Les Aventures de Winnie l'ourson

This film is like a childhood memory, I love it, and I'm 16. The animation is beautiful, especially in Blustery Day, one of the three vignettes that make up the film. On this subject, I think this is the only Disney movie, that makes outstanding use of the vignettes, which were tied together by a very thoughtful narrative by Sebastian Cabot, who sadly died the year the film it was released. The songs by the Sherman brothers, are amusing and memorable actually. The Heffalumps and Woozles song was my favourite. What impressed me most was that the vignettes, while simple but innocent and cute, were very faithful to the equally charming stories by A.A.Milne. The characters were really inspiring, helped by a very spirited voice cast, Sterling Holloway and Paul Winchell as standouts. John Fiedler and Junius Matthews were also amusing as Piglet and Rabbit, and Bruce Reitherman was also good as Christopher Robin. My ONLY criticism of this movie, is that I felt it was a bit too short. Watch this film, and maybe the other Winnie the Pooh films, but they do lack the charm of this innocent little gem. 10/10 Bethany Cox

This film is actually comprised of three earlier featurettes ("Winnie the Pooh and the Honey Tree", "Winnie the Pooh and the Blustery Day", "Winnie the Pooh and Tigger, Too"), the first three of the four Disney efforts at filming the world of Winnie The Pooh which (the fourth was "A Day for Eyeore") that were closely based on specific A.A. Milne stories, and were excellently done. Despite not being drawn the way E. H. Sheppard originally illustrated them (which is, perhaps a loss), the characters are played with great respect for the way they were written. They have been Americanized in their speech, and they don't rely so much on the British comedy of manners that Milne mined so successfully, but they are quite solidly the same "people" they were in the books. Sterling Holloway is a marvelous Pooh whose his furry voice seems to convey both his outer softness and his mental fuzziness. Paul Winchell's Tigger is probably an improvement of the original, simply because words alone could never really convey Tigger's manic exuberance the way Winchell's performance does. Ralph Wright's Eyeore is a delight, and the other characters hold their own and uphold their tradition completely.

The one completely un-Milne touch that has been added seems to me entirely acceptable, too. This is the occasional presence, in the story, of the Narrator, whose intervention helps move the characters through some of the more difficult moments. It is a touch of gentleness that is not cloying at all, and is occasionally rather witty.

These stories are genuinely wholesome without being sticky. If you want to feed your kids entertainment that's truly funny, has decent human values, is completely free of potty jokes, and will stand up for 6-year-olds yet won't scare three-year-olds, it doesn't get much better than this.

Yes, I know that this feature is made of 3 previously made shorts, or a package feature as Walt Disney would call it, but it's still wonderful in every way.

Walt Disney chose the perfect cast for the films. Sterling Holloway was the perfect voice for Pooh. Paul Winchell was the Best Tigger ever! John Fiedler voiced his heart out on Piglet. And the others? I'll say that they're wonderful.

The music score is truly one of the greatest musical scores ever. I mean I could just hum it to myself over and over and over again.

And the songs are really catchy, too. Like the theme song, and The Wonderful Thing about Tiggers, and the others, I like them, too.

The ending created just for this movie, is truly one of the most heart-touching endings ever. It really shows that boys and girls, like Christopher Robin, have to say good-bye to their childhood friends. But if I were you, I say to keep them in your memories as your fondest.

So there you have it. A great review for an even greater movie. What more could you ask for?

For many people, the adventures of Winnie the Pooh and his friends in the Hundred Acre Woods represent a pinnacle of childhood. Disney's adaptation has immortalised the best of the classic Milne stories and provided the world with an animated film that remains unsurpassed for its good nature and unadulterated joy.

Three stories have been synthesised for this feature: Winnie the Pooh and the Honey Tree, Winnie the Pooh and the Blustery Day and Winnie the Pooh and Tigger Too. The featurettes are linked by a narrator who nicely blends the lines in this episodic movie. The vocal performances are all excellent, with Sterling Holloway as the tubby bear of the title and Paul Winchell as his bouncy pal, Tigger. Also a standout in the small cast of characters is Eeyore - voiced by Ralph Wright - whose many one liners cater for even the grouchiest of grown ups in the audience.

Disney has added a few neat little touches to Milne's source material, including the Gopher who runs around proclaiming "I'm not in the book, you know!". But the studio has stayed true to the skew logic that is at the heart of these classic stories - and that is why this film works. Watch this one whether you're looking for some good, clean entertainment for the kids or if you just want to return to the happiness of your childhood: it's a great film for everyone.

"The Many Adventures of Winnie the Pooh" combines the three original featurettes based on A.A. Milne's original Pooh stories (the first two of which were produced under Walt Disney's guidance) with some new brief linking segments and a new, touching epilogue. Although ultimately Americanised, the original wit and tone of A.A. Milne is captured well, something that a lot of subsequent Disney Pooh product can't claim. Adapting E.H. Shepard's lovely illustrations with a touch of the Disney style, it contains so many wonderful, whimsical moments - Pooh getting stuck in Rabbit's front door, Piglet being blown away by the wind, Tigger shocking Pooh with tales of hefalumps and woozles - plus a wonderful array of tunes from the Sherman Brothers songbook.

The supposed original intention with the Pooh property was to produce a feature, but was eventually reconfigured as a running series of featurettes with the option of compiling them to create a feature-length release. Re-combining the shorts into a feature was seen as a sort of tribute to Walt Disney's original intention, but it does ultimately seem a bit disconnecting. In particular, the style and quality of the later "Winnie the Pooh and Tigger Too" segment doesn't quite match that of the two preceding chapters. As a result, I do think the three segments perhaps work a bit better as shorts of their own, but nonetheless, the material is utterly charming and still works reasonably well in a feature compilation format. Worth a look.