Bon Dieu!

I was a little apprehensive renting the DVD of this movie after all of these years since its original release, but most of it holds up remarkably well.

On the DVD commentary tract, the makers of the film, looking back on it after 25 years, seem to be equally as surprised. The director, Carl Reiner, points to an eight-minute scene in which it is just Denver and Burns talking in a bathroom. There is no music, no fast cuts, no special effects, and the scene simply holds our attention on its own. Mr. Reiner indicates that there is no way that the scene would be made that way today.

Some scenes are timeless, such as Jerry's first encounter with the Almighty via intercom in the all-white room. Also classic is the infamous scene in the bathroom in which God first reveals himself in the flesh to a humbled and still somewhat disbelieving John Denver.

Unfortunately, not all of the movie holds up as well. Some things, especially exteriors, seem very dated. And even though it is quaint, it is hard to believe that an intelligent and capable husband and wife team would cherish a Supermarket Assistant Manager Job so much. Ah well, it was another time when people still believed in sticking with one company and working their way up through the ranks.

I wish that the film would explore some of the harder questions of religion a little more seriously, but one wonders if the film would collapse if taken out of its sweet, feel-good movie formula in which it is helplessly trapped forever.

If anything, rent it for the performances of the two leads. George Burns, playing the role at 83, is so good, that it is, (not to be cliched,) awesome. However, what is equally as unbelievable is the performance of John Denver in his first and only acting gig. He hits some of his notes perfectly, and it really shows a significant skill and timing to play straight man to a legend like Burns.

This is a really wonderful film that is masterful in every way. George Burns joked that when they offered him this part that no one could have played it because no one was closer to God's age. However, he was nervous about playing it and consulted the greatest actors about how to do it. Let me explain this film, the two leads were one person (John Denver) who was well known as a singer but who had never acted before in his life and another (George) who at almost 80 had only one other acting credit (The Sunshine Boys). However, this unlikely duo made movie magic! It is a truly amazing accomplishment and a joy watching them together. This is a film that is as important today as it was when it came out almost a quarter of a century ago. We all need to realize God's love and his message and no one did a better job of giving that then George did in this wonderful film, especially in the end in the courtroom speech that he gives. This man had spent his life as just a comedian not as an actor, but he deserved another Oscar for his outstanding work in this wonderful film. Carl Reiner deserves kudos for his wonderful directing job and Terri Garr gives a great performance as the understanding wife as does Paul Sorvino as the corrupt evangilist (they picked a safe target). However, the cheers and handshakes belong to George Burns and John Denver alone!!!. They have both left us and we are the poorer for it, but I hope that both of them are having a wonderful time in Heaven!

What can I say about a film that stars two of my favorite actors? Its one of my all-time favorite family films.

George Burns is wonderful as God. He is patient, kind and easy to talk to-- everything that God is, in my humble opinion. I do like the fact that he is represented as less than perfect; he shows us the human side of our creator.

John Denver is great as the grocery clerk, the naive, put-upon modern Moses who tries to convince everyone that he's not insane.

The appeal of this film is the underlying message that God cares for us, and also the way the message is delivered in such a non-denominational, non-preachy, non-judgmental manner. Its a fun movie that reminds us that God is always watching us---not to squash us like a bug when we make a mistake, but to be there for us when we need him.

The movie appeals to all ages. 10/10 stars.

This is a warm, inclusive film. Maybe there's a bit of nostalgia in my comments, but I appreciate this movie's approach to faith.

God comes in a form that our modern society seems to enjoy dismissing-- the elderly. It's a delight to George Burns, who really does have all that mileage on him, and John Denver, whom no one will mistake for Laurence Olivier, create this relationship between the mundane and the spiritual that is relatable, relaxed and relevant.

In our culture, we already know about the forbidding and the punishing, and the hostility between faiths.

But here's a God who says, paraphrasing here, "Jesus was my son. Moses was my son. Mohammed was my son. Buddah was my son. And so are you. And so is the guy who's charging you 18.50 for a piece of room service roast beef."

