A group of maladjusted, highly unprofessional Los Angeles cops frequently engage in various forms of illegal and unethical activities on and off duty.A group of maladjusted, highly unprofessional Los Angeles cops frequently engage in various forms of illegal and unethical activities on and off duty.A group of maladjusted, highly unprofessional Los Angeles cops frequently engage in various forms of illegal and unethical activities on and off duty.
Dianne Oyama Dixon
- Carrier 1's wife
- (as Dianne O. Dixon)
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I wish they still made movies like this. By that I mean one that has some sympathy for the adult male of the species.
This group of cops is varied in their attitudes , some bigoted, some liberal, some in the middle; just like civilians and real cops. The first part of the movie shows a lot of vice work and dated but funny comic routines, at a time when a single mother and a baby were not always inserted into every story. These cops go about arresting gays and prostitutes before laws and attitudes had changed.
The film was made in 1977, and for those too young to have lived it I am sure there are many cringe inducing scenes. One important and anachronistic episode shows an S&M hooker being caught physically abusing one of the police officer friends. The cops friend handles the hooker roughly , mad that she hurt his friend, and warns her to get lost.
If this film were made today, the hooker would be a single mother with a heart of gold, and the cop would be sneered at for being in this position to begin with. It was refreshing to see a movie with some sympathy for an adult male character, before the Hollywood mantra became "women can do whatever they want, men don't matter." Later in the film one of the cops with PTSD gets himself in trouble when he over reacts, and his friends try to cover for him. I have seen some younger viewers write that they were offended by the blue code of silence. I wonder if they would have been as offended if the perpetrator were a single mother and the victim was a man. I doubt it.
This group of cops is varied in their attitudes , some bigoted, some liberal, some in the middle; just like civilians and real cops. The first part of the movie shows a lot of vice work and dated but funny comic routines, at a time when a single mother and a baby were not always inserted into every story. These cops go about arresting gays and prostitutes before laws and attitudes had changed.
The film was made in 1977, and for those too young to have lived it I am sure there are many cringe inducing scenes. One important and anachronistic episode shows an S&M hooker being caught physically abusing one of the police officer friends. The cops friend handles the hooker roughly , mad that she hurt his friend, and warns her to get lost.
If this film were made today, the hooker would be a single mother with a heart of gold, and the cop would be sneered at for being in this position to begin with. It was refreshing to see a movie with some sympathy for an adult male character, before the Hollywood mantra became "women can do whatever they want, men don't matter." Later in the film one of the cops with PTSD gets himself in trouble when he over reacts, and his friends try to cover for him. I have seen some younger viewers write that they were offended by the blue code of silence. I wonder if they would have been as offended if the perpetrator were a single mother and the victim was a man. I doubt it.
This is a movie searching for an audience. Best bet would be the "National Lampoon" crowd. Essentially "The Choirboys" has no plot, and really is nothing more than a series of mostly tasteless skits strung together with the very thin thread of policemen pulling numerous pranks. Nevertheless, some of the nonsense is very funny. You also have a terrific cast pulling off this stuff. To say that the film is different than the usual buddy cop movies would be a real understatement. Think "Animal House" without the fraternity, but with cops behaving badly. Definitely not an endorsement for political correctness, but a throwback to a time when one didn't have to weigh every word for fear of offending someone. - MERK
This is not a bad adaptation of Wambaughs book until the end. For some reason someone decided the movie needed an up-beat ending and blew the black ending of the book.
I like to think that The Choirboys is Joseph Wambaugh's way of showing the police at play. His novel The New Centurions showed police at work. In both
cases they work hard they play hard as well and sometimes combine both.
For those who grew up as I did with Dragnet as the way we thought of police The Choirboys couldn't be father from Jack Webb's straight laced view of cops than Mercury is to Pluto. This film follows a group of cops who can't share a bond with any other than themselves.
It's a fraternity no doubt and these guys carry on like frat boys. Oddly enough if you remember Goodfellas Lorraine Bracco observed that the Henry Hills never hung out with anyone other than other criminals and their significant others.
So much so that the group of them all hang out with Tim McIntire who none of them can stand. He's a pretty loathsome character, a racist redneck and a bully, still he's one of the guys.
