Ça peut vous arriver demain

What to do when you're a happily married man but your beloved wife is out of town on the night of your fortieth birthday, yet two sexy young girls show up at your doorstep, literally throw themselves at you and invite you for a threesome in your own sauna? You kick them right back out on the street, of course! That'll teach them to interfere with a perfectly happy family! Well, that is what you should do in order to prevent guaranteed catastrophes to happen the next morning, but admittedly very few male individuals are likely to respond like this. Neither does the handsome George Manning in "Death Game", so he's stuck up with two obtrusive chicks in his house. Their behavior gets more psychotic with each hour that passes, until they even set up a fake trial against poor tied up George. "Death Game" is not a very good movie, but that's merely because there was too little money available for the execution and because Peter S. Traynor has no clue how to direct a suspense movie. The basic premise is quite unusual for a 70's exploitation movie (usually slavering hillbillies terrorize poor young girls instead of vice versa) and the whole concept is actually very much ahead of its time! Especially nowadays, the horror genre brings forward a lot of movies revolving on brutal home-invasions. People are subjected to fear and torture in their own houses and it's a very popular and money-making concept at the moment, like for example in "Funny Games" and "The Strangers", but this crazed little movie already did something similar in the 70's! The 40 first minutes of "Death Game" provide silly entertainment (Sondra Loncke at the breakfast table) and irresistible trashy goodness (that soundtrack!!), but unfortunately the second half of the film is incomprehensibly boring and unexciting. It shouldn't be, since the girls get more deranged and all, but it suddenly feels as if the writers' inspiration had vanished and only padding remained. There are still two fantastic highlights to experience near the end, though! One involves a pussycat (did you know glass windows aren't cat-proof?) and the other is a stupendously laugh-out-loud hysterical ending. Even a threesome wouldn't have such a fantastic climax! Now if you'll excuse me, I'm going to search for that awesomely catchy "Good Old Daddy" theme song on YouTube!

A really twisted film where two psychotic young lesbians (Sondra Locke and Colleen Camp) turn a middle-aged man's life upside down when they invade his home and harass him while his wife and kids are out of town. This starts off very much like the ultimate male sexual fantasy at first, but ultimately turns into a demented nightmare.

Amidst all the ensuing mayhem and insanity, this could have used more sexual depravity and titillation to make it more effective. As it stands, these teenagers are more irritating than anything else. Yet this is still one bizarre experience and certainly a sight to see, at least once. I've never seen Sondra Locke show so much range, at least not in any of the movies I've seen her in up to this point. Colleen Camp has some good moments of lunacy.

I kind of liked that goofy theme song about "My Good Old Dad" which pops in and out during the course of the wackiness. And in my opinion, the ending is perfect.

It's actually a real shame that this film wasn't better, as it features a story line that does a good job of turning the tables on the common exploitation theme of men brutalising women, and it's also quite scary if you put yourself in the position of the lead character! The basic plot revolves around George; a 'happily married' man who picks up two young girls and seduces them at his house. However, after giving him some information that he REALLY didn't want to hear, George finds himself at the girls' mercy. The film has just three central performers, and while many other films work well from this sort of base; this one doesn't, or at least; not really. Director Peter S. Traynor doesn't really have enough ideas to keep the film entertaining throughout; but luckily, The Seducers does have its moments. The majority of the film is suitably sick and twisted, and the two central women are nasty enough to make the film a nightmare for most men. The Seducers is nowhere near as malicious as many similar seventies thrillers; but its decent enough entertainment for fans of this sort of thing. Unfortunately, the stretched plot ultimately lets it down - but it's an interesting film at least, and I somewhat enjoyed it. Just a word of warning, though – you'll have trouble getting the theme song out of your head!

A middle-aged husband and father left alone on his 40th birthday decides to celebrate it with two 20-year-old hitch-hikers he lets in his house on a stormy night. After a steamy, delirious three-way sex scene in a bathtub, the two girls claim that they are both underage and reveal themselves to be obviously psychotic as they destroy his house and torment him with increasing violence. You have to hand it to the movies. In real life it is almost always the older men abusing young women, but in movies like this of course it's always the opposite. Someone once described this as "a middle-aged male sex fantasy gone wrong". That seems like a pretty accurate description.

On the plus side the story is never COMPLETELY unbelievable, although if it had been based on true story, you definitely would have heard the story. The acting is good. Seymour Cassell is always good even if he's rarely the lead. Colleen Camp brightened up both small roles in many big-budget movies and larger roles in many low-budget movies in the '70's. She's good here as always and has a few surprising nude scenes. Even Sondra Locke is pretty good (ironically, years later Locke would sue ex-husband Clint Eastwood for ruining her career--well, this is the kind of stuff she was doing before she met him).

On the negative side this story is still pretty unbelievable. The antics of the two girls are often more annoying (for both the protagonist and the viewer) than truly frightening. There's some gratuitous animal cruelty (and delivery boy cruelty). Worst of all, is the song "Good Old Dad", which as annoying as it is, is ironically appropriate to the movie at least, but the filmmakers insist on playing it at length again and again and again. It reminded me of the similar Umberto Lenzi-Carroll Baker film "Paranoia" where the villains try to drive the heroine insane by playing one annoying song repeatedly, except that it's not part of the plot here--the filmmakers are doing it to the viewers. I wonder if there is a soundtrack to this movie available. If so it probably a double LP of this one song playing over and over and over. The movie also features one of the most ridiculous deus ex machina endings since "The Bad Seed" (and it is also surprisingly similar to the ending of the English-language version of "Paranoia"). And look what's written on the side of the truck in the last scene. I guess they didn't didn't think too much of that thing with the cat.

It's a bad movie from the 70s about killer lesbian hippies taking on the establishment. Sort of like a "Thelma & Louise" without any feminism. Both painful and compelling, the film had tense and giddy, while also wishing it would just end.

And then the end came and I was utterly baffled and amused. The final 10 seconds of the movie over, I blurted over and over, "What the hell was that?" I backed up, watched it again.

Then I forced my girlfriend (who had not seen the movie) to watch it.

"That is pretty weird," she said.

Pretty weird? It makes no sense at all! Wow! If you enjoy odd, bad film, I think you'll love this movie. Even when it's at its worst, it's fun. There's the 1970's moustache "wakka-chikka" aspect. Then there's the campy screaming semi-naked young women. And then there's the goofy, straight-faced, comical horror movie aspect.

Given the ending, I assume the people making this film knew they were joking. They had to know. Or else they thought the ending was deep. I don't know. But I am forced to admit that I really, really enjoyed this film a lot.