A schoolgirl and six of her classmates travel to her aunt's country home, which turns out to be haunted.A schoolgirl and six of her classmates travel to her aunt's country home, which turns out to be haunted.A schoolgirl and six of her classmates travel to her aunt's country home, which turns out to be haunted.
- Director
- Writers
- Stars
- Awards
- 1 win total
Kumiko Ôba
- Fantasy
- (as Kumiko Ohba)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In the realm of WTF there are some movies that mess with your mind and make you ask what the hell that was. Movies like Eraserhead, Tetsuo the Bullet Man and The Holy Mountain are brought up as examples of this. But none of them hold a candle to the serious mind screw that is "House" or "Hausu" depending on your preference.
A bunch of schoolgirls head to a creepy house in the countryside owned by an aunt of one of the girls. Each one is named after a skill, ability or character trait. Gorgeous is pretty, Kung Fu likes to fight and Mac likes to eat. And once they get there things get weird.
To try to even describe this movie is a challenge. Things happen. Really weird things happen. It's got a charming 70's vibe to it. The effects, although amateurish by today's standards, are well done for the era. And while the actors do a decent job, it's full of theater acting. The difference is that their actions tend to be a little over the top and not natural. This is of course a hallmark of Japanese cinema where a more stylized take is preferred over something more natural that we expect over here. That's not a bad thing though as it lends an air of other worldliness to what would otherwise be a rather tepid story.
In short, it works. If you're a fan of the bizarre you really ought to take a look at this.
A bunch of schoolgirls head to a creepy house in the countryside owned by an aunt of one of the girls. Each one is named after a skill, ability or character trait. Gorgeous is pretty, Kung Fu likes to fight and Mac likes to eat. And once they get there things get weird.
To try to even describe this movie is a challenge. Things happen. Really weird things happen. It's got a charming 70's vibe to it. The effects, although amateurish by today's standards, are well done for the era. And while the actors do a decent job, it's full of theater acting. The difference is that their actions tend to be a little over the top and not natural. This is of course a hallmark of Japanese cinema where a more stylized take is preferred over something more natural that we expect over here. That's not a bad thing though as it lends an air of other worldliness to what would otherwise be a rather tepid story.
In short, it works. If you're a fan of the bizarre you really ought to take a look at this.
Wow! Noribuki Obayashi's "Hausu" aka. "House" of 1977 is easily one of the weirdest films I ever saw and I generally generally am a fan of the bizarre. A Horror-fan and avid lover of Japanese cinema, especially from the 70s, I had high expectations for this film, and I was not disappointed, even though the film was totally different than what I had expected. Having read no reviews of the film before seeing it, I expected a pure Horror film, but it turned out to be an incomparably bizarre and experimental Horror-parody, with a delightfully macabre and grotesque humor rather than scares. The film already starts out extremely strange (in an awesome manner), and it gradually gets weirder and weirder as it goes on.
The film starts off with a bunch of teenage high-school girls, all of whom have certain distinctive characteristics that are mentioned in their nicknames, who travel to the countryside to visit the aunt of one of the girls. I don't want to spoil even a tiny bit of the plot of this unique Horror-parody, and therefore won't carry with a plot description, but I can assure that fans of surrealism and weird cinema will be delighted. While "Hausu" is not a film I would recommend to everyone, this is an absolute must-see to all my fellow fans of Japanese film, the Horror-genre and bizarre art-house cinema. Director Obayashi uses a bizarre of editing imaginable, with grotesque cutting, totally insane effects. Sometimes the editing equals that of a (bizarre) video-clip, only to jump to an entirely different style. Yet all this strangeness never draws the viewer away from the story, which is itself just as surreal as the film's style. Overall "Hausu" can be described as a unique and bizarre fairy tale with a grotesque and ingenious, often macabre and always unique sense of humor. There are moments in this film at which the viewer will just stare at the screen not knowing what to think, and scenes at which one is barely able to breathe in laughter, and every second of the film is very strange. Very delightfully strange that is, as "Hausu" is a bizarre gem that must not be missed by lovers of the surreal. Mainstream audiences might not know what to think of this, but every fan of a more unique form of cinema should give this a try. Surreal, exceptional, and one of a kind!
