Le fauve à la mitraillette

Known as Mad Dog Killer and Beast With A Gun, my print comes up with the title, Furious Mad Dog Killer and I have to say all titles are appropriate. This is not sophisticated film making by any means but does, as they say, what it says on the can. Little story, just an angry young man determined to do with his gun what he is going to do and even rape the co-star along the way. Helmut Berger is excellent in the lead and fully convinces as the near lunatic, Mad Dog or Killer of the titles. Marisa Mell is also effective and not quite as dumb as the females often seem to have to be in these Italian crime movies. The police are as dumb as usual, even if led by the charismatic, Richard Harrison. Tough. Mean and fast moving.

Helmut Berger leads a group of prison escapees on a rampage targeting cop Richard Harrison,who testified against him in court.After Berger rapes beautiful Marisa Mell("Danger:Diabolik"),then forces her to join the gang,Harrison hatches his own plan to stop dangerous Berger.The film is loaded with sleaze and violence,but it's not as nasty as it's reputed to be."Mad Dog" is well-acted,well-directed and has a fast pace from beginning to end.So if you're a fan of Italian crime flicks give this one a look-just don't expect something mind-shattering.

Oof! This is an Italian crime film that really has a nasty edge to it. Helmet Berger is a career criminal who escaps from jail with some buddies, gives a prison guard a kicking and throws him out of car, runs cop Richard Harrison off the road (not before Harrison plugs one of the escapees in the head), beats two men in a petrol station almost to death, grabs the snitch that landed him in jail, rapes his girlfriend, beats the guy to death, and buries him in lime. This all happens within the first fifteen minutes of the film.

Berger's mental with a capital M, and is out to get enough money to get out of the country, so he enlists the snitch's girlfriend against her will to set up a heist involving getting money from her father, but she doesn't take too well to being raped and goes to Harrison, who can think of nothing else but snapping Berger's neck. Much violence, hostage taking, and beatings ensue, and believe it or not the film manages to get even more nasty as it progresses, as the final scenes in a warehouse involve a guy getting shot multiple times in the face and a girl being tortured with a straight razor.

Harrison (of the insanely great Ninja Terminator, and many other films with Ninja in the title) is basically a ball of rage who won't stop till he's got his man, but the film really belongs to Berger, who plays a man who has no rules and barely a soul (although he does meet with his sister and treats her nicely enough). He beats, stabs, shoots, and rapes to get what he wants, and those cold Tuetonic eyes just add to the icy character who'll sink to any level for his own gain.

If you like Italian crime films, there's scores and scores of them that will easily satisfy. To me it seems to be the genre where the filmmakers always hit a home run. I've never watched one I didn't enjoy, and while Mad Dog hasn't got much in way of plot, it sure gets the adrenalin going. While not as nasty as Fulci's Contraband (although I'm sure there possibly might be an Italian crime movie that's more violent than that), I'd place Mad Dog on a par with Almost Human (which is quite similar). The only let down here is the presentation by Mill Creek, which is a severely cropped full screen version, although I must say I'm just glad to see the film at all.

For the time , it is an extremely violent film, Tarentino-like style ,with plenty of murders and rapes ; the director knows only one tempo :accelerated ,and Helmut Berger ,who had not forgotten his master Visconti's lessons is fascinating,terrifying ,almost without overplaying . His opponent , the cop played by Richard Harrison (in the sixties a habitué of sword and sandals and eurospy cheap flicks),is not really up to scratch opposite him ;the same can be said of ill-fated Marisa Mell .

This thriller includes melodrama elements : the killer's sister and the cop's father and young sister are involved ;but it's Berger who saves the film :cold,sadistic to the umpteenth degree , ruthless; too bad he never found another Visconti because he deserved better.

You can't get much cooler than an Italian crime film, and Beast With a Gun is yet another excellent example of this cult sub-genre! The film is quite a lot nastier than the majority of Italian crime films that I've seen, and at times it feels like it owes a lot to the exploitation genre! Naturally, there's the usual array of fistfights, shootouts and car chases; but here we've also got rapes and scenes of torture - among other stuff. So Beast With a Gun might not be everyone's cup of tea - but I think most people would agree that the nasty edge certainly gives the film a bit more 'bite'! The film begins with the escape of three nasty convicts. Their leader is a man named Nanni Vitali, and their first port of call after escaping from jail is killing the dirty scumbag that turned them in. However, when they catch up with him; Nanni takes a shine to his girlfriend, and proceeds to brutally rape her before killing the snitch. He also wants the girl to help them pull off a robbery; and she agrees to help them, but not before telling the police all about it...

The main strength that this film has is undoubtedly Helmut Berger. Berger is absolutely spot on with his role as the nasty criminal at the centre of the tale, and every moment he's on screen is completely gripping. He is joined by experienced Eurocult actress Marisa Mell, who provides the eye candy in style! Richard Harrison rounds off the central cast with the token 'cop' role and like his co-stars - plays it well. Beast With a Gun also features an excellent soundtrack, which goes well with the film and definitely adds to every scene it features in. Realism obviously wasn't big on director Sergio Grieco's priority list, however, as the film features numerous instances that don't make a lot of sense - the scene that springs to mind instantly is the one where a certain female cast member is shot in the leg...and then instantly diagnoses it as 'not serious' and barely bats an eyelid! I've got to say, if I got shot it would be VERY SERIOUS, no matter where it got me. However, this isn't important as Beast With a Gun does the important thing - that being entertain the audience - very well, and fans of Italian crime films won't want to miss it!