Communion sanglante

"Alice, Sweet Alice", unfortunately listed here under its more tame alias "Communion", is a modest but sublime thriller that excellently fits in the superior horror decade that were the 70's. It's in fact a thriller with just that tad bit extra… Despite of the modest budget Alfred Sole had to work with, his film doesn't look dated like many others and the influence it had on the slasher sub-genre is amazing. Who killed little Karen Spages during her first communion service? This question with a seemly obvious answer keeps you entertained and – especially – frightened throughout almost the entire film. Too bad the story loses some of its impact around the hour, due to a few tedious sequences and unexciting dialogs. Luckily, Sole rapidly continues where he left off and delivers us a truly marvelous finale where even Hitchcock himself would show respect for. There's a terrific catholic atmosphere and symbolism featuring in this film, stressed extra by the chilling musical score. Although the movie more or less became famous because it introduces Brooke Shields, it's in fact Paula E. Sheppard who gives away a flawless and imposing acting performance as Alice. She has this brilliantly nihilistic glance in her eyes that makes you feel uncomfortable. "Alice Sweet Alice" is definitely a film I would recommend to every horror fan. It contains several highly memorable sequences like, for example, all the ones involving the fat filthy and perverted neighbor. Fundamental horror viewing for Gothic lovers.

Alice is a 12 year old brat with a real mean streak...she bullies her younger sister (an 11 year old Brooke Shields) and terrorizes a reclusive neighbor. When her sister is murdered in church everyone begins to wonder if she's crossed the line from a tiny terror to a psychotic.

It's the simplicity of the story and near perfect execution that made this a cult classic. It's got ambiance, a wonderful accompanying score, creative camera work (although a little too much of people looking directly into the camera). Paula Sheppard shines as Alice and sometimes just the look on her face gives you the feeling she's thinking up new ways to traumatize people. It's got great subtext with sibling rivalry, children coping with divorced parents and religious faith. Some of the editing feels a bit stiff and some of the acting is subpar but in a story like this it can add a bit to the 'creepy' factor.

I think this is one of those movies that gets a little better with age. 6.5 in 1976 7.5 in 2021

I had never heard of Alice Sweet Alice until a a while back when it was on a list of overlooked horror films. I had never heard it mentioned as even a cult classic but I was intrigued. The 1970's produced some pretty good horror films. I went in with pretty low expectations and even though I can't say that this film blew me away I do think that it is better than your average slasher film.

I do know that the original title was Communion but they chose Alice Sweet Alice which is a lame title in my opinion. The film is about a spoiled 12 year old girl named Alice played by Paula Sheppard. She is jealous of her angelic 10 year old sister Karen who is played by Brooke Shields. One of her church's priests Father Tom gives Karen his mother's crucifix and Alice is very jealous. Alice torments Karen by taking one of her dolls and scaring her by wearing a weird translucent mask and a raincoat. She threatens Karen not to tell anyone. All of this is set up to make Alice look like a bad seed. On the day of her First Communion, Karen is strangled to death in the church transept by a person wearing a translucent mask and a yellow raincoat. Her body is stuffed into a bench compartment near the confessionals, which is set on fire with a candle, but not before her crucifix is ripped from her neck. This first murder is not gory but is very brutal. Alice comes into the church to receive her communion but is found to have Karen's veil. The film is pointing to her as the killer so obviously that it is not hard to figure she's really innocent. But of course she's so unlikable that the film leaves the possibility open. We see Alice's mother Catherine played by Linda Miller dealing with her grief along with her sister Annie who loves in to help. She does not get along at all with Alice. Catherine us divorced, but her ex husband Dominick comes to the funeral and wants to find out more about Karen's murder. The whole film is set up in a sort of melodramatic way. The performances are good but border on camp in some scenes. The killer keeps appearing going after others in Alice's life. The film is very tense and creepy at times. It also has alot of religious imagery. I don't think that directpr Alfred Sole is a big fan of Catholicism, he deals with sin, guilt and especially hypocrisy. Even though the film does have a simple even cheap.look it is well made. The image of the translucent mask and tge raincoat is very creepy. The film throws some clues on who the killer is but really wants to.keep the possibility that it could be Alice. When it us revealed who the killer actually is it is kind of confusing but all I can say is that the motivation is very similar to what was seen in David Fincher's Se7en. The final 30 minutes kind of lags a little butthe story is pretty involving.