The film starts off with a bunch of teenage high-school girls, all of whom have certain distinctive characteristics that are mentioned in their nicknames, who travel to the countryside to visit the aunt of one of the girls. I don't want to spoil even a tiny bit of the plot of this unique Horror-parody, and therefore won't carry with a plot description, but I can assure that fans of surrealism and weird cinema will be delighted. While "Hausu" is not a film I would recommend to everyone, this is an absolute must-see to all my fellow fans of Japanese film, the Horror-genre and bizarre art-house cinema. Director Obayashi uses a bizarre of editing imaginable, with grotesque cutting, totally insane effects. Sometimes the editing equals that of a (bizarre) video-clip, only to jump to an entirely different style. Yet all this strangeness never draws the viewer away from the story, which is itself just as surreal as the film's style. Overall "Hausu" can be described as a unique and bizarre fairy tale with a grotesque and ingenious, often macabre and always unique sense of humor. There are moments in this film at which the viewer will just stare at the screen not knowing what to think, and scenes at which one is barely able to breathe in laughter, and every second of the film is very strange. Very delightfully strange that is, as "Hausu" is a bizarre gem that must not be missed by lovers of the surreal. Mainstream audiences might not know what to think of this, but every fan of a more unique form of cinema should give this a try. Surreal, exceptional, and one of a kind!
House (Hausu) is a film directed by Nobuhiko Ôbayashi and stars a variety of young girls as they go on a chaperoned trip to one of the groups Aunt's. This aunt, however, seems to be more than she appears, as the group is slowly torn asunder (sometimes literally) by the house in a variety of ways.
This film is an embodiment of avant-garde when that was still a new thing. This film reminds me a lot of Jean Luc-Godards "The Weekend" in its experimental and non-linear cinematography. This film is wacky, with each shot almost bending ones mind. Film gradients, props, music, effects and so on are bombarding the viewer constantly, and make even the mundane seem incredible. The story here is mundane. A group of students go to a house and are accosted by the possessed abode, as the aunt turns out to be a witch. The creative part here is what happens visually. The characters were fun. Each one is a literal representation of a specific idea or thing. Nicknames like Gorgeous, Fantasy, Kung-Fu and so on abound, with each nickname being a representation of the person in question. These traits come back to bite them (sometimes literally). Piano's chow down on fingers, mattresses attack, mirrors possess, and much more. At one point, a man is turned into a pile of banana's!
This film is wacky in many ways. It possesses a wonderful style, contagious charm, and many fun and interesting elements. It is not pure horror, certainly coming through as a comedy. I had a brilliant time with this film, and look forward to watching this film again soon. What a ride! Highly recommended for those looking for something interesting and weird.
This film is an embodiment of avant-garde when that was still a new thing. This film reminds me a lot of Jean Luc-Godards "The Weekend" in its experimental and non-linear cinematography. This film is wacky, with each shot almost bending ones mind. Film gradients, props, music, effects and so on are bombarding the viewer constantly, and make even the mundane seem incredible. The story here is mundane. A group of students go to a house and are accosted by the possessed abode, as the aunt turns out to be a witch. The creative part here is what happens visually. The characters were fun. Each one is a literal representation of a specific idea or thing. Nicknames like Gorgeous, Fantasy, Kung-Fu and so on abound, with each nickname being a representation of the person in question. These traits come back to bite them (sometimes literally). Piano's chow down on fingers, mattresses attack, mirrors possess, and much more. At one point, a man is turned into a pile of banana's!
This film is wacky in many ways. It possesses a wonderful style, contagious charm, and many fun and interesting elements. It is not pure horror, certainly coming through as a comedy. I had a brilliant time with this film, and look forward to watching this film again soon. What a ride! Highly recommended for those looking for something interesting and weird.
