IMDb RATING
5.4/10
3.1K
YOUR RATING
A rich girl steals her dad's Rolls Royce and heads off to Las Vegas to get married, but her angry parents, a jealous suitor, and a bunch of reward-seekers are determined to stop her.A rich girl steals her dad's Rolls Royce and heads off to Las Vegas to get married, but her angry parents, a jealous suitor, and a bunch of reward-seekers are determined to stop her.A rich girl steals her dad's Rolls Royce and heads off to Las Vegas to get married, but her angry parents, a jealous suitor, and a bunch of reward-seekers are determined to stop her.
James Ritz
- Officer Tad
- (as Jim Ritz)
Robert Weaver
- Harold Hingleman
- (as Robby Weaver)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Ron Howard's directorial debut (in which he also stars) is a pretty good piece of drive-in movie fun, with a silly but fast-paced story and enough car chases and crashes to keep those who go for this kind of thing plenty satisfied. A handful of familiar faces in amusing cameos add to the fun.
I did buy the DVD of this film because it was a Ron Howard's first movie. Since the film he has made a few good films and few really bad Hollywood entertaining films.
With Roger Corman producing this has always been considered as an "B" film. Well, it certainly isn't that. It is a funny action comedy with good cast, good director and good writers. And what a name for the film!
If you're looking for fun, non-boring, happy and even romantic film, you should definitely get this.
7 of 10
With Roger Corman producing this has always been considered as an "B" film. Well, it certainly isn't that. It is a funny action comedy with good cast, good director and good writers. And what a name for the film!
If you're looking for fun, non-boring, happy and even romantic film, you should definitely get this.
7 of 10
"Grand Theft Auto" is Ron Howard's second attempt at a car chase n' crash movie. It is a lot better than his first, "Eat my Dust", but it still isn't the best. The plot is that a girl runs away to Las Vegas with a guy she likes, and is being Chased down by her parents, a jealous lover, cops, and many other randos trying to collect a bounty on them. The script writing wasn't the best. It starts off good enough, then downgraded to just being jam packed with stuff, and by stuff I mean excuses to put car crashes and stunts. The car action was really nice, but it gets old after a while. Near the end, a lot of sense in writing and direction is lost, rather just being cars mindlessly crashing into each other. There are some pros to the script, as every once in a while you'll get a funny joke. The the cast of characters participating in the chase Aren't the best people. They aren't really fleshed out, and there's way too many of them. By the end, over 20 people are chasing and racing against each other, and after a while I just stopped keeping track of them. The acting saved this film a bit. Overall, a wild car action comedy, jam packed with cars, crashes, and explosions.
GRAND THEFT AUTO (2+ outta 5 stars)
Pretty minor car crash movie from the peak of the car crash movie boom of the mid-to-late-70s. Notable as the directorial debut of star Ron Howard... so producer Roger Corman deserves some credit for the later *good* movies that Howard directed. Actually, this movie isn't bad at all... if you like this sort of thing... cornball plot about 2 young kids in love stealing a Rolls Royce and heading for Vegas to get hitched. Egged on by a loudmouth radio broadcaster who sees the ratings potential, the pair head west... followed by the law and an assortment of comical character actors who want to stop them. Last major film role for Ron Howard... who probably sensed that time was running out on his ability to keep playing these clean-cut teenager roles.
Pretty minor car crash movie from the peak of the car crash movie boom of the mid-to-late-70s. Notable as the directorial debut of star Ron Howard... so producer Roger Corman deserves some credit for the later *good* movies that Howard directed. Actually, this movie isn't bad at all... if you like this sort of thing... cornball plot about 2 young kids in love stealing a Rolls Royce and heading for Vegas to get hitched. Egged on by a loudmouth radio broadcaster who sees the ratings potential, the pair head west... followed by the law and an assortment of comical character actors who want to stop them. Last major film role for Ron Howard... who probably sensed that time was running out on his ability to keep playing these clean-cut teenager roles.
This movie will never be remembered as great filmmaking, but it's sure to go down in history as an eerily accurate time capsule of the 1970's. The seventies, a time when, despite the depressingly high crime rate, people left their keys in the ignition without giving it a second thought; when cars were stolen so often we considered them communal property.(By the way, if you're ever the victim of a car theft, stand in the road shaking your fist as the car drives off, then yell 'come back here!' as loudly as possible. This is sure to get your car back.)The seventies were a magical time, when gubernatorial candidates wore jumpsuits without fear of ridicule and kept hired goons on retainer; when towns had only one radio station and we all listened to it; when whiny polo players were considered good catches.
And the car chases! Every day and twice on holy days, my Dad would tell me. Many times, while driving to his job as Jack Lord's shoe buffer, he would come across an impromptu car chase headed to Las Vegas or Tahiti or some other fun place and you better believe he joined in! He would be gone for weeks at a time but we always understood. Mom and I were never worried about him; we could follow his progress from the constant radio reports given by the DJ flying overhead. In the seventies, radio stations thought nothing of scrapping their entire playlist and sending up a fleet of helicopters manned by skinny DJs in smoked glasses to spend days covering a car chase while whole police forces sat idly by, except for that one wacky policeman who always seemed to show up carrying some personal vendetta against one of the chasers and was in way over his head but didn't know it because he wasn't too bright but we understood and we loved him anyway.
Because it was the seventies.
And the car chases! Every day and twice on holy days, my Dad would tell me. Many times, while driving to his job as Jack Lord's shoe buffer, he would come across an impromptu car chase headed to Las Vegas or Tahiti or some other fun place and you better believe he joined in! He would be gone for weeks at a time but we always understood. Mom and I were never worried about him; we could follow his progress from the constant radio reports given by the DJ flying overhead. In the seventies, radio stations thought nothing of scrapping their entire playlist and sending up a fleet of helicopters manned by skinny DJs in smoked glasses to spend days covering a car chase while whole police forces sat idly by, except for that one wacky policeman who always seemed to show up carrying some personal vendetta against one of the chasers and was in way over his head but didn't know it because he wasn't too bright but we understood and we loved him anyway.
Because it was the seventies.
Did you know
- TriviaThe crew were very impressed with first-time director Ron Howard the first day they started filming. Most of the newbies that producer Roger Corman hired were unsure of themselves and took a while to get things going. But Howard knew exactly what he wanted and how to set up each shot because of his familiarity with film production from being in movies and shows as a kid and teen for so many years.
- GoofsThe first time the helicopter attempts to block the road for the Rolls Royce, the helicopter makes the turn twice.
- Quotes
[last lines]
Paula Powers: So, where do you think we'll be on our 50th anniversary?
Sam Freeman: Right here. I'm not getting out of the car.
Paula Powers: Whoa-ho-ho-ho!
[kisses him]
- ConnectionsEdited into Le convoi des casseurs (1981)
- SoundtracksI'm Sorry, Alice
furnished courtesy of Warner Bros. Records and Ivers Songs
Details
Box office
- Budget
- $602,000 (estimated)
- Runtime
- 1h 24m(84 min)
- Aspect ratio
- 1.85 : 1
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