The Baron

Calvin Lockhart shines as Jason, a struggling black filmmaker in New York City who has to resort to borrowing money from the mafia to finish his latest movie. Even though this movie rips off the same plot as Hollywood Man, another low-budget movie starring William Smith, this movie actually is buoyed by great supporting performances by Richard Lynch, Charles MacGregor, and special guest star Raymond St. Jacques (he and Lockhart starred together in the classic Cotton Comes to Harlem).

the baron is one of those 1970's action movies that tried to cash in on the bigger hits like shaft and superfly.Calvin Lockhart plays a struggling actor/producer who has to deal with mobsters led by Richard Lynch trying to pass as an Italian gangster.anyway the plot is generic the main characters brother has a dept to settle with the mobsters so the baron has to do what he could to settle the score.the late great Joan Blondell plays a very wealthy woman who seduces Lockhart's character.sort of like American gigolo on the side.all for money of course.Richard Lynch who plays the heavy real good,cant remember him playing a good guy in a movie except for the delta fox where hes sort of an anti hero.there's a lot of action and violence and a brief car chase,all in all the baron is pretty entertaining in a b movie kind of way.7 out of 10.

Calvin Lockhart is The Baron, a struggling African-American filmmaker trying to get his big break. He gets mixed up with some dirty money and ends up confronting the usual mafia guys trying to keep a brutha down. They're a particularly nasty lot in this one, especially the racist, misogynistic, and homophobic Joey, played here flamboyantly by exploitation regular Richard Lynch. The film is a reasonably enjoyable blend of action and social commentary, and features a terrific score by Gil Scott-Heron and Brian Jackson. Joan Blondell, Raymond St. Jacques, and Marlene Clark are all wasted or underutilised, but Lockhart is good (as usual), even when burdened with some truly horrible 70s fashions.

Surprisingly good late Blaxploitation flick in which Calvin Lockhart plays an aspiring film producer who has only days to repay the mob the $300,000 he borrowed to make a movie. Richard Lynch is great fun as the psycho mob boss after his money, and so is Charles McGregor as the drug dealer who neglected to inform Lockhart that the loan was mob money. An ageing Joan Blondell also appears as the Sugar Mama Lockhart turns to when things get really desperate. Only a weak finish lets things down a little.

The Baron puts a unique spin on the typical 70s Blaxploitation shoot-em-up flick. Calvin Lockheart (who you may remember as a guest star on Good Times playing Florida's gambling cousin Raymond), plays an aspiring movie actor/producer/filmmaker who must turn to the underworld (and becoming some old lady's "Hot Dog") in order to raise money to make his film. And he must pay back his investors before someone gets hurt.

What Lockheart lacks in brawn (which seemed to be required for male leads in 70s black cinema -- i.e. Richard Roundtree, Jim Brown, Fred Williamson, etc.), he makes up in character and charm as he "battles" the gangsters in order to give life on screen to "The Baron." And while there are fewer "battles" than a typical Blaxploitation action movie (This film is more drama than action.), the ones that are shown are even more convincing since they're not the usual quick-n-dirty gun battles that we Blaxploitation fans have seen over and over.

Plenty of suspense, exciting action, good editing, solid acting, interesting storyline, and a groovy soundtrack by Gil Scott-Heron and Brian Jackson make _The Baron_ a great rental choice when you're looking for some cool 70s black cinema. Especially if you're looking for something different from the same ole shoot 'em up/karate chop Blaxploitation film.