Oh my goodness, what at trippy, crazy, cheesy little movie this is. I don't think it has a single scene in it which doesn't have some type of campy, surreal special effect. Early on it seems like part Wes Anderson, part after-school special, part J-pop, part
I don't know, just 'out there', and certainly unique. It gets weirder and weirder as it goes. If you love the bizarre and the downright silly, movies which don't take themselves too seriously and are out to throw wild images at you, you'll probably love this film. Director Nobuhiko Obayashi has a real flair, and he's not out to make things look super-realistic, he's out to entertain. If you're looking for a ghost story, real drama, or horror, well, this isn't it. You never feel real tension, even as the cute little girls are attacked by mattresses, devoured by a piano, etc etc. For me I suppose I fell more in the latter camp, wishing the film had some balance in creating a film about the supernatural, but you can easily see why it has a bit of a cult attraction to it, and your mileage may vary.
A girl has just gotten a new stepmother, which greatly displeases her. So she decides to take her six one-character-trait friends and go visit her aunt on the countryside. In her aunt's house strange things start to happen.
House, or Hausu if you prefer, is certainly something you'll remember for the rest of your days. Director Nobuhiko Obayashi intentionally wanted to make something with a very low budget, blatantly simplistic characters and events so bizarre and out of the left field that they would need no justification. And this honest commitment to weirdness is what makes the movie so enjoyable. Pretty much from the get-go you're being told that you're not supposed to take this too seriously, not supposed to think too much about it.
And when you allow yourself to relax, lean back into your cushions and just take it in, it's a lot of fun. Does it make any sense? No, but it's not supposed to. However, it is a bit hard to follow, which can be a problem even with a film such as this. The seven girls are hard to tell apart, especially when they all dress and act pretty similarly. There are some outliers, but even still the character roster could have used a trim.
Still, it's hard to criticize a film whose entire purpose is to step outside the norms and the expectations. If you're looking for an experience and don't mind horror tropes being made fun of, this might be your film.
House, or Hausu if you prefer, is certainly something you'll remember for the rest of your days. Director Nobuhiko Obayashi intentionally wanted to make something with a very low budget, blatantly simplistic characters and events so bizarre and out of the left field that they would need no justification. And this honest commitment to weirdness is what makes the movie so enjoyable. Pretty much from the get-go you're being told that you're not supposed to take this too seriously, not supposed to think too much about it.
And when you allow yourself to relax, lean back into your cushions and just take it in, it's a lot of fun. Does it make any sense? No, but it's not supposed to. However, it is a bit hard to follow, which can be a problem even with a film such as this. The seven girls are hard to tell apart, especially when they all dress and act pretty similarly. There are some outliers, but even still the character roster could have used a trim.
Still, it's hard to criticize a film whose entire purpose is to step outside the norms and the expectations. If you're looking for an experience and don't mind horror tropes being made fun of, this might be your film.
Did you know
- TriviaAccording to director Nobuhiko Ôbayashi, this is the first Japanese film to use video effects, which he applied in a scene to make one of the girls "dissolve" underwater through low fidelity video and a simple chroma key effect.
- GoofsWhen Mac's head floats and spins around in the air, the wires supporting the severed head are visible for a split second.
- Quotes
Farmer selling watermelons: Do you like watermelons?
Keisuke Tougou-sensei: No! I like bananas!
Farmer selling watermelons: Bananas?
- Crazy creditsThe first half of the ending credits runs over candid footage of the actresses. During the second half, the credits appear over the poster illustration (similar to the Masters of Cinema cover, but with more color), scrolling up the ''tongue'' of the house. The main characters also show up on the sides of the screen.
- ConnectionsEdited from Taiheiyô no arashi (1960)
- SoundtracksMain Theme
- How long is House?Powered by Alexa
Details
Box office
- Gross US & Canada
- $209,765
- Opening weekend US & Canada
- $12,032
- Jan 17, 2010
- Gross worldwide
- $218,872
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content