Checkered Flag or Crash

If you love cars and stunts is your movie.if you want Bergam or Fassbinder go away.😜

Feeble off-road racing action pic that raises a flicker of interest due to the presence of a young Susan Sarandon (who is given very little to do) and Joe Don Baker in his brief early career as a leading man. Joe Don stars as "Walkaway" Madden, a hard-core racer whose "crash or win" attitude brings him into conflict with his fellow racers. Sarandon is a journalist in the George Plimpton mode, out to get the inside view of a 1000-mile race held in the Philippines. Larry Hagman also features, in a bold casting against type, as a fast talking wheeler-dealing Southern entrepreneur who runs the race.

The film bogs at the start and never recovers, due to woeful dialogue and absent character development. After journalist Wainwright (Sarandon)persuades a reluctant Madden to allow her to ride in his race car during the event, the next half hour or so consists of the two leads engaging in a stilted and repetitive dialogue about what to do if Wainwright develops motion sickness, interspersed with reasonably well-edited race footage.

The 3-day race format imposes a rigid structure to the film, with race days interspersed with character "interaction" in the pits. There is a tiny romantic sub-plot with an anonymous black clad biker ("acted" by Playboy playmate Daina House) getting off with a stereotyped suave Latino Grand Prix driver. No sex scene, though - this is an action picture!

The action footage is not bad and the stunt guys really earned their money on this one, but there are too many camera in the car shots on rough roads where the camera is jolting around so much that the picture is hopelessly blurred and the effect is quite nauseating. Perhaps this film inspired the camera work on "Blair Witch Project", I don't know. There are a few picture-postcard shots of delightful Filipino scenery, and I just wonder if some Marcos money was behind this film.

In summary, a waste of the talents of Sarandon and Baker, who have both done vastly better when given better material. Despite being a documentary, "On Any Sunday" is a superior off-road racing film in every respect. Susan Sarandon fans would be better off sticking to her later roles if this is anything to go by. I imagine that casting agents saw this talented young but unconventionally beautiful actress and had no idea what to do with her. As for Joe Don Baker, yet another blot on this underrated actor's record. It's a shame he wasn't born in London instead of Texas. Watch "Edge of Darkness" if you don't understand what I mean.

"Checkered Flag or Crash" revolves around the Manila 1000, a grueling, multi-vehicle off road race that lasts three days. The man organizing the event is Bo Cochran (Larry Hagman of 'Dallas' fame), while the chief competitor is "Walkaway" Madden (Joe Don Baker, "Walking Tall"), who got that nickname because he's always been able to walk away from crashes in the past. Susan Sarandon ("The Rocky Horror Picture Show") is the photojournalist who's been promised a ride in the passenger seat of Maddens' car.

A strong bunch of stars - Sarandon is especially appealing - provide enough motivation to check out this car chase & car crash action flick. While it's ultimately nothing truly special, the Filipino setting does give it *some* distinction; the scenery is enjoyable, and looks good photographed in the 2.35:1 aspect ratio. First rate second unit work, a decent number of laughs, and a catchy theme song all help to keep this watchable.

Real-life racing legend Parnelli Jones plays himself; other supporting cast members include Playboy Playmate Daina House (who acted with Sarandon in "The Great Smokey Roadblock"), Logan Clarke ("Sweet Sixteen"), Dick Adair ("Blind Rage"), and Bill Cross ("Blue Chips"). Tough guy Baker is amusing as the kind of fiercely competitive guy with a "win at all costs" attitude, while Alan Vint ("Macon County Line") does well as superstitious racer Doc Pyle.

All in all, this should be acceptable entertainment for fans of this particular genre. The coin toss is indeed a comic highlight.

Six out of 10.

I searched long and hard for this movie, as I do for all of Joe Don's early work. This movie is magnificent! I watch it over and over. It's got Joe Don, Susan Sarandon, Larry Hagman and Parnelli Jones, and it casts Joe Don much better than a lot of his other movies.

A GREAT thing about this movie is how creatively the actors talk--they NEVER use profanity, but come up with other ways to express what they are feeling. Any other "action" movie is full of foul language.

Another great thing about it is all the Bugs and rail-jobs. Even Walkaway's car started out as a Bug. I've been a Bug person most of my life.

And I LOVE the way Bo says "motor-cicle" instead of motorcycle. I say it that way myself very often.

I guess the best thing about this movie for me is that it is set in the 1970's. That was a kinder, gentler time when Joe Don was young and SO gorgeous.

For a movie that is of no interest whatsoever, this has quite a lot going for it, especially in the acting department: Larry Hagman, Susan Sarandon, Joe Don Baker et al are relaxed and agreeable. But no one manages to channel the glib repartee into anything resembling a character, in part because their contributions are mere slivers of celluloid crammed between pictures of cars driving around. Which does make a depressing kind of sense, since it's a racing movie; what makes no sense at all, especially given some promising set-ups, is the total absence of kinetics or pyrotechnics. It's a total arbitrary mess, looks like it wasn't even storyboarded. The filmmakers revert to slow motion every single time anyone does anything other than drive in a straight line, but that doesn't fool anyone. The one punctuation mark of the whole movie comes at the climactic Baker-Alan Vint coin toss, and I laughed as hard as anyone, but a REAL movie has one moment like that per scene. Allow me to lodge a special protest on behalf of poor Daina House, who is required to regress from classic tough-chick to wilting sex object the moment some creep gives her a flower.