IMDb RATING
6.5/10
11K
YOUR RATING
In 1944 France, a group of escaped American military prisoners en route to Switzerland volunteers to steal a German V2 rocket warhead for the Allies.In 1944 France, a group of escaped American military prisoners en route to Switzerland volunteers to steal a German V2 rocket warhead for the Allies.In 1944 France, a group of escaped American military prisoners en route to Switzerland volunteers to steal a German V2 rocket warhead for the Allies.
Joshua Sinclair
- The Sergeant
- (as John Loffredo)
Horst Weinert
- Colonel Hauser
- (as Mike Morris)
Donald O'Brien
- SS Commander of Convoy
- (as Donald O'Brian)
Bryan Rostron
- German Scientist
- (as Brian Torquil Rostron)
Featured reviews
Here's one the lightest, most fun Italian war movies I've come across. It features a top notch cast and some great action scenes.
Bo Svenson stars as an American officer who's thrown into a prison convoy with a murderer, Tony (Peter Hooten), Fred (Fred Williamson), a thief, Nick (Michael Pergolani), and a coward, Berle (Jackie Basehart). The convoy comes under attack by the Germans and the men escape across the French countryside. They enventually become wrapped up in an important Allied mission headed by Colonel Buckner (Ian Bannen).
The movie features a top notch cast. Peter Hooten is especially memorable as the bigot, Tony and Fred Williamson turns in a great performance. Bo Svenson, himself a renegade, still tries to do the decent job as an officer and keep these boys in line. Michael Pergolani has little to do in his role as the hippie/thief; he does have one great motorcycle stunt scene, though, a la Steve McQueen in THE GREAT ESCAPE. Watch for Michel Constantin (THE DIRTY HEROES) as a partisan leader; Donald O'Brien as a German officer and Enzo Castellari himself as a German officer.
The movie has some stunning action scenes; there are plenty of shootouts and explosions. The big gun battle amidst ruined German and American trucks and halftracks is especially impressive. The Partisan raid on the train near the end is well filmed, but features many repeated shots of the same action happening over and over again. The miniature work is not the greatest, but is much better than the later BATTLE OF THE EAGLES.
The plot is basically a combination of THE DIRTY DOZEN and BATTLE OF THE COMMANDOS, but it's so fast-paced that you won't really care. Castellari lets only a few minutes go by before something important happens. He really develops his lead characters, which is another important feature we don't get to see much of in typical Italian war films.
Despite all of the good stuff, this movie has a few rough spots. For one thing, it's got a very needless love story sub-plot that never goes anywhere and has nothing to do with the rest of the movie. Another complaint: there are some lengthy conversations between the German characters that weren't dubbed. It's impossible to understand what they're saying.
The movie is not for young kids. It features graphic violence, plenty of profanity and even *full* female nudity in one scene.
The version I saw was from Lightning Video, entitled DEADLY MISSION. The source print was of top quality, with fresh picture and good sound. The opening and closing titles, however, were apparently new material and feature some music that isn't heard anywhere else in the feature.
Overall, this is a fun-to-watch Italian adventure piece. For the great cast, production values and action scenes, I'll give a 6/10.
Bo Svenson stars as an American officer who's thrown into a prison convoy with a murderer, Tony (Peter Hooten), Fred (Fred Williamson), a thief, Nick (Michael Pergolani), and a coward, Berle (Jackie Basehart). The convoy comes under attack by the Germans and the men escape across the French countryside. They enventually become wrapped up in an important Allied mission headed by Colonel Buckner (Ian Bannen).
The movie features a top notch cast. Peter Hooten is especially memorable as the bigot, Tony and Fred Williamson turns in a great performance. Bo Svenson, himself a renegade, still tries to do the decent job as an officer and keep these boys in line. Michael Pergolani has little to do in his role as the hippie/thief; he does have one great motorcycle stunt scene, though, a la Steve McQueen in THE GREAT ESCAPE. Watch for Michel Constantin (THE DIRTY HEROES) as a partisan leader; Donald O'Brien as a German officer and Enzo Castellari himself as a German officer.
The movie has some stunning action scenes; there are plenty of shootouts and explosions. The big gun battle amidst ruined German and American trucks and halftracks is especially impressive. The Partisan raid on the train near the end is well filmed, but features many repeated shots of the same action happening over and over again. The miniature work is not the greatest, but is much better than the later BATTLE OF THE EAGLES.
The plot is basically a combination of THE DIRTY DOZEN and BATTLE OF THE COMMANDOS, but it's so fast-paced that you won't really care. Castellari lets only a few minutes go by before something important happens. He really develops his lead characters, which is another important feature we don't get to see much of in typical Italian war films.
