Légitime violence

Good writing, acting and directing place this violent revenge melodrama a cut or two above most films of its genre. William Devane gives a strong, stoic performance as Major Charles Rane, an ex-Vietnam POW who returns home to his wife and son, only to have his peace-time dreams shattered by a gang of vicious, menacing home-invading hoods who murder his family and leave him permanently maimed. After rehabilitation, he goes gunning for the people responsible for the crime. Tommy Lee Jones is very good as his fellow Army buddy who willingly joins him on the vengeance trail. The film is enhanced by adding some psychological insights into Devane's character....we get a revealing peek at how his wartime experiences have changed him and what makes him tick. The film is tense and extremely violent in spots, but the violence is not gratuitous. Paul Schrader, who wrote the classic "Taxi Driver" also wrote the original story here...and it shows. This one's worth seeking out.

Screenplay of "Rolling Thunder" was co-written by Paul Schrader, who had just written "Taxi Driver". I feel this is William Devane's best movie, and a powerful start for Tommy Lee Jones. This is one dark movie, almost as dark as "Taxi Driver", and it misses by "not much". Basically, a gang of no-neck Bubbas do in Devane's wife and child, yet he survives the robbery. It is then revenge time, and the remainder of the movie is "out to kill", and kill it does. Devane and Jones, as recently returned inmates of the Hanoi Hilton are, in their own ways, tightly wrapped around the axle. At the movie's end, let it suffice to be known, they indeed find the bad guys. It is a real squeaker about just who the bad guys really are in this post-Vietnam movie.

I recently caught this semi-exploitative revenge flick on TV (Showtime), after wanting to see it for a while. Unfortunately, it's not on DVD and there's a good chance you're not going to find it on VHS (or laser disc) either, unless you go through eBay, maybe. Anyway, despite the fact that my first viewing of "Rolling Thunder" was in a modified format (unless the movie was shot in 1.33:1, which I doubt), I had a blast. William Devane is pretty great as the slightly psycho Vietnam vet who comes home to find that his small town life isn't waiting for him. And, of course, he goes *completely* psycho after...well, I won't spoil anything. Worth mentioning: this film is a big influence on Quentin Tarantino, who named his short-lived film release company after it (i.e. Rolling Thunder Pictures). What a shame that the company didn't survive long enough to re-release the film it's named for. If you're really into '70s cinema, action, sleaze, etc., you have to make an effort to see "Rolling Thunder". For real.

Paul Schrader's very best screenplay--and yes, I include the one about the guy who drives a cab--is this 1977 masterpiece, which wins my vote for most underrated movie of the seventies. (That's a long list, too.) Major Charles Rane (William Devane) is one of Gogol's dead souls. When he comes home after seven years of bone-crunching torture in the Hanoi Hilton, the missus has taken up with the guy next door. After a band of outlaws descend on the Rane manor to steal the Major's one precious possession, tragedy descends on Major Rane a second time, stealing whatever shred of humanness was in him, and sending him on a one-way destination: vengeance at any cost.

ROLLING THUNDER is the pulpiest, the sharpest, and the most humanly rich of all Schrader's "God's lonely man" sagas. The scenes between the Major and his new lover (Linda Haynes, magnificent) are a case study in the meeting point between the broken and the empty. Their scenes--in which the Major almost never utters a word--are a better approximation of the high points of Raymond Carver than Robert Altman's scrambled version. The director John Flynn--who also directed the tip-top THE OUTFIT with Robert Duvall as a Major Ranish hoodlum--never makes one false step. The guts of the finale--a Schraderish reprise of the last act of THE WILD BUNCH--seems amazing even for 1977.

ROLLING THUNDER is out of print and hard to find. Seek it at any and all costs. If seventies cinema were to be defined in a nutshell, this movie is it.

I first saw this in the early 90s on a vhs n found it to be boring at times but after revisiting it recently i liked it as the movie has plenty of character development n the story engaging.

In the 80s n 90s, i never used to care bah character development.

While Taxi Driver is top notch, this one too showcases the horror n turnoil war returnees go thru.

After spending seven years as a POW in Hanoi, Major Rane returns home but finds his home very different from the one he left.

Rane realizes that his son does not remember him and his wife admits to him that she has become engaged to another man and has no plans to break it off. Rane stoically accepts this and greeted warmly by the townspeople and he is presented with a red Cadillac and 2,555 silver dollars which attracts the attention of four border outlaws.

The locations are good but the best part is the silent n tough portrayal of the lead character.

The climactic action sequence is filled with lots of bloody shootouts n mayhem.