Le samouraï noir

With the belated rise in popularity of Asian exploitation, groovy Grindhouse icon, Cirio H. Santiago, has become somewhat of a bona fide underground cinematic hero; this is due in no small part to his electrifying series of low-budget, high-octane, Post-Apocalyptic actioners that proved so exceptionally popular during home video boom of the 80s. The doyen of Post-Holocaust automotive Armageddon, Santiago noisily perfected the machismo-soaked iconography of swarthy, leather-clad heroics, wherein dusty, embattled muscle cars, festooned with gaudy Motley Crue accoutrements blazed a furious trail of calamitous carnage across a noxiously corrupted landscape, whereby brutality and automotive prowess were the only viable remaining currency! Santiago directed these dystopian vistas with their crimson-hued skyline, mottled by the choking dust of deathly radioactivity with great gusto; so it came as no great surprise to discover that his earlier exploitation winner, the wildly entertaining revenger, 'Fighting Mad' (aka) 'Death Force' was by no means an impoverished backwoods cousin to his better known PA extravaganzas!

Brawny charismatic actor, James Iglehart, is part of a roguish trio of opportunistic thugs, and after completing a particularly frantic blag upon a yacht, things go rapidly pear shaped, as he is left to rot in the midst of the pitiless expanses briny sea. Being a pure bred Grindhouse classic, Death Force's unerring goal is unrelenting, blood-thirsty revenge; and after washing up upon a deserted island he is trained by two Japanese soldiers fortuitously stranded there since the end of WW2. Naturally, we have to endure a little ham-fisted cross-cultural observations, but Santiago ably constructs some tasty training vignettes, while certainly NOT on par with '36 Chambers of Shaolin', they prove to be an excellent aperitif before our vengeful black samurai, (fortunately not the far less dynamic, Al Adamson interpretation) armed with his trusty quicksilver Katana blade proceeds to bloodily exact a most furious and dreadful revenge! Ostensibly, 'Fighting Mad' is the timeless fists of fury fable of a hypertrophically muscular, gleefully gangster goring, powerhouse African American badass vengefully decapitating multitudinous dumbbell Mafiosi with a diamond edged katana blade! So, what's not to like?

Hi, Everyone, This film has Leon Isaac Kennedy billed as Leon Isaac. He is the rottenest villain in the story. He is superb as a likable monster.

James Inglehart is all things good, but still willing to smash a person's head. The hero is part of a trio of bad guys who aren't real bad at the beginning of this movie. James takes it personally when his buddies try to kill him. The scenes where our hero is learning martial arts are very well done. The casting is very true to character. A nice mix of an Asian martial arts pro who is believable and very funny and White and Black and Asian good and bad guys and girls in a 70s era story.

The one song sung by Jayne Kennedy is played instrumentally throughout the film. It is actually a nice song that could have become a hit for that time period.

The movie has lots of good location shooting. Lots of scenes in a Pacific Island and scenes on a boat mix with street scenes in Los Angeles and then Mexico.

I got this as part of a 50 Martial Arts movie package for about $19. It is well worth that and it is worth much more. If you like action, this movie should give you plenty.

Leon Isaac Kennedy was one of my favorites in the early 1980s. He was always tough yet he had a smile for the ladies that made him appear to be a a real sweetheart.

One last observation about this movie is something to watch for in the barbershop scene. What is the price of a haircut? In this nice barbershop it will cost you only... $2.

Tom Willett

My first Cirio H Santiago film! This one has a brain-meltingly random premise, Afros, cool music, is choppy as hell and even throws in a bit of gore at the end there.

Russell is a Vietnam vet who's smuggled some gold with his mates Morrello and McGhee, who of course double cross him, slit his throat, throw him in the sea and head off to L.A to waste the mob there and become crime lords (as we see them blast their way through many gangs). McGhee also has the hots for Russell's wife, and periodically turns up to try and woo her (getting more aggressive with every visit).

Russell, however, washes up on a desert island, where he meets two Japanese soldiers who have never surrendered (and never will). After becoming friends and indulging in some funny banter ("You should see Japan now!"), the ranking officer (great character) teaches Russell how to slice things up good with a samurai sword, which as you know will lead Russell back to LA where he can chop his buddies, and their hired goons (Hired goons?) into little pieces.

Full of ridiculous situations, action scenes and funky music, Fighting Mad is a good bet for an exploitation fan. There's a good relationship between Russell and the Japanese officer, and just when I thought Russel would never get off that damn island, he does in a rather sad scene and the film picks up from there. Whenever the film bogs down in training sequences, Santiago just switches to L.A to show McGhee and Morrello taking on rival mobs.

Once Russell arrives in LA, he becomes an unstoppable killing machine to get to his enemies. It looked like some of the violence had been cut from the version I watched (a leg being severed), but as there were several graphic decapitations at the end, who knows? This is good for a watch if you're like me, and just switch your brain off before hitting 'play' and just go with the flow. It's cheap and cheerful and action packed – what else do you want?

Death Force (1978) is a movie that I recently watched on Tubi. The storyline follows a man shot and left for dead by his drug lord partners. He wakes up stranded on an island with Japanese soldiers left there since World War II. They train him on the art of fighting and sword work. When he is rescued from the island the man sets out on a path for revenge against those that left him stranded to begin with.

This movie is directed by Cirio H. Santiago (Firecracker) and stars James Iglehart (Savage!), Leon Isaac Kennedy (Lone Wolf McQuade), Carmen Argenziano (Broken Arrow) and Jayne Kennedy (Chips).

This is one of those movies that's more fun than good. The cast is well selected and fit their characters perfectly. The action scenes are entertaining with some fun shootouts, sword fights and hand to hand action sequences. There is a decapitation scene in this that's awesome.

The training scenes on the island are fun too and had me laughing at times. The background music is very well selected and give the movie a classic feel from this era.

Overall, this movie is far from perfect, or from being one of the better blaxploitation movies, but it is worth a watch. I would score this a 5.5-6/10 and recommend seeing it once.

Now this is more like it! When two crooks decide to bump off their partner and pocket all the loot from a profitable crime, little do they suspect that our man not only survives their murderous attempt, but is washed ashore an island where he is nursed back to health by two Japanese soldiers who have been stranded there since the second world war and who in addition, don't even know that the war has ended! In fact not only do they nurse his wounds, but one of them additionally teaches him the way of the samurai thus paving the way for our man to return to the states and take a bloody revenge!

This is a great little film and very much a product of its time featuring cool seventies fashions, proud looking afros, some soppy romantic scenes (in glorious seventies slow motion obviously!), a groovy seventies soundtrack and last but not least some cool and gory action throughout including our hero cutting off one of his enemies ears, and later sending the same guy his crime lord associates head in a box!

Highly entertaining stuff and it even has a happy ending! What more could you possibly want?