Inclusive, with gentle humor. Burns' performance suggests a being who has seen a lot of the world, and doesn't expect anything of importance to happen quickly.

It's a loving and practical relationship between the everyday and the sacred.

And the old hands, Barnard Hughes and Paul Sorvino, and the whole gang of great character actors, make this a treat to watch. And gee, having Teri Garr play exasperated. That's like asking Pavarotti if maybe he'd like to sing something.

Maybe a bit sweet for your taste, I don't know. For me, I can actually watch it whenever it comes on and enjoy every moment of it. (Like Paul Sorvino as a money grubbing preacher, protesting, "And I PERSONALLY have been invited, to give the benediction.....at the SUPER BOWL!!!!"

Something tells me this film would work a lot better if it was shot today; and by that I don't mean a remake, but if somehow we could transport the cast and crew (Reiner, Burns, Denver, et al) to 2004, let them shoot the film, and release it, it would be the super sleeper smash hit of the decade. A remake would fall flat on its face.

The story is quasi-original. The notion of a higher or supreme being asking one of us mortals to do his bidding is nothing new, but to place the gentle and warm spin on it, and to take that legend out of its biblical era context, and place it in (what was then) contemporary times, is really a stroke of genius.

Burns plays a grandfatherly God who is concerned, though not wrathful. This God is not Cecil B. DeMille's fire-and-brimstone God from "The Ten Commandments." Nor is Burns' God the detached entity that is less hands on than God's foes in "The Exorcist" or "Omen" series. In "Oh God" we have a creator who wants to instill a little reassurement to Earthbound souls. Burns' character is one with a need that must be fulfilled. But Burns' God doesn't go about it by creating apocalyptic scenarios to threaten nor coax mankind into the task. Instead this God approaches the problem with a more thoughtful plan. Veteran Vaudevillian George Burns' does a superb job portraying the Almighty, and does so with sublime humor and grandfatherly frankness.

Denver portrays an honest grocery store manager whose sole purpose is to satisfy his customers. That is until George Burns beckons him hither. What's even more amazing is the fact that, to the best of my knowledge anyway, Denver gives us an exceptionally convincing performance but with little professional experience. The Jerry Landers character he portrays is honest, thoughtful, earnest and full of conviction. Denver lets his own character shine in this performance.

The real genius of this film is that the comedy is very sedate while still being funny. The film doesn't try to be something more than what it already is. A film with God as a character could've gone anywhere, but Reiner doesn't take too many liberties with the material at hand. Instead he keeps film focused and even keeled, while tossing in good humorous bits to keep up the levity. Even so, please be warned, the laughs are spaced out. This is not a film filled with wall to wall gags. Both humor and overall energy are kept low to drive home the storie's message.

This is in comparison to a recent "reincarnation" of the God theme/film in "Bruce Almighty," which has often been compared to Reiner's 1977 work by commentators on this website. I finally saw "Bruce Almighty" recently, and where I found sections of it humorous it really didn't hold a candle to "Oh God." The theme was selfish, the character was selfish, the overall feel was typical 90's corporate art, with Jim Carry's absurdities thrown in for poor measure. This is largely because "Bruce Almighty" is really a different film, with a different premise, and regrettably (though not unexpectedly) botches most of the affair. "Bruce Almighty" satisfies a juvenile curiosity. "Oh God" is a soothing uplift, and, by contrast, is the better film.

"Oh God" doesn't have any direct and explicit sexual references, there're no body function jokes, nor obvious and readable plot points nor plot holes, unlike a good number of today's films. There's no rap "song" at the end credits, nor cameo by some pop artist (other than Denver, who plays the lead), nor any product placement. Nor is there even any CGI (though it may've benefited from one or two CGI shots). "Oh God" a basic film with a timeless premise, and very simply message.

See "Oh God." It's food for the soul.