The Spell

THE SPELL opens with a scene that establishes the wickedness of the female bullies who prey upon Rita (Susan Myers), a sad girl with a weight problem. The credits are barely over when one of these meanies suffers from a freak "accident". Rita's mom, Marilyn (Lee Grant) is concerned about her, while dad (James Olson) seems too busy to notice. Rita's sister, Kristina (Helen Hunt) gets all of the positive attention, and poor Rita gets the scorn.

Everyone had better just watch out!

This is a CARRIE clone, and as such, it's very entertaining. Instead of telekinesis, this time, black magic is afoot! Hyper-dramatic and overwrought, the cheeezey chills are bountiful! Some of the scenes are pure platinum! Especially, the bug-eyed, smoldering woman through the glass door sequence, and the double-twist, flying cutlery, house-wrecking finale! A treasure-trove of made-for-TV terror!...

Teenager Rita is harassed by her classmates for being withdrawn and overweight. At home, her father and younger sister treat her like utter garbage; her mother seems to understand her to some extent, though not entirely. But Rita is, unbeknownst to them all, honing her own supernatural skills that jeopardizes anyone who comes in her path.

This made-for-television romp from the golden age for TV horror films riffs on "Carrie" in multiple ways, even imitating key moments from the 1976 film. Yes, so "The Spell" is a cash-in. But what else is there to say about it? More than one may think. It is not exactly a well-made film: It's choppily-edited and the narrative is a bit heavy-handed. The bulk of the film is really made up of twisted family melodrama, which would be rather boring if it weren't the most utterly bizarre family dynamic ever filmed.

I honestly did not realize until about thirty minutes in that the protagonist, Rita, was a blood relative of the family; not only does she look nothing like her on screen parents and sibling, but she is treated by virtually every member of her family like an unwelcome cousin, twice removed—maybe even worse—and for no immediately decipherable reason. They just simply despise her, and her resentment continues to grow (and with frankly good reason). The relationships on which the film is predicated are utterly strange and do leave the audience somewhat adrift, as there is virtually no likable character from beginning to end.

The performances here are memorable, with Lee Grant playing the stern but sometimes-empathetic mother; a young Helen Hunt plays Rita's perfect little sister, and Susan Myers (who, for the record, is not at all overweight) is memorable in the lead role, delivering some surprisingly chilling scenes; her performance at times reminded me of Tina Romero's in "Alucarda," mixed with a bit of Linda Blair from "The Exorcist." There are a handful of scare scenes here that are dated by contemporary standards, though one is so bizarre and unexpected it's almost disturbing. The twist ending is mildly clever, though fairly perceptible by the time the film has rolled into its final act, and the whole thing ends rather abruptly (not uncommon for television films of this era).

Overall, "The Spell" is an amusing film that I personally found utterly absorbing, largely because its core melodrama was so perplexing. It's a fun, frivolous viewing experience for fans of seventies television horror as it does capture the era effectively, and there is a handful of sideshow attractions to be had. Perhaps the most memorable element of it all though is the fact that most of its runtime consists of an introverted teenage girl being groundlessly flanked by not only her peers, but her entire family. The seventies were a strange time, I guess. 7/10.

This is similiar to Carrie but I actually thought it was better. It's tough for me to remember because I saw it when I was so young.

The premise is similar to Carrie, high school girl develops powers and uses thos powers to make things happen. That said, it varies from Carrie a little though I don't want to say to much or I'll give it away.

This is sort of "Carrie" meets "The Craft". The people who like that type of movie will like this. I don't know how one canm even see this, it is from quite awhile ago and I have been eager to find info on it for years-thanks IMBD!!

But if you like movies like this and can find it-watch it. It's less brutal then Carrie(if I;m remembering right-it HAS been awhile!). And I think some may like it just as much as Carrie.

For this movie to be a made for television movie, it was definitely one of those you can't forget. I saw this movie when I was around 10 or 11 and here I am now 33 and have been searching for years to purchase it. I can remember every detail about this movie. The girl on this movie make CARRIE look like a goodie two shoes. (Smile) This is definitely one to add to the horror collection.

Every teenager has dreamt of having the mental power to smite their enemies. In the late 1970's, Hollywood gave that power to a select few. The made for TV production `The Spell' (1977) was a well done version of the theme, and fell between `Carrie' (1976) and `The Fury' (1978) in both chronology and style. `The Spell' came closest to the altered reality that most of us envisioned when running this scenario in our own teenage mental movie house. No ultra-evil-parents or goody-two-shoes types (Carrie) and no spies and secret organizations (The Fury).

Instead, `The Spell' presents the story of a regular out of place teenager in a regular unfair world. She finds that she suddenly has telekinetic powers, and the revenge that most of us dreamed about becomes a reality for her. The pacing is a little choppy, but the heart of the story unfolds nicely. The world is still unfair, she just doesn't realize that it is now HER that is being unfair to those who don't have her secret power. The result is a ‘teenage telekinesis' movie that actually relies on character rather than special effects for its most important moments. While the parents in the other two movies were either nuts (Carrie) or non-existent (The Fury) the parents in this movie are loving people who are trying to provide some proper guidance to a daughter who just seems to be changing from a timid young girl into a smart-ass teenager. Hallmark moments were never like this