The film is not really that bloody but the violence it does have is pretty brutal. It is a film that has been largely ignored in the mainstream but I think it is one of the better early slasher horror films of the 70's. At times,, it actually feels very much like an Italian giallo.

Very creepy and effective.

Grade: B

This is a brilliant, original, thought-provoking horror movie that has festered in obscurity for some time. Despite a laserdisc release and a slew of alternate titles -- "Alice Sweet Alice" and "Holy Terror" are but two -- it is still virtually unknown.

At the time of its release, PR wags made a big deal that it featured Brook Shields in her first on-screen role. PR wags did not make a big deal of the fact that there had not been anything like it ever before and that it featured an amazing newcomer, Paula E. Sheppard, in a chilling role as a deeply disturbed schoolgirl who may or may not be responsible for a slew of gory murders. Add to those a strong Catholic subtext and hints of child abuse and you've got one incredible ninety minutes of mental and physical mayhem.

Director Alfred Sole, who also made the flawed but fascinating "Tanya's Island" and the rotten "Thursday the 12th" (aka "Pandemonium") creates unbelievable tension and always places his characters (who are very well written) before the horror. Plotting, characterization and suspense are so expertly mixed the film doesn't even feel like a genre piece at times ; instead, it feels like a European drama...but one circling a potent giallo.

As noted, Sheppard is superb as Alice; Linda Miller is exemplary as Alice's tormented mother Catherine and Jane Lowry as the domineering Aunt Annie turns in a powerhouse performance. And playing Alice's obese, perverted neighbor to chilling perfection is the late Alphonso DeNoble. The scene in which he comes close to molesting Alice is priceless for its economy and authenticity.

From the excellent photography to the super-creepy score by Stephen Lawrence, "Communion" is compelling until the final body hits the church floor.

Alice, Sweet Alice - 1976 (This Film Rates a B ) The film takes place in 1961, New Jersey. A young girl Karen played by Brooke Shields, is about to receive her first communion. Her sister Alice becomes jealous and starts to torment and bully her. However, Karen is strangled in church by an unknown assailant wearing a translucent mask. The mothers ex-husband starts to investigate the murder but the police are also interested in the case. Her overly bitchy mother (Annie) moves in to help out and Alice is not a fan. The family start to suspect that Alice killed Karen and the police are a bit suspicious as well. The rather obese cat daddy neighbor tries to molest her while she is delivering the rent money. He is dirty and disgusting. But that poor kitty! The masked figure attacks Annie on the stairs in an overdramatic but gripping sequence. Alice is sent to a psychiatric unit and states that Karen tried to kill Annie not her. The ex/detective receives an odd call from someone claiming to be Annie's daughter and that she has the crufix belonging to Karen. He learns of the killers real identity before he dies. The reveal is a little anti climatic but the death has some intensity. Eventually a pathologist is able to rule out poor Alice as a suspect. The real killer is a bit off kilter since the death of her own daughter on the same day as this communion. She kills the pervert neighbor but is spotted fleeing the scene by police. She has one more kill before its all over, right in front of the whole church congregation. But in the end, Alice might not be so innocent after all. The ending is a little bit of a downer. The build is spectacular even though some of the camera shots/angles aren't particularly great. At times its hard not to laugh even if not intentional. The chaotic church scene, The whole cake interaction at the 22 minute mark with the obese neighbor was a bit weird. The reaction of the congregation at the end was puzzling. It's not overly gory but what is present is top notch. Its just to quick for the eye and not often enough. The script is above average for a slasher film even if overlong. The acting is fairly decent, some average highlights and some not so good ones. It really is overdramatic like the 46:40 min mark at the hospital. For the most part, the soundtrack is spot on. A real mixture of vintage sounds. But it all fits. A lot of religious overtones and church scenes throughout. No T&A. It's an odd but sinister film.