La grande bataille

The Biggest Battle (1978)

* 1/2 (out of 4)

Incredibly disappointing drama starts off in Germany during the 1936 Olympics where an American general (Henry Fonda), a German major (Stacy Keach), a Jewish actress (Samantha Eggar) and a war correspondent (John Huston) are having dinner and agreeing that Hitler will not cause a war. Flash forward to 1942 and war is happening and all sides of this dinner are now in the middle.

THE BIGGEST BATTLE is an Italian and West German co-production that was meant to rival various American movies that took on the WWII subject. Of course something like MIDWAY was an obvious inspiration. The most interesting thing about this film is that it did have a bigger budget than you'd normally see in a film like this but the problem is that the budget wasn't big enough. It's clear that writer-director Umberto Lenzi wanted to make an epic war film and even got a terrific cast together but the film falls well short of that.

There's no question that the biggest problem with this film is its screenplay. I never found any of these characters to be interesting and especially the Keach character. I found the character to be extremely bland but so was another subplot that deals with Fonda and his two sons going off to fight in the war. The "proud father" aspect just doesn't work. There's really nothing story wise that connects with the viewer and this incldues the action. There are a lot of action scenes but they just feel cheap and never contain any tension.

With all of that being said, the most amazing thing about this picture is the fact that they got such a great cast. You've got Fonda, Keach, Huston and Eggar but there's also Helmut Berger, Edwige Fenech, Ray Lovelock and various other foreign actors. You've also got Orson Welles doing the narration in some versions but the version I watched didn't feature that. The story was confusing as it was so perhaps his narration was used to make more sense out of the film?

THE BIGGEST BATTLE is a pretty poor film but the worst thing is the fact that it's really disappointing considering the cast.

For a low-budget movie set during World War II, it does have a rough and violent edge. Above all, BATTLE FORCE surrenders to a non-existent plot and storyline that's been duped hundreds of times repeatedly. Don't expect much here as there's no specific meaning. Explosions and body counts are nothing new! Adding to the troop casulty count is of Orson Welles' annoying and interrupting narration, making it feel like a made-for-television documentary. War movies are instant classics in the grade "A" Hollywood circuit, and SAVING PRIVATE RYAN triumphs realism today. Despite a fairly good replica of those WW2 days, BATTLE FORCE is another run-of-the-mill production without enough substance. Anyone who grew up watching Hollywood war dramas in their lifetimes probably avoided this one while history was made.

Director Umberto Lenzi's movies have always been the subject of criticism on web boards and even from nationally known reviewers, including Leonard Maltin. It seems as though he takes a lot of flak simply because his films are made overseas. At its heart, "The Greatest Battle" is really no better or worse than the slew of epic war films to come out of Hollywood in the 1970s.

During the Berlin Olympics of 1936, German Major Roland (Stacy Keach); American General Foster (Henry Fonda); reporter Sean O'Hara (John Huston) and Jewish actress Annelise Ackerman (Samantha Eggar) meet and become friends. Flash forward to late 1941: America is embroiled in World War II. Several more characters are introduced, namely: Foster's loser son, John (Ray Lovelock); gutsy British commando leader Captain Scott (Giuliano Gemma) and dedicated Nazi commando officer Lt. Zimmer (Helmut Berger). All of these characters become interconnected over the course of the next two years and wind up coming face-to-face at the Battle of the Mareth Line in North Africa. Each turn in a dedicated, honest performance – something to be admired in this genre.

Several familiar European actors appear in the supporting cast, and although their parts are unimportant to the storyline, it's essential to mention some of them: Giacomo Rossi-Stuart ("Hornets' Nest") plays John Foster's commander; Andrea Bosic ("Hell's Brigade") as the leader of Greek partisans; Ida Galli ("Eagles Over London") as Scott's estranged wife, and Venantino Venantini ("The War Devils") as her new husband; Geoffrey Copleston ("The Assisi Underground") as a menacing SS Colonel; Luciano Catenacci ("The Battle of El Alamein") as a British radio operator; the list goes on forever. Even Orson Welles ("The Battle of Neretva") narrates the proceedings rather unnecessarily – and, often, incorrectly.

For the most part, this is a plot less series of scenes, chronicling major events in the characters' lives and campaigns. Lenzi fills out the running time with stylistic action sequences and well-integrated stock footage. Lenzi's directorial style and energy are apparent in a number of battle scenes. He takes a lot of ideas and scenarios from his earlier war films – notably, "Battle of the Commandos" (a partisan ambush of a German armored convoy looks awfully familiar, as does a commando raid on a coastal bunker) and shoots them with a bigger budget and more professionalism. The Federico Zanni photography is simply dazzling and excellently edited by Eugenio Alabiso, one of my favorite genre-editors.