Two of them come to a bad end for differing reasons, all of them are in a jackpot where Chief Robert Webber is looking to nail The Choirboys to the wall. The oldest of them saves them, but you'll have to see how.
The oldest of them is Charles Durning who at 53 is still on street patrol. He's basically a non-conforming guy who more than likely screwed up big time when he was young and now just doesn't give a crap. He'd like to just coast out for his 20 years and he's months away.
The Choirboys is something I'm surprised a police officer as Joseph Wambaugh was would write. I look at like Jim Bouton's book Ball Four and that less than reverent book of the New York Yankees in his stay there. This is kind of the stuff you definitely leave in the clubhouse.
This review is dedicated to my nephew Colin James Kogan who is a member of the NYPD going now on his third year. I told him that whatever it takes get off the street as soon as you can and never be Charles Durning when he reaches middle age.
For those who grew up as I did with Dragnet as the way we thought of police The Choirboys couldn't be father from Jack Webb's straight laced view of cops than Mercury is to Pluto. This film follows a group of cops who can't share a bond with any other than themselves.
It's a fraternity no doubt and these guys carry on like frat boys. Oddly enough if you remember Goodfellas Lorraine Bracco observed that the Henry Hills never hung out with anyone other than other criminals and their significant others.
So much so that the group of them all hang out with Tim McIntire who none of them can stand. He's a pretty loathsome character, a racist redneck and a bully, still he's one of the guys.
Two of them come to a bad end for differing reasons, all of them are in a jackpot where Chief Robert Webber is looking to nail The Choirboys to the wall. The oldest of them saves them, but you'll have to see how.
The oldest of them is Charles Durning who at 53 is still on street patrol. He's basically a non-conforming guy who more than likely screwed up big time when he was young and now just doesn't give a crap. He'd like to just coast out for his 20 years and he's months away.
The Choirboys is something I'm surprised a police officer as Joseph Wambaugh was would write. I look at like Jim Bouton's book Ball Four and that less than reverent book of the New York Yankees in his stay there. This is kind of the stuff you definitely leave in the clubhouse.
This review is dedicated to my nephew Colin James Kogan who is a member of the NYPD going now on his third year. I told him that whatever it takes get off the street as soon as you can and never be Charles Durning when he reaches middle age.
Once again I am forced to defend a decent movie. I saw this movie when it came out, I was in college. I thought it was very funny and was a blend of comedy and drama that was above most of the other fair at that time. I saw it again recently and while it had perhaps lost a little of its luster I thought it was still pretty funny. Of course, if you don't like anyone saying politically incorrect things (even if that person is presented as a total moron) then you might be too "delicate" to appreciate the humor.
Tim McIntyre was hilarious as Roscoe Rules and there was a young Randy Quaid, and James Woods as well. Charles Durning is effective in this film and far from hating the ending, I thought it was not "Upbeat" but rather merely stopped the movie from being a total downer.
Tim McIntyre was hilarious as Roscoe Rules and there was a young Randy Quaid, and James Woods as well. Charles Durning is effective in this film and far from hating the ending, I thought it was not "Upbeat" but rather merely stopped the movie from being a total downer.
Did you know
- TriviaAuthor Joseph Wambaugh disowned, disavowed, and de-credited himself from this adaptation of his book "The Choirboys". Wambaugh was so incensed with this adaptation of his book, considering it to be such a poor adaption, that he sued the production, and was successful in having his name removed from the film's credits.
- GoofsWhen Sgt. Yanov reads roll call at the beginning of the movie, he calls out 16 names, but there are 26 men in the room.
- Quotes
Roscoe Rules: [attempting reverse psychology on a female attempting to jump from a roof] Go ahead, Bitch. Jump!
[she jumps]
- ConnectionsFeatured in Los Angeles Plays Itself (2003)
- SoundtracksI've Got a Crush on You
Music by George Gershwin
Lyric by Ira Gershwin
Performed by Vic Tayback
Published by New World/Harms
[Zoony sings the song in the public men's room]
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Details
- Release date
- Country of origin
- Languages
- Also known as
- The Choirboys
- Filming locations
- Highland Park Police Station - 6045 York Blvd., Highland Park, Los Angeles, California, USA(Interior and exterior. As the police station.)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,500,000 (estimated)
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