La Bataille des étoiles

Alfosno Brescia's BATTLE OF THE STARS was actually the first of no less that five (5) ultra low budget Italian made grade C movies inspired by the success of STAR WARS in 1977. Which, by the way, is not meant to put them down, but to help classify these odd, offbeat little gems of Italian genre cinema. And by that I mean what might be referred to as "second tier" cinema using basic entertainment formulas to make movies of different genres that existed as sort of pure entertainments. You don't learn anything by watching them (except perhaps how to make a low budget genre film), there are (usually) no greater messages or meanings to be gleaned, and a week later there would be something else just like it there instead.

Starting first with the sword & sandal Peplum films, then graduating to Gothic horror movies, spy thrillers, space operas, spaghetti westerns, WW2 potboilers, urban crime & police films, giant shark mayhem and finally a quick spate of science fiction quickies, all of the films were "inspired by" the success of a major blockbuster that would then be imitated to satisfy the hunger of movie audiences who wanted to see more. So in 1977 the film to emulate was STAR WARS, at least by providing audiences with some threadbare contrivance involving space ships, guys in foil suits, robots, otherworldly dames wearing odd hats or hairdos, laser guns, star fighter dogfights, some sort of semi-robotic alien overlord, and plenty of pseudo-technical mumbo jumbo that would lend some weight to the shenanigans.

Spaghetti western/war potboiler/crime drama director Alfonso Brescia (billed as Al Brady in an attempt to not frighten distributors away from the material) did a marvelous job of making five movies for the price of maybe one medium budget Hollywood hit by reusing the same stock casts of actors, the same costumes, sets, special effects, even the same special effects sequences & basic story lines, and a marvelous cacophony of a couple hours of electronic ambient space music composed & performed by genre favorite Marcello Giombini. The films were all recycled into each other to stretch budgets across a series of paste-up jobs that, on their surface, seemed to offer much of the same visual vocabulary as the George Lucas & Steven Spielberg hits that were dominating the box offices.

The difference is of course what these films say with their vocabulary, which is admittedly far less than what STAR WARS or CLOSE ENCOUNTERS OF THE 3RD KIND were able to say, but you have to keep in mind that BATTLE OF THE STARS for instance was filmed over a course of maybe three weeks, with perhaps two more allotted for post-production work. The goals that the movies set out to achieve was far less than Lucas & Spielberg's more lofty ideals. Not because Brescia and his casts/crews were untalented, but because the point was just to string together 90 odd minutes of events that would sell movie tickets, using their talents & guile to stretch their budgets to the absolute limits.

On that plane of consideration the movies are marvelous examples of the human imagination using bits and pieces of nothing to come up with nine hours of entertainment. BATTLE OF THE STARS would be quickly followed by COSMOS: WAR OF THE PLANETS, which would in turn be quickly followed by WAR OF THE ROBOTS, which would in turn be quickly followed by STAR ODYSSEY, and finally the pseudo-pulp porno THE BEAST IN SPACE, the less said about which the better. It's easy to laugh at them but if you understand why the movies look as threadbare as they do it helps one to quantify what they may or may not have achieved.

The most remarkable thing that can be said about them perhaps is that people are STILL watching the things some 30 years after they were tossed haphazardly at audiences. Sadly the surviving elements of the movies still available today leave a lot to be desired, with crummy fullscreen versions formatted for home video and dubiously dubbed into English that do indeed come across as quite silly at times, so it is perhaps to be unfair when judging their collective merits based on what's left, hence my neutral 5/10 score. What I and others admire about them though is how comparatively honest they are about just being quickie entertainments. Sure, the costumes and klunky sets & effects will make sophisticated contemporary audiences gag with laughter or embarrassment, depending on your temperament.

But that's part of the charm of B grade cinema which, once you get down to it, Mr. Lucas was paying homage to with his STAR WARS and Indiana Jones movies. You can't fault art for imitating the life that it is imitating itself, perhaps.

