Le tigre du ciel

Aces High - having never seen the movie before, but I had heard of it, I went ahead and bought it, expecting it to be good. It was! The dogfight scenes were very convincing, although stock footage from 'The Blue Max' was used in places, but only to add a sort of 'link' to the footage you saw in the movie. Stampe SV.4s made excellent substitutes for SE5As, but the Stearmans/Tiger Moths and Jungmeisters weren't exactly convincing. But hey, who cares? This is a top notch movie, with good performances and convincing setpieces. See it, enjoy it!

First of all I feel I`ve got to point out the two flaws of ACES HIGH

1 ) The film starts with the commonly held erroneous view that young men of whatever nation joined the army because they`d been brainwashed by glorious tales of derring do and had no idea of the horror awaiting them in the trenches . Not so in Britain at least since The Times newspaper published the names of every British serviceman killed at this time . One edition in July 1916 published over 20,000 names of the men killed during the Somme offensive , so to insinuate that the boys at the school had somehow only had Gresham`s account of the war to fall back on is somewhat naive . This might have happened in 1915 but not so when this film was set towards the end of 1916

2 ) ACES HIGH is based on the play JOURNEYS END except it revolves around a plane squadron which means when the chaps are at the airfield everything feels a bit too stagey while when they`re up in the air there`s a distinct lack of drama since the cast are indistinguishble with their goggle clad faces and their lack of dialogue

Having pointed out the flaws I can`t not mention the main strength and that`s the cast . Malcolm McDowell an actor I can`t usually stand at the best of times gives a superb performance as the bitter , cynical alcholic John Gresham . It`d be very easy for McDowell to give a very over the top performance ( Some might say that`s all he ever does ) but he`s both very convincing and disciplined here . Christopher Plummer is completely convincing as a paternal English officer ( Plummer was always good at this kind of role ) and Peter Firth - Despite being hampered with a character unsubtley written - is also good

Considering the limited budget the technical aspects are impressive enough with the sometimes slightly obvious backscreen projection hardly bringing the film down . It`s an anti-war film so its heart is in the right place but like many an anti-war film it`s somewhat heavy handed ( As I imagine the source play was ) and the ariel scenes with their lack of dialogue means a somewhat over dramatic film in places and an undramatic film in other places

Six out of ten

Interesting War drama taken from British point of view . Spectacular and colorful WWI airplane movie with an enjoyable casting and breathtaking aerial battles . Splendid aerial scenes stunningly staged , being wonderfully photographed by Gerry Fisher and adequate musical score by Richard Hartley are the chief assets of this enjoyable film . In WW1 the high casualty rate among the rookie pilots of the Royal Flying Corps puts an enormous strain on the survivors . Pilots shooting down enemy planes but also suffering a lot of war losses . They carry out attacks on balloons that were extremely dangerous because machine guns and antiaircraft guns formed a protective circle beneath the balloons . Therefore pilots dived at a steep angle when they attacked , they did not attack horizontally . High above the trenches 14 days is a long life...This is the 15th day!

Spectacular dogfighting , interesting dramatics , overwhelming scenarios , top-drawer cast , agreeable interpretations bring to life attractive roles though tend toward cliché . Nice aerial sequences directed by Derek Cracknell but drama on the ground does a little boring . R.C. Sheriff's classic play about life in the trenches was reworked as a drama of fliers in the Royal Flying Corps by screen-writer Howard Barker . As the setting is transplanted from the trenches to an airfield , but most of the characters and some incidents are almost unchanged . Big-budget extended feats produced by Benjamin Fisz about unfortunate pilots undergoing risked feats on air . The main excitement results to be the grandiose spectacle of the planes , as on the ground roar rather less . Pretty good aerial flick full of thought-provoking issues , drama , fantastic cloudy scenes and spectacular dogfighting . The scene with the balloon observer jumping out with a parachute is reused footage from Blue Max (1966) by John Guillermin . Peter Firth shows professionalism as a crack fighter pilot , he plays a naive youth assigned to dangerous missions . Malcolm McDowell gives a restrained and intelligent acting as a veteran pilot . Top-notch support cast gives excellent performances as Christopher Plummer , Richard Johnson , Ray Milland , John Gielgud , Simon Ward , Trevor Howard and first cinema feature of Tim Pigott-Smith . Adequate photography by Gerry Fisher , though a perfect remastering being necessary . It was filmed at North Weald airfield, in Essex , a hangar that was built for the film was later used for sets of television .

