheless. Iron Monkey is set in Manchuria, and is made by Eastern Heroes Video Company. This fact alone would turn me off from the movie, because of the extremely conservative fight scenes (no decapitation). There is no gore, unlike the Street Fighter, and there is not that certain charm that Bruce Lee gives to his films. But somehow this film was able to please me through many well done fight sequences and a strong ending.

Iron Monkey is the nickname of a young man who is a carefree and gambler but once he becomes the sole survivor of a Manchurian massacre where his father and mother are killed he changes drastically: After burying his family, a fate-filled road leads Iron Monkey to the Shaolin Temple, where he masters with agility the fearsome Monkey Fist method. He then leaves the temple to become a guard for the general who killed his family. Before he can reach him he has to take on his cronies.

There's some seriously great choreography in this above average Kung fu film with some excellent weapon work in addition to the hand to hand combat. The hero is in particular quite elegant in movement- his fight with the general is a standout climactic showdown with each getting the better of each other. But what makes Iron Monkey a good film is a solid plot, some great training montages such as training under a bed of nails, and good acting from the lead.