Alfonso Brecsia's second bargain-basement attempt to cash in on the success of 'Star Wars' finds the crew of a spaceship drawn by an inexplicable force to a planet where a malignant computer rules over the Goniani, whose bodies are slowly (and gruesomely) disintegrating, hence their desire to take over our bodies (and planet). Fortunately, we are aided by friendly Ganymedeans, one of whom is a psychically powerful curly-haired child (who looks like he escaped from 'Fellini's Roma'). I watched this bargain-bin Italian space opera on YouTube (after several false starts - some of Brecsia's cheap sci-fi films are listed under an incorrect or a new title, and in some cases, the film supposedly 'Battle in Outer Space' is actually 'Star Crash' (1980), an equally cheesy but slightly less frugal example of Italian post Star Wars sci-fi). As Brecsia's space-opera quadrilogy share cast members, special effects, props, set pieces, and plot elements, telling them apart at a glance can be challenging. Although generally silly, 'Battle of the Stars'* has some moments. I watched a dubbed version, so won't comment on the script or the acting but there were some adequate special efforts to buoy up the terrible ones, the make-up of the decaying Gonianins was oozy-fun, and, other than the tedious opening song ('We are not alone in space'), I generally liked the music. All in all, this film is better than 'War of the Planets' (1977), Brecsia's first attempt at riding the 'Star Wars' wave - faint praise but still praise. *aka 'Battle in Interstellar Space'

WAR OF THE PLANETS (1977) ½* John Richardson, Yanti Sommer, West Buchanan, Ely King. In this film by Alfonso Brescia (as "Al Bradley"), astronauts land on an alien planet and agree to help its humanoid inhabitants battle a super-computer that has taken over the planet. Even by 1977 standards, the sets, costumes and special effects look badly dated, the dialogue is often incomprehensible and the performances are uniformly languid. The theme of the film--that man shouldn't become too heavily dependent on machines--simply gets lost in the muck. The Italians were never that good at sci-fi, but this movie is truly an embarrassment.

Where to begin? The clothes all look like they're from a 30's sci fi film, even though this was made in the 70s. The dubbing is terrible. The plot is almost totally incoherent; it centers around a hothead space captain who believes that he can make better decisions than computers, and therefore is always getting into trouble (though in this film, he's probably right considering that the main computer is called "The Wiz", no kidding!). The characters actions often don't make any sense, like one scene where two crew members die, but everyone else is happy for no good reason. The evil giant robot looks like something they made on purpose to make people laugh, but you're supposed to think it's scary. Throughout everything, the deadly earnest and serious tone of the acting and story just makes the whole experience more surreal and more funny. My favorite scenes: destroying the giant robot/computer, and the space command guys dealing with the reporters. This film is worth seeing with a bunch of friends, with or without any substances that may enhance one's sense of humor!

I never saw this flick either, but it was obvious it was made in the 70's from all the unisex fashion and day-glow colors. It's included on that 50 Sci-Fi movies DVD set...the transfers are so poor the picture is hideously dark and the audio is terrible weak and muddy.

The saving grace of this film is John Richardson (who starred with Raquel Welch in 1,000,000 Years BC) as the outspoken commander of a long-range spaceship. One of the very few people in this flick that can act, his expressions and serious voicing of cornball dialogue keep it interesting just long enough for the scenery to change.

The story is a convoluted mess involving A.I. hatred, paranoia, arrogance, space war, a destroyed civilization and a megalomaniac machine!!! It's hard to follow from scene to scene as people are not identified, photography is terrible, lighting is dark, and no one seems to think for a minute about what's the smart thing to do.

Think of Star Trek done on a shoestring and that's basically it. It's amazing, but the filmmakers do seem to be trying to make something interesting, and the English voice-dubbers seem to have fun with their cheesy lines. It was hard to sit through, but not a waste of time. Call your pals over and do a MST3000 on it!!!