Les Assiégés

On a small tourist island, a handful of people is besieged by a pack of wild dogs. What may at first appear to be a TV movie is actually an R-rated bloodfest, as the hungry canines tear into the folks and rack up an impressive body count. The movie has its share of scary moments, and is surprisingly exciting with carefully choreographed sequences of man versus beast. There is no hesitation on veteran action director Robert Clouse's part to show the dogs being killed in equal measure. One great scene has the hero mowing down several of the pack with his truck. Great musical score to boot. Joe Don Baker stars, and several familiar faces, among them Richard Schull, Bibe Besch and R.G. Armstrong, provide strong support. A must-see for action horror fans. Considering the film was made in the 1970s, it feels like it was shot yesterday.

I'd really like to have given The Pack a higher rating, but unfortunately; too many little niggles prevented me from doing so. There have been a few films depicting "man's best friend" attacking man, but in general the idea doesn't seem to be capitalised upon too often. The Pack is certainly the only film I've seen about a pack of wild dogs terrorising a group of humans. The film takes place on a small island, which is a positive element in itself as it brings an element of claustrophobia to the nightmare premise. However, in general; Robert Clouse's film just doesn't capitalise on its positive elements, which leaves it all feeling more than a little bit flat. The plot centres on a group of people on Seal Island, whose serene existence is interrupted by a pack of wild dogs. The dogs have come about, apparently, thanks to people going to the pound to buy a dog to take to the island, and then leaving it there. These dogs are, naturally, very hungry; and it's not long before they realise that the island features a plentiful food supply, and unfortunately for the people there - they are it.

The film is at its best when the dogs are on the attack and the director delights in showing them looking rabid and hungry...but unfortunately, they never really look too threatening when they're not tearing into soft-top cars or breaking through windows. Much of the film is really quite boring, and unfortunately there isn't enough in reserve where the characters are concerned to make the film interesting. Veteran actor Joe Don Baker takes the lead role, and does well in providing the offbeat hero as the man doesn't particularly look like someone who you would expect to be fighting off a pack of hungry dogs. The plot hinges a little too much on its set-pieces also, which is unfortunate as there's not much to string them together. It has to be said also that the film is a little too long, and could have done with a tighter editing job. The island location provides a good setting for a film like this, though, and the way that the characters are isolated adds a little extra terror. The ending is strong, and provides a good wrap-up to a sadly merely worthwhile film.

Greetings and salutations, and welcome to my review of 1977s The Pack.

Before I get into the review, here are my ratings for the movie.

The story gets 1.5 out of 2: The Direction a 1.5: The Pacing receives a 1.25: While the Acting gets 1.25: And my Enjoyment level earns a 1.5 out of 2: The Pack, therefore, receives a total of 7 out of 10.

If you enjoyed Stephen Kings Cujo, either the book or the film adaptation, then The Pack will be for you. In all honesty, The Pack is a smidgen better than Cujo. Robert Clouse, who directed, also wrote the screenplay based on David Fisher's novel. And, since I enjoyed the movie, I am now on the lookout for the book.

Fisher and Clouse provide the audience with a fictional tale based on an all too real problem. What happens when people discard their pets like trash? The trash bites back. It's drawing to the end of the holiday season on Seal Island, and the last vacationers have arrived for their fishing hols. However, something isn't right. When Jerry and his family stumble across the remains of a horse, he notes the bones show bite marks. He quickly concludes the island has a problem with feral dogs. And, it's not long before his notion is confirmed, and the island's residents and last holidayers become dog food.

What is nice is the fact that all the characters are different. There is a broad and fascinating mixture: From the ditsy blonde to the domineering father. But it's not only the conflicts these people have, it's their changes in personalities that add depth to the story. When the father loses his son, he suddenly reveals a caring side: One that is willing to lay his life on the line. There's a crabby old bugger who hates holidaymakers. However, he likewise becomes a hero when he decides to aid them in the only way he can. You feel for them and can relate to them.

But the most dynamic thing about the story is that you equally feel for the canines. None of this is their fault. All they are seeking to do is survive. Whose determination and cunning will win out?

Clouse keeps up the excellent work with the direction. The Pack is superbly constructed and flows effortlessly. He uses everything in his arsenal to deliver the best picture he can. There are iconic shots. The one of the eaten horse is both striking and shocking. In part, this is due to the low camera shot. It shows the partially devoured head centre-screen; its lips are gone, only the teeth and gums are visible. To its rear, we can see the bloodied stripped ribs slightly out of focus. It's an image that stays with you. He's adept at employing shadows to build up the tense atmosphere. The lighting is witnessed best in the sequence where the ditsy blonde stumbles on the packs' roost. She is seeking shelter from the rain and enters the gloomy barn, and promptly falls asleep. A noise arouses her, and she awakens to discover the dogs in front of her, blocking any escape. The alpha dog at the head, growling menacingly and hungrily at her. Some modern directors would have produced this scene in almost darkness as they appear to believe the darker it is, the scarier it is. Wrong. Seeing the front row of the pack well lit is ominous. You can see the saliva dripping from their incisors. The deeper shadows behind them and blackness behind them make it hard to figure out how many dogs there are. There could be ten. There could be a hundred and ten. Way scarier.

But Clouse doesn't stop there. Two later scenes involve trucks, and both are choreographed and filmed expertly. The end credits state no animals were harmed in the filming, though watching the scenes made me wonder otherwise.

And still, Clouse adds more. The Pack delivers one of the most striking images of a war-torn, sick, and half-starved dog that I've ever seen in a film. The close-ups of the leader of the pack add so much. You feel sympathetic for the abuse this dog has received, but you're weary too because you know he's both a clever and dangerous killing machine.