Unfortunately, a lot of familiar stock footage from "Battle of the Commandos", "Commandos", "Desert Assault" and "The Battle of El Alamein" is used as a substitute for original action footage, which really hampers the original, epic feel of the movie. But look at Hollywood's epic "Midway" released in 1976: it's a hodgepodge of stock footage and cameos, yet is much better received by audiences than this film. The major action sequences revolve solely around the stock footage, but that's okay in this movie, because the material surrounding these sequences is so good.

The production values are amazingly high in this film, setting it another notch among its' peers. The sets, from Parisian bars and brothels, to huge entrenchments, fuel dumps and railroad stations look fantastic. The costumes and props are appropriate, too. There are hundreds of extras, tanks, APCs, jeeps and airplanes dotting the screen, giving the film the appropriate epic look.

This Italian-produced war epic is typically underrated and undeserving of the criticism it so often receives. While it does lack a storyline and has no character development whatsoever… and contains reels of stock footage, the original material, style and slew of actors help to offset these flaws. "The Greatest Battle" is no better or worse than any similar film made in Hollywood, and is certainly much more entertaining and engaging than titles like "Midway".

This film has the unmistakable whiff of tax write off about it and I can't believe the non-Italians in this Italian made World War II film weren't doing this one for nothing more than a paycheck and a European vacation.

For an Italian film you would think Italy would be mentioned somewhere in this story. The climax of the movie is the battle for Tunisia where the Italians had a lot of soldiers. The battle scenes are merely stock footage from other and better films.

The only tie in this whole story is a meeting in Berlin of retired army general Henry Fonda, war correspondent John Huston, German-Jewish actress Samantha Eggar and German major Stacy Keach. Meeting at the time of the Olympics there, the four dismiss the possibility of war.

After that it seems like you're watching four or five separate films all at once. Everyone seems to be just reciting the dialog by rote and hurrying off to do better things presumably. Even Orson Welles who narrates the English language version, can't whip up any excitement in his voice.

It's just another one done for the money.

This spectacular movie starts in Berlin during Oympic Games 1936 with the African-American Jesse Owens as champion . There reunites a Nazi officer (Stacy Keach) , a veteran American journalist (John Huston), a famous actress (Samantha Eggar) and an US General (Henry Fonda). Keach gives gifts to the hosts captioning : 'In God we trust' . The group of different nationalities vows to meet five years later but WWII interrupts their lives . Los Angeles 1942 , the upright General incarnated by Henry Fonda is assigned to West Point Academy and his son (Ray Lovelock) takes the ranks to North African campaign . After the action is placed on several locations , as London , West Point, Le Hauvre (France) . Island of Creta , October 1942, an official (Giuliano Gemma) whose mission is to destroy a German installation before being used against the Allied forces . Following the feats about Partisans and a parachuted squadron (led by Giacomo Rossi Stuart) attacking a train (commanded by Helmut Berger) transporting a big German-built cannon (whose scenes are taken from ¨Battle of commands¨). Meanwhile the German actress (Samantha Eggar)for the reason his Jewish origin is detained by SS and Nazi official Berger is enamored to prostitute (gorgeous Edwige Fenech) . Posteriorly , it tells battles in Mareth line March 14, 1943 and Gabes , North Africa , engaging war German Army against British VIII army . There a captain (Gemma) neutralizes a bomb camp and Nazi officer (Berger) impersonates Allied soldier to destroy supplies . Taking place spectacular battles with miniaturized tanks (whose footage is taken from ¨Battle of Alaimen¨ by Giorgo Ferroni and the same producer Mino Loy) .

This is a regularly conceived WWII with action filled , studio character , drama and exciting battles , but nothing special . Packs inaccurate details and an extremely talented though wasted cast make this one of all-time great Italian epic productions though failed . The film contains news-reel documentary , stock-shots vignettes and miniatures , however lost continuity with several cuts and zooms . The battle scenes were shot in desert of Tabernas (Almeria) where in the 60s and 70s were filmed lots of Westerns . Furthermome, a prestigious cast , as Fonda , Eggar , Keach and appears as narrator the great Orson Welles . Numerous Italian secondaries as Jack Stuart , Andrea Bosic , Venantino Venanti , Ken Wood , Ida Valli and Rick Battaglia habitual of Peplum and Spaghetti . The tale was middlingly directed by Umberto Lenzi , he often used the pseudonym Hank Milestone and Humphrey Logan . He's an expert on wartime genre such as he proved in ¨ Desert commandos¨ , ¨Battle of commandos¨, ¨From hell to victory¨, and ¨Bridge to hell¨.