La casa della paura

If you can make it through the slow first hour of Girl in Room 2A, you'll be rewarded with a somewhat insane final act that almost makes it worth the wait. It's still far off the mark in many ways and most of it feels really pedestrian and predictable.

This one drags until thankfully the stupidity of it all overwhelms the drudgery. A young girl, just paroled from prison, is sent to a boarding house by parole officer Rosalba Neri. Now we all know that something is wrong with this house, as we've just witnessed a girl being ceremoniously killed by a sadistic cult led by someone who is a big fan of the 1965 Italian film Bloody Pit of Horror. Our girl Margaret isn't too slow on the uptake either, spotting quickly a huge bloodstain on the floor of her room that keeps reappearing, sussing rapidly that the landlady is a bit of a loon, and reckoning that the landlady's son Frank is a nutter. An encounter with a man investigating the apparent suicide of his sister, a previous tenant of Room 2A, further confirms her suspicions. This leads to a long investigation/romance that goes on and on.

However, it's also about this time that the film's daftness begins to rise, what with the terrible acting of the nurse in a loony bin, choppy editing, and a flashback sequence where women are whipped in a Jess Franco fashion. The director also thinks it's a great idea to include upbeat jazz music at the most inappropriate of moments, like when the hero is thrown into the back of a car with a snake in a suitcase (a really crap way to kill someone, seeing how they just murdered everyone else without leaving anything to chance).

The gore increases around this point too, as does the introduction of two muscle men who take on the cult. You also get an explanation as to how that bloodstain keeps appearing on the floor of room 2A, and I use 'how' on purpose because you'll be asking 'why' even after you find out what's happening. There's also the mystery of who is in the red mask if you still care about that by the end of the film.

Not much Rosalba in this one either. This is a hugely stupid film but sometimes we need a bit of that in our lives too.

Margaret Bradley (Daniela Giordano) is released from a two week stay in jail, moves into the titular apartment, and discovers a very disturbing stain on the carpet. She also experiences strange goings-on and nightmares about a group of cultists in red masks.

Margaret seeks help in getting out of her new apartment from her friend Alicia (Rosalba Neri), but winds up caught in a murder mystery with supernatural overtones.

THE GIRL IN ROOM 2A is a macabre occult thriller. The plot tends to meander in a disjointed way that somehow works. It's suspenseful, and the creepy characters and paranoiac atmosphere add a lot. Of course, the gratuitous nudity doesn't hurt.

For giallo fans looking for something different...

Girls who stay in room 2A at a mysterious boarding house are being abducted, tortured and killed by masked assailants. The latest female tenant and the brother of the last victim begin investigating the mystery.

Perhaps the most defining thing about this giallo is the fact that it was directed by an American. When I saw the name William Rose in the opening credits, I automatically assumed that this must be an Americanised Italian name for a director wishing to sell his product in the States. But no, it was in fact an American B-movie director working in Italy. I'm not sure if this has anything to do with the fact that The Girl in Room 2A is not exactly the most stylish giallo out there. Visually it is pretty pedestrian when set alongside other similar Italian productions, although, in fairness, this may be due to the quite limited settings. Quite a lot of the movie takes place within the confines of the boarding house and this may also account for the lack of good lighting. It's certainly a relatively restrained effort in terms of violence, except for the pre-credit sequence of course, which is very salacious. In fairness, the beginning promises more than the movie ultimately delivers. I wouldn't say it ever gets dull but it just doesn't necessarily live up to its potential.

There are a few strange details such as the mysterious villain who looks very similar to the Crimson Executioner from Bloody Pit of Horror (1965). This one doesn't possess the sheer delirium of that crazy film though, this one is much more down-beat, while still being far from realistic. The casting is notable for a couple of the actresses. The lead girl is Daniela Giordano who made a very memorable and sexy turn in Mario Bava's comedy Four Times That Night. She isn't quite as well utilised in this feature, as Bava's playful movie was better suited to her. The other actress of note is Rosalba Neri who starred in many Italian genre pictures in the 70's, such as the excellent Amuck! Sadly she is very under-utilised in this film which is somewhat careless of the film-makers.

This isn't a prime example of the genre. It isn't quite stylish enough, nor is the mystery interesting enough. Nevertheless, it does have enough strangeness to be worth a watch if you are a fan of Italian thrillers.

Girl in Room 2A (1974) is an Italian giallo picture that I recently watched on Shudder (and is also available on Tubi). The storyline follows an apartment building that has a woman recently released from jail move in. She starts hearing and seeing weird things around the building. Meanwhile, a man arrives at her apartment and says his recently murdered sister lived in the same room as her. The two of them work together to try and uncover what happened to the man's sisters and what's behind the spooky building.

This movie is directed by William Rose (Rent-a-Girl) and stars Daniela Giordano (Violent Rome), Rosalba Neri (The Arena), Brad Harris (Goliath against the Giants), Frank Latimore (All the Presidents Men) and Giovanna Galletti (Last Tango in Paris).

This is one of those movies with a worthwhile storyline, unpredictable circumstances but inconsistent dialogue and acting. There's scenes in this movie that feel stiff. However, the opening stab sequence was entertaining. The background music provides a classic 70s giallo feel and there's some classic Italian hot ladies and the nudity that goes with it in this genre. Mrs. Craig was a smoke show in this. The fireplace scene followed by the car off the cliff was fun, the cult aspects were well delivered and the last 15-30 minutes was really good with some worthwhile kills.

Overall, this is a worthwhile addition to the Italian giallo genre that I would consider a must see for fans of these pictures. I would score this a 6.5/10 and strongly recommend it.