Despite all of the good stuff, this movie has a few rough spots. For one thing, it's got a very needless love story sub-plot that never goes anywhere and has nothing to do with the rest of the movie. Another complaint: there are some lengthy conversations between the German characters that weren't dubbed. It's impossible to understand what they're saying.
The movie is not for young kids. It features graphic violence, plenty of profanity and even *full* female nudity in one scene.
The version I saw was from Lightning Video, entitled DEADLY MISSION. The source print was of top quality, with fresh picture and good sound. The opening and closing titles, however, were apparently new material and feature some music that isn't heard anywhere else in the feature.
Overall, this is a fun-to-watch Italian adventure piece. For the great cast, production values and action scenes, I'll give a 6/10.
For my 1,000th user-comment on IMDb, I wanted to write about something that I not only enjoyed, but something that summed up or represented my feelings about and tastes in movies. You know, something that has my name written all over it. I considered a number of films - some bad - some good - but in the end, I decided to go with The Inglorious Bastards. Not only is it a great example of the kind of movie I go for, but I've been wanting to write something about it for a while now. And with Tarantino's re-imaging set to open this year, I definitely wanted to get my user comment written beforehand. So here it is, #1,000.
As the film opens, a group of WWII era soldiers are being transferred to a military prison to await decision on the many crimes they've committed. Murder, theft, robbery - these aren't your typical, clean-cut, all-American GIs. On the way, the MP convoy is attacked by a German plane and a band of five prisoners escapes. They immediately decide to head to neutral Switzerland and the freedom it offers. On the way, they have plenty of opportunities to kill and maim Nazis. But when they accidentally shoot a group of American paratroopers disguised as German soldiers, the Bastards decide to stand in and complete their compatriots' mission. And what a mission it is - steal a train carrying a V2 rocket.
If director Enzo G. Castellari is known for anything, it's action. And in The Inglorious Bastards, he outdoes himself. It's a testosterone injected ride from start to finish! Gun battles, explosions, vehicle wrecks, fights, falls off castle walls, motorcycle stunts - if it involves action, you'll find it here. Castellari somehow manages to keep the film well paced throughout. While the action does admittedly slow a tad in the second act, the film never bogs down and is always enjoyable. The Inglorious Bastards also features some really nice miniature work. The film's finale is especially memorable on that front. The cast is first rate. Fred "the Hammer" Williamson may be third billed, but he's the real star. Williamson's character is appropriately named Fred. Appropriate because he's pretty much playing himself - a cigar-chomping, one-line spewing, gun-toting badass. Surprising to me is that Bo Svenson is able to match Williamson scene for scene. I've never thought much of his other work that I've seen, but here, Svenson is very believable as the in control leader of the Bastards. The rest of the cast provide equally enjoyable performances. It's an excellent job by all involved.
While I can see why The Inglorious Bastards might not appeal to everyone, for me, it's a near perfect movie. I've seen some reviews nit-pick the lack of realism. Relax, this was never intended to be a documentary. It's about having a good time and enjoying yourself. Just go with it and quit being so uptight. As for those who complain about the dialogue or the editing, you're obviously not familiar with Euro movie making from the 60s and 70s. Again, just go with it. Like I said, it's almost perfect to me. In fact, I've got no problem at all rating The Inglorious Bastards a 9/10, verging on a 10/10.
So here's to 1,000 user comments. For those of you who have read and maybe even enjoyed some of what I've written, I say thanks. And look forward to more to come. On to 1,001!
As the film opens, a group of WWII era soldiers are being transferred to a military prison to await decision on the many crimes they've committed. Murder, theft, robbery - these aren't your typical, clean-cut, all-American GIs. On the way, the MP convoy is attacked by a German plane and a band of five prisoners escapes. They immediately decide to head to neutral Switzerland and the freedom it offers. On the way, they have plenty of opportunities to kill and maim Nazis. But when they accidentally shoot a group of American paratroopers disguised as German soldiers, the Bastards decide to stand in and complete their compatriots' mission. And what a mission it is - steal a train carrying a V2 rocket.
If director Enzo G. Castellari is known for anything, it's action. And in The Inglorious Bastards, he outdoes himself. It's a testosterone injected ride from start to finish! Gun battles, explosions, vehicle wrecks, fights, falls off castle walls, motorcycle stunts - if it involves action, you'll find it here. Castellari somehow manages to keep the film well paced throughout. While the action does admittedly slow a tad in the second act, the film never bogs down and is always enjoyable. The Inglorious Bastards also features some really nice miniature work. The film's finale is especially memorable on that front. The cast is first rate. Fred "the Hammer" Williamson may be third billed, but he's the real star. Williamson's character is appropriately named Fred. Appropriate because he's pretty much playing himself - a cigar-chomping, one-line spewing, gun-toting badass. Surprising to me is that Bo Svenson is able to match Williamson scene for scene. I've never thought much of his other work that I've seen, but here, Svenson is very believable as the in control leader of the Bastards. The rest of the cast provide equally enjoyable performances. It's an excellent job by all involved.