Presently we arrive at the cast and thank god that they were all tremendous in their roles. Each one of them nailed their performances. I'm not a fan of Joe Don Baker. I find he can be heavy-handed in his portrayals. The Pack represents the best role I've seen him in to date. Jake possesses two caring sides. One is gentle, and the other is a tad more rugged. Baker pulls these off beautifully. I was surprised at how much I enjoyed his performance.

The one thing I can fault with the story and the film is the depiction of the kids. It would have been enjoyable to observe more interaction between the two boys as they were best friends and soon to be step-brothers. Clouse could have used this to add a reminiscent feel to the film. The "I remember when I was a kid" effect. Truthfully, the two lads are the only characters who aren't well constructed. They're a wasted opportunity. And I believe the two actors could have handled the extra depth.

The Pack is a delightfully entertaining, thought-provoking, and moralistic tale about being kind and considerate to animals. I genuinely enjoyed it and would recommend for everyone to at least check it out once.

Get in that rowing boat and start oaring your way over to my Killer Thriller Chiller, Monstrous, and Dramatisation lists to see where The Pack finally rested in my rankings.

Take Care & Stay Well. Get Inoculated.

After the cheap 'n' cheerful sci-fi movies of the '50s which sometimes featured mutant animals, the animals-on-the-rampage genre was promoted into an art form when Alfred Hitchcock scared us all half to death with his horrifying "The Birds". In the years that followed, we had killer sharks (Jaws); killer bees (The Swarm); killer whales (Orca); killer ants (Phase IV); killer amphibians (Frogs); and, believe it or not, killer rabbits (Night Of The Lepus). The Pack, released in 1977 with a cast of solid but not-all-that-well-known actors, is the inevitable killer dogs variation of the theme. When I sat down to watch the film, I expected little from it. Surprisingly, the film proved to be very well-made, with lots of excitement and some skillfully edited dog attacks, plus an unexpected injection of humour (sample: R.G Armstrong has a hilarious line, commenting upon the disappearance of an overweight tourist: "if he had any sense, he'd climb a tree. That is if he can get his fat ass off the ground!")

Marine biologist Jerry (Joe Don Baker) has been working on a remote island called Seal Island, where he has begun to build a house for himself, his girlfriend Millie (Hope Alexander-Willis), and their children from previous marriages. Seal Island has a fairly steady summer tourist trade, but once the holiday season is over the only folks left around are its handful of permanent residents. This year, a small party of bankers also stick around after the summer season for a little extra fishing and recreation. Things get awkward for the holiday-makers and the residents when they learn that a pack of dogs - mostly pets abandoned by tourists at the end of the season - are roaming the island. Starving and rabid, the dogs have started to target people as their likeliest possible food source. One by one, the people on Seal Island are hunted by the bloodthirsty canines and torn apart, leading the survivors to barricade themselves inside a building where they attempt to survive until the arrival of the weekly ferry.

Writer-director Robert Clouse (of Enter the Dragon fame) has fashioned a genuinely exciting story here. It's predictably plotted, yes, but Clouse quickly disguises the fact that this is an old, old story by introducing a clutch of refreshingly oddball characters and building an ever-present undercurrent of suspense. Because the cast is relatively unknown, it becomes hard to guess who will live and who will die (more than once characters you don't expect to get killed do just that, while characters who you're sure are about to be devoured unexpectedly survive). The dog attack sequences are very well handled and seem realistic, which adds to the film's excitement (in films like Nightwing, the animal attacks looked too fake, too funny, to be frightening... but not so in The Pack!) If you're searching for a rampaging animal movie that is actually good, then look no further.

The basic premise of this underrated 70's "Nature revolting against Humanity" flick truly fascinated me, because I've always been concerned about how it would affect dogs' most primitive instincts if they were to be abandoned by their owners. Every year, usually during summer time, you hear depressing reports about pets that are dumped, either tied up to trees or simply thrown out of driving cars, whilst the owners go on vacation and just don't ever look back on them. What goes on in an animal's head at such a moment? Do the instincts of loyalty and amiability slowly develop into aggression and even the urge for vengeance? Does their relentless treatment slowly stimulate a hate for humans? Personally I think this is a terrific outline for a low-budget horror movie, and in the competent hands of director Robert Clouse ("Enter the Dragon", "The Ultimate Warrior") it became a magnificently atmospheric and suspenseful thriller, with some very memorable moments and good acting performances. The events take place on a small vacation resort called Seal Island, where tourists mainly come for to fish and to enjoy nature. During the opening sequence, we witness how a family of three is about to return back to the mainland after their holiday but they have one more thing left to do, namely a tying up their cute and howling dog to a tree in the backyard. The animal eventually bites through his leash and joins an entire pack of abandoned and already bewildered of dogs, led by a vicious and truly menacing crossover breed. The pack gradually becomes more aggressive and devours horses and a helpless old blind man before reverting to their main targets, a group of obnoxious tourists and unsuspecting locals. This is easily one of the best "killer-dog" movies I've ever seen, and it benefices from a whole lot of secondary aspects like the isolated and claustrophobic island location, the detailed character drawings of the locals and the fact that the emphasis lies on tension instead of on graphic massacres. Joe Don Baker gives a terrific performance as the marine biologist who eventually also turns into a loud-barking pack-leader himself. The dogs – and then particularly the leader of the pack – are impressively scary, so big kudos to the people who trained them. I can image that this is what behaviorist spiral a once loyal and friendly dog goes through when mistreated like this. Clouse's direction is extremely solid and the cinematography is moody and splendid. The absolute highlight-sequences involve the fierce dogs chasing down an obese victim until he falls of some cliffs, the virulent dog-attack on the jeep and – of course – the fabulous end shot. Highly recommended… And continue to treat your pets with the respect they deserve!