Génération Proteus

When we realize today how the computers changed our life ,"demon seed" can easily be looked upon as a film ahead of its time.A bizarre cross between "Rosemary's Baby" and "2001"'s "Hal 9000" ,one feels ill-at-ease after the viewing .The screenplay may seem far-fetched but today it can become a transparent metaphor :we might be the computers' prisoners and it won't improve with time.The computer might know intimate details about us,he may "rape" us in a way.

But what remains impressive today is how the director and the script writers managed to sustain interest while using only one character most of the time.Most of the time,the audience is left alone with Julie Christie and the "monster" (there are snatches of "Frankenstein" too),and the viewers can easily identify with her character.

Susan Harris (Julie Christie), wife of a scientist working in the field of advanced robotics, becomes a prisoner in her own home when super-computer Proteus IV, who also wants to spread its seed by impregnating Susan, takes charge of her life. I rented "Demon Seed" because I felt like watching something with a brain, and based on a lot of positive IMDb reviews, I was praying for a smart sci-if flick. My prayers were answered.

The acting in Demon Seed is fine. Robert Vaughn was creepy as hell as Proteus IV, both sinister and relaxed at the same time, in fact he does an even better job as an evil computer here than Douglas Rain did as HAL-9000 in 2001: A space Odyssey.

The film benefits greatly from an intelligent screenplay, penned by Robert Jaffe and Roger O. Hirson. The dialog is thought provoking and thankfully never really insults the audience's intelligence.

Helming the director's seat is Donald Cammell, who directs with a firm hand and injects a claustrophobic and uncomfortable atmosphere into the film, also managing to maintain the suspense scenes well. Interestingly, he apparently condones the film (assuming that calling the film a 'piece of sh*t' warrants that…).

As others have pointed out there are some dated aspects to the production. The special effects were sparse but thoroughly unconvincing, the only exception being the mesmerizing computer screens that consist of ever-changing shapes and colors that are shown on Proteus's computer terminal. The film takes place in the 'distant' future—1995, I believe—yet it looks like it's right out of the 70's, no thanks to the cars, clothing, computers and hair styles that give away the films age. This is a small complaint but an annoying one, though it's easy to ignore once you get involved with the story line.

"Demon Seed" is an intelligent sci-fi film that's pretty rare but if you happen to see a copy of it, pick it up if you're in the mood for something smart.

7.5/10.

The Entity in this Classic Sci-Fi Scenario...an "Artificial Intelligence" has Observed and Determined that it is Smarter and Deserves its Place in the Universe as a Man-Made "God" and should be in Charge.

But Here is the Bizarre, by any Measurement, Twist...

The Invented "Brain" has Acquired a "Desire" to be "Free" of its "Box" and Also wants to "Impregnate" Its Creator's Wife so the Essence can "Carry-On" Biologically, Its "Greatness".

It's a Trope of Mythology as Old as Time Itself. The "Gods" Descend to Interact, Physically, with Females and Procreate "Demi-Gods".

This Telling of the Tale is Updated to Modern Times Resulting in a Curious Film that is "High Concept" Thinking for the New Computer-Based World.

A Film that has Moments of Entertainment for Moderns in an Exploitive KInd-of-Way, While Still Maintaining a Method of Commenting About Human-Machine "Mating" Without Getting Laughed Off the Screen.

Good-Looking, State of the Art Film-Making with a Medium Budget Utilized to Maximum Artistic Deliverance.

Still, to this Day, a Controversial Musing about a Not-to-Distant Future Interaction, Mixing, a Collaboration of "Man" and His Creation Replaying God's Initial Intercourse with Man and that is Now Full-Circle.

Not Totally Satisfying in Any Way, but a Film Daring and is Creative. Well-Staged and is Thought-Provoking Enough to make it...

Worth a Watch.

My mixed (at best) feelings about the film as a whole are reflected in the range of previous comments. My response to the contributions of composer Jerry Fielding, however, is unadulterated awe. The harmonic richness and complexity of his music sometimes seemed wasted on the films they accompanied - i.e. "Funeral Home", "Grey Lady Down, some of the Michael Winner collaborations et al - both the attention to detail his scores displayed and the complexity of response his music evoked were simply not supported by what was on screen. In fact, some of these films probably could have been served just as well if not better either by a relative hack or simply by a composer more able to work at "half-mast" on a given project - i.e. Goldsmith, Williams etc. Fielding's effectiveness was not restricted to scoring intense and/or violent scenes - witness his brief, exquisite interludes early and late in ""Junior Bonner", the heartbreakingly beautiful music underscoring Warren Oates' tortured efforts to express his feelings to Isela Vega in "Bring Me the Head of Alfredo Garcia" or for that matter the many gentle moments of respite in "The Wild Bunch" itself. Still, some of the most imaginative and memorable marriages of sound and image in the history of film are provided by Fielding in just such intense contexts, often in scenes anticipating or immediately following violence and especially scenes of violation – i.e. the rapes of "Straw Dogs", the near rape of "Bring Me the Head of Alfredo Garcia", the rough sex / bondage of "The Nightcomers", or the not-in-itself particularly violent but perhaps even more disturbing – more violating – situation played out in "Demon Seed" 's centerpiece. However unbelievable or even ludicrous this scene's premise - or the "science" underlying it - may seem, the emotional journey the film's protagonist is forced to take is massive and mind bending (the scene turning into something somewhat reminiscent of the penultimate scene of 2001). Fielding's music is more than up to the task, amply supporting and even expanding the scope of this journey.

Anyway, I think I've expended enough syllables. Fielding is one of the extremely small group of film composers whose work is just as absorbing and memorable with or without the image. So, to all those who are interested – follow the IMDb links and search … and look and listen …

P.S. As a previous poster has noted, the soundtrack recording is available on a cd pairing it with the score from "Soylent Green" by Fred Myrow. It was released by FSM (Film Score Monthly) on their Silver Age Classics label.

This is a truly classic science fiction film, and it was actually way ahead of it's time when it was released back in 1977. The topic of artificial intelligence is still very relevant today, and just one look at Eagle Eye is proof enough. Everything about this film is top notch: directing, acting, script, score, cinematography, etc. are all first-rate. I was very sad when I looked for it on DVD a few years back and could not locate it. Fortunately, it is now available in DVD format. I also echo the sentiments of another reviewer who commented on the sad demise of director Donald Cammell, who was extremely talented but misunderstood. Another interesting film directed by Cammell in his later years is White of The Eye, which was released in 1987. It is a suspense thriller about a serial killer on the loose in Arizona, and it stars David Keith in a great performance. Check it out, and definitely check out Demon Seed if you haven't seen it already. You won't regret it. 8 Stars.