While I can see why The Inglorious Bastards might not appeal to everyone, for me, it's a near perfect movie. I've seen some reviews nit-pick the lack of realism. Relax, this was never intended to be a documentary. It's about having a good time and enjoying yourself. Just go with it and quit being so uptight. As for those who complain about the dialogue or the editing, you're obviously not familiar with Euro movie making from the 60s and 70s. Again, just go with it. Like I said, it's almost perfect to me. In fact, I've got no problem at all rating The Inglorious Bastards a 9/10, verging on a 10/10.
So here's to 1,000 user comments. For those of you who have read and maybe even enjoyed some of what I've written, I say thanks. And look forward to more to come. On to 1,001!
I wasn't sure at first what to expect from director Enzo G. Castellari. I saw his film 1990: Bronx Warriors and it was a lot of fun, but in that way that comes with knowing a man made a no-holds-barred exploitation rip-off on the Warriors that, truth be told, was barely even shot in the Bronx. But, of course, movie-PHD Quentin Tarantino held up this man's work, particularly this film, to such high esteem he took the title (if not the skeleton of the subject matter) for his latest opus. Why not give a late 70s war movie a shot featuring Fred "The Hammer" Williamson, one of those unsung bad-asses, and Bo Svenson, an underrated actor-cum-star, a shot? Turns out, the shot was a big surprise. In the best possible way.
Inglorious Bastards is made by a real professional, not by some slacker just looking to slap together some used sets and flunky character folk for roles. This is the real deal; if it's not one of the very best war films, it's certainly one that is one of the best you haven't heard of (least until recently thanks to the aforementioned PHD-in-film-incarnate). It's one of those "guys-on-a-mission" movies where it features a tag-line "Whatever the Dirty Dozen did – they do DIRTIER!" and with, from the looks of the trailer, either very good or very shoddy fx and a lot of ammo. Basically, a bunch of US soldiers, on their way for court-martial/execution, somehow, escape after an incident, and go on the run... only to find themselves getting embroiled in a mission involving a train, a whole s***load of Nazi's, and perhaps a few casualties here and there – few dozen to few hundred give or take.
There's barely a line wasted in this flick, barely a scene that doesn't actually try and provide its actors like Svenson and Williamson – also other very good players like Peter Hooten and Jackie Basehart and Ian Bannen as the tricky Colonel Buckner – some good meaty dialog to chew on when they're not blowing stuff up to bits (written, and I was even more surprised by this than you, by five writers). Oh, sure, you could argue that it's violent, maybe needlessly so. But that is part of the point. It actually doesn't go *too* over-the-top, not as far as I expected given its Italian-cult credibility and that of Castellari's speckled career.
The action is shot and edited with the great ferocity possible when a crew gets enough money and enough verve to push buttons. It does get bloody, and there's a pile of bodies that reaches up to a small skyscraper. But it's also a lot of fun to watch it, and it even goes beyond being a guilty pleasure into being just plain awesome. You lose yourself with these guys on their mission, with Williamson gritting and showing off why he is "The Hammer", or how Svenson could be such a persuadable star in good hands. And, yes, it probably does crib from the likes of the Great Escape (motorcycle jumps, anyone) and Bridge on the River Kwai (bridge blow-up, anyone), and at the same time it holds its own as a legitimate effort.
I imagine that's what Tarantino saw in it, its own sense of paying tribute to so many other war pictures while holding its own for a bunch of dudes watching a bunch of dudes go to extreme in Nazi-occupied France. It's surprisingly tense, terrific genre film-making that doesn't force the Platoon treatment – it just asks you go just a little "Dirtier" with the flow of the average war flick, like Sam Fuller with a face full of pasta yelling out orders.
Inglorious Bastards is made by a real professional, not by some slacker just looking to slap together some used sets and flunky character folk for roles. This is the real deal; if it's not one of the very best war films, it's certainly one that is one of the best you haven't heard of (least until recently thanks to the aforementioned PHD-in-film-incarnate). It's one of those "guys-on-a-mission" movies where it features a tag-line "Whatever the Dirty Dozen did – they do DIRTIER!" and with, from the looks of the trailer, either very good or very shoddy fx and a lot of ammo. Basically, a bunch of US soldiers, on their way for court-martial/execution, somehow, escape after an incident, and go on the run... only to find themselves getting embroiled in a mission involving a train, a whole s***load of Nazi's, and perhaps a few casualties here and there – few dozen to few hundred give or take.