The motion picture was professionally directed by Jack Gold . He was born in London and is a prestigious director and producer , known for Bofors guns (1968) , The Reckoning (1970) , Man Friday (1975) , The Medusa touch (1978) , The Chain (1984) , Escape from Sobibor (1987), and Goodnight, Mister Tom (1998) . ¨Aces high¨ is a rehash of the former airplane movie clichés in which the splendid casting stands out . Rating : nice and entertaining , it's a fairly watchable and breathtaking film and results to be a good treatment of WWI flying aces .

A quiet sense of detachment hangs over the little airfield in the heart of the French countryside where this drama is played out. In the opening scenes, as the ridiculously young Lieutenant played by Peter Firth arrives, there is much talk of tea and biscuits, and everything seems very civilised. But under the serene surface there are a mass of tics and twitches, the causes of which are subdued by forced gaiety and too much alcohol.

Firth hero-worships McDowell's youthful commander – who just happens to be his sister's sweetheart – but McDowell is a tarnished hero. His psychological flaws are emphasised in the opening scenes in which we seem him toying with a German pilot whose plane has crash-landed before scything him down in a hail of bullets from his plane. McDowell needs a drink just to climb into the cockpit (while another ace, played by Simon Ward, feigns neuralgia to escape the terrors of aerial combat) and is haunted by a loneliness borne of the repetitive chore of writing letters of condolence to the families of the teenage fighter pilots who are shot down under his command.

There's nothing particularly groundbreaking in Jack Gold's WWI saga, but it is all professionally staged and acted with some crisply edited aerial sequences. All the situations are familiar, and the film must have seemed a little dated when it was released (around the same time as Star Wars), but there's a reassuring Britishness about it all. Despite the reasonably graphic depiction of the terrible psychological consequences of regularly flying towards one possible death, the film is still something of a throwback to the likes of Hollywood's The Dawn Patrol. Only here, the line between the good guys and the bad guys is blurred, and opposing pilots aren't so blinded by national duty that they can't appreciate and acknowledge the professionalism and spirit of their rivals when the opportunity arises. The ending is inevitable – the cycle continues – and elements of the story belie the age of its source material, but Aces High still delivers a quality film experience.

I remember "Aces High" when it was released in Argentina (1977. Since then I had the opportunity of watching it twice on video. For me is an excellent example that you still can produce a great film even if the subject (WWI) has been treated dozens of times. Although I have not read "Journey's End" I did read many factual accounts of the air war on the Western Front during WWI and the spirit of those terrible years has been faithfully re-created. Malcom McDowell proves, once a again, what an excellent actor he is and the rest of the cast is as good as him.

The character played by Simon Ward, is one of the most moving and important within the film. This was brought to my attention last year when, watching a documentary about the Battle of Britain, I saw a former Hurricane pilot telling how depressed he was by the terribly high casualty-rate that he decided to stop making friends,since more likely they shall be dead within a fortnight. With this in mind Simon Ward's performance has deeper meaning. It is not only that he is haunted by the idea of his inevitable death, he doesn't want to make friends because he has lost too many.

The scene where Malcom McDowell throws a party to celebrate the arrival of "his" prisoner (the German pilot)would seem strange if not ridiculous to those who do not have a certain knowledge of the mentality of the European aristocracy, who formed the backbone of the officer-class in those days. According to them war was a gentlemanly affair were certain principles should be observed; one of them was the corteous treatment of prisoners (as long as they belong the same class)particularly if they had fought bravely. The concept was already an anachronism in 1914 where the colossal scale of the slaughter and its horrendous impersonality made the illusion of "the noble duel" obsolete if not ridiculous BUT, there was the aeroplane, a chance to move the clock back to the days of aristocratic man-to-man fights, a chance to escape the modern, faceless and industrialized murder of trench warfare. That's why WWI fighter pilots (all of them gentlemen in the truest sense of the word) behaved in that way. This film is also a very sad reminder of the destruction of a whole world that, with all its defects, had some very valuable principles. Principles that nowadays most of people would laugh at, which is also very sad.