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The promotional gallery of posters, lobby cards, and stills on Blue Underground's DVD release of "Fight for Your Life" give one the impression that it's merely the umpteenth addition to the pile of exploitative revengers inspired by Wes Craven's landmark "Last House on the Left"; even the trailers (a 'white' and 'black' version) depict the money shots in what promises to be another parade of cruelty for cruelty's sake, accompanied by '70s soul music.

Yet when I got around to watching the movie itself, I was more than a little impressed by the frequency with which it ran contrary to my low expectations, to the point where I really did feel like applauding and cheering on the heroes. "Fight for Your Life" is more politically ambitious than the LHotL imitators it is commonly lumped in with, transposing the race roles of slave times (the 'master' is a moneyed man who cracks a mean whip; the 'slaves' are quietly obedient out of fear of abuse) into the late-1970s, after the Civil Rights movement, where blacks are only starting to find their place in an overwhelmingly white society. Robert Judd plays a pacifist minister whose family is taken hostage by a trio of thugs (led by the fantastically scummy Willaim Sanderson, whose dialog is a catalog of racial epithets) who get a perverse entertainment out of the torture, rape, and humiliation of their hostages. Of course the tables are turned in the third reel, but the film goes about it in a cleverly justified way. By making the criminals so unredeemable (and thankfully avoiding the clichéd comic relief some films gravitate toward), we are on the edge of our seats, waiting for their comeuppance; but "Fight for Your Life" also engenders multi-layered characters grappling with their own moral conflicts that makes the resulting graphic violence resonate on a deeper level.

The film contains some genuinely moving, even heartbreaking moments that would not carry such an impact if we didn't relate so strongly to the victims: the quiet aftermath of a rape (the details of which are not explicitly rendered); humiliation that unexpectedly turns to uplift (when Judd's character is forced to sing on a pedestal at gunpoint); the by-the-book police lieutenant who eavesdrops on the family's revenge, only to allow it to continue out of sympathy.

Though my review thus far might turn off those seeking a hard-edged revenge thriller, let it be known that "Fight for Your Life" is not a sentimental piece--quite the contrary, it is just as lurid and seedy as the best (worst) of the genre; the violence is vivid and unsettling, made all the more so by the reality of the characters and their situation. Though low-budget productions tend to be hampered by exaggerated acting and unconvincing effects by default, the whole cast is convincing in selling the premise, and reminding us that even genre pics can reach for high concepts and succeed.

FIGHT FOR YOUR LIFE (1977) **** William Sanderson, Robert Judd, Dan Faraldo, Peter Yoshida. If there was ever a movie that could push the audience's buttons, it was Fight for Your Life. During its limited theatrical run, it reportedly caused near riots in theaters wherever it was shown. It's easy to see why. The movie follows three escaped convicts, led by racist hillbilly psychopath Jesse Cain (William Sanderson), who take an African-American family hostage in their home and torture them. Cain spews vicious racial epithets almost constantly as he and his cohorts (who, ironically enough, are Latino and Asian) subject the family to a host of racial and sexual humiliations. Though it's easy to dismiss as mere exploitation, Fight for Your Life speaks volumes about what America had on its collective mind in the late 1970's, reflecting anxieties about the effects of drugs, violent crime and volatile race relations on the country. Of course, it's also great entertainment. Thanks to a strong script from Straw Weisman and Robert Endelson's smart direction, there's never a dull moment in this film, though it certainly isn't for all viewers.

Fight For Your Life (FFYL) is a hugely misunderstood film. Pretty much every low budget film with any kind of violent content was labelled a "video nasty" in the 80s but FFYL's notoriety even stands out from the rest of the "video nasty" crowd.

FFYL's bad reputation mostly stems from the film's rape/revenge scenario, which has resulted in comparisons with films like "I Spit On Your Grave" and "The Last House On The Left". While I greatly admire both of those films, they really have little in common with FFYL as far as tone and context are concerned. They all share a rape/revenge plot twist but the sexual assault in FFYL plays a relatively minor role in the film and is less graphically presented than rape scenes in mainstream fare such as "The Accused", let alone "Irreversible".

The other main aspect of FFYL's notoriety is the accusation of racism. The use of racist terminology is confronting and the scene in which Kane makes Ted dance and sing is, in my opinion, more shocking than any of the violence. However, the film is never less than sympathetic with the plight of the Turner family and the way in which their revenge is presented excludes the presence of any kind of racist agenda as far as I'm concerned.

Overlooking the controversy, what remains is a tightly constructed and expertly paced thriller. The film is quite brilliantly scripted. The characters ring true and the dialogue is sharp and often funny. The actors, with the exception of the ham who plays Lt. Reilly, all give great performances. William Sanderson, in particular, is magnificently vile as Kane.

Don't let this film's unjust reputation put you off. FFYL is a very good movie that deserves a wider audience.

It's easy to see why "Fight For Your Life" would provoke certain viewers into a fury. The chief bad guy of the movie is an extreme racist, and over and over he subjects the black family that he holds hostage to various kinds of humiliation and degradation.

However, while the movie does have some shocking moments, I wasn't as offended as I thought I would be. There is a touch of an absurd (and comic) tone in the background of the movie throughout. This has the movie frequently going over the top, and thus it's often hard to take things completely seriously. Also, the performance of William Sanderson is one that's of the right note. Although you'll hate his character's guts, he is so energetic and playful that at the same time you'll find him entertaining.

But this movie is DEFINITELY not for everyone. If you haven't been offended by other notorious extreme exploitation movies like "Last House On The Left" and "I Spit On Your Grave", then it's probably safe to give this movie a look. If you are very politically correct and/or easily offended, stay away.

FIGHT FOR YOUR LIFE is a mediocre and mean-spirited rape/revenge film that's full of more colorful derogatory epithets than a KKK vs. Black Panthers street fight. I personally don't get offended by this type of dialogue...but FIGHT relies so heavily on the racist aspect of the characters that it's hard to see the actually semi-decent performances that are going on...

FIGHT is about three inmates, a white guy (the "leader" of the group who is also the guy that played "Larry" on the NEWHART TV show (!?!)), a Hispanic guy, and an Asian guy (sounds like the beginning of a bad joke, huh???), who break out of jail during a botched prison transfer. The three go on a short robbery and murder spree before kidnapping a black woman at a liquor store, and deciding to hole-up at her home until dark. At the home are also the woman's little brother, mother, father, and grandmother. "Larry" is a racist piece of white-trash sh!t and does nothing but hurl racial insults and make the family members say and do degrading things for his own entertainment (although I gotta admit, the "dance" scene IS kinda funny...). This goes on for about 80% of the films run-time, until the three convicts decide to rape the daughter. After that, the balance of power is shifted back and forth between the family and the convicts in a few uneven scenes where the lone gun that was initially handled by "Larry" changes hands a few times during some goofy fight scenes. The conclusion comes between "Larry" and the father of the family, in a "tense" stand-off in front of the cops.

First off...FIGHT FOR YOUR LIFE is a very mediocre rape/revenge film to begin with. I like this genre as a whole - but this one doesn't bring anything new to the genre, other than an uninteresting racist angle that wears itself thin after the first few amusing insults are hurled. The performances are pretty believable and the "action" is tense at moments - but my other big problem with FIGHT is that the revenge pay-off is way too quick and unfulfilling. Half of the reason to watch these films is to see the victims exact brutal and bloody revenge on their assailants - and this one doesn't deliver. Worth a look to the hardcore exploit fan - others will find FIGHT boring and/or offensive. 6/10