There's barely a line wasted in this flick, barely a scene that doesn't actually try and provide its actors like Svenson and Williamson – also other very good players like Peter Hooten and Jackie Basehart and Ian Bannen as the tricky Colonel Buckner – some good meaty dialog to chew on when they're not blowing stuff up to bits (written, and I was even more surprised by this than you, by five writers). Oh, sure, you could argue that it's violent, maybe needlessly so. But that is part of the point. It actually doesn't go *too* over-the-top, not as far as I expected given its Italian-cult credibility and that of Castellari's speckled career.
The action is shot and edited with the great ferocity possible when a crew gets enough money and enough verve to push buttons. It does get bloody, and there's a pile of bodies that reaches up to a small skyscraper. But it's also a lot of fun to watch it, and it even goes beyond being a guilty pleasure into being just plain awesome. You lose yourself with these guys on their mission, with Williamson gritting and showing off why he is "The Hammer", or how Svenson could be such a persuadable star in good hands. And, yes, it probably does crib from the likes of the Great Escape (motorcycle jumps, anyone) and Bridge on the River Kwai (bridge blow-up, anyone), and at the same time it holds its own as a legitimate effort.
I imagine that's what Tarantino saw in it, its own sense of paying tribute to so many other war pictures while holding its own for a bunch of dudes watching a bunch of dudes go to extreme in Nazi-occupied France. It's surprisingly tense, terrific genre film-making that doesn't force the Platoon treatment – it just asks you go just a little "Dirtier" with the flow of the average war flick, like Sam Fuller with a face full of pasta yelling out orders.
8gaus
An entertaining action-war movie. I remember i bought this movie the in a video-store back in 1986-87. It was an old English video-version from the early 80's (from that time when video-stores in my country imported video-movies direct from England without giving them subtitles)
The movie have some similarity's with "The Dirty Dozen" and it's obvious that the film-makers got much inspiration from this great hit from the 60's. Acting and plot is not the greatest in history, but it's still a very exiting film. Not so much indifferent action-scenes here, like there are in many other movies of this type.
8 out of 10
The movie have some similarity's with "The Dirty Dozen" and it's obvious that the film-makers got much inspiration from this great hit from the 60's. Acting and plot is not the greatest in history, but it's still a very exiting film. Not so much indifferent action-scenes here, like there are in many other movies of this type.
8 out of 10
I viewed this movie because the QT movie of the same title came out in 2009. I enjoyed the drama of this movie, the plot twists, and action. I was raised in the era of Clint Eastwood's Italian westerns and while this was a low budget Italian made film, it contains some of the elements that makes those movies so great.
Slightly like the Dirty Dozen this movie remains true to history and looks deep into human nature. There is a lot of good action scenes and the acting is great for the style. There are better action war films to watch but few that will remain a classic like this one.
While I did not enjoy the 2009 movie by QT, I must thank him for directing my attention to this title. Enzo Girolami Castellari is by far a much better director from viewing both movies of the same title. My advice is to rent both and come to your own conclusions.
Slightly like the Dirty Dozen this movie remains true to history and looks deep into human nature. There is a lot of good action scenes and the acting is great for the style. There are better action war films to watch but few that will remain a classic like this one.
While I did not enjoy the 2009 movie by QT, I must thank him for directing my attention to this title. Enzo Girolami Castellari is by far a much better director from viewing both movies of the same title. My advice is to rent both and come to your own conclusions.
Did you know
- TriviaWhen Quentin Tarantino wrote Inglourious Basterds (2009), even though the plot is different, he bought the copyrights of this film so the title could be the same.
- GoofsWhen Nick played by Michael Pergolani is updating the paper work he uses 'Liquid Paper/Correction Fluid' to alter the document. Liquid Paper was not invented until 1951, and was only really widely available in Europe from the mid 70's onwards.
- Quotes
Pvt. Fred Canfield: I accidentally killed a loud mouth sergeant just like you. Ya wanna try for two? They can only shoot me once.
- Alternate versionsA shorter version, cut for the blaxpoitation market, came out on VHS, called 'G.I. Bro'.
- ConnectionsFeatured in De l'enfer à la victoire (1979)
- How long is The Inglorious Bastards?Powered by Alexa
Details
- Runtime
- 1h 39m(99 min)
- Sound mix
- Aspect ratio
- 1.78 : 1
- 1.85 : 1
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