Soap

"Soap" is one of the funniest of America's exports to the U.K. It may have been considered risque back in the late seventies but all the hullaballu about the show's contents seems silly twenty-odd years on.

The programme has been shown in it's entirity a few times in the U.K. most recently on our Paramount comedy channel. It had the most outrageous storylines and the characters were played brilliantly by all concerned - especially Katherine Helmond, Richard Mulligan and Cathryn Damon - who really were the essence of the show! Chuck & Bob, Benson and The Major were always good for a laugh whenever they were on screen.

Susan Harris wrote the entire series which has made me a great admirer of her work ever since. Of course she scored big again in the eighties with the equally brilliant Golden Girls. Some might not be aware that Susan actually appeared in two episodes of Soap as a hooker, believe it or not! My favourite storylines included the murder of Peter and the subsequent trial of Jessica, the abduction of Burt by aliens, Corinne's possessed baby and Burt trying to get into the Guinness Book of World Records when he thought he was dying!

The "unique" comedy series still holds up well by todays standards and is truly worthy of the label "cult classic".

This is a show that everyone deserves a chance to see. A more brilliant cast and crew was never assembled for anything! These days, they talk about how "Friends" and "Seinfeld" have such great ensembles--"Soap" wrote the book on great ensembles! The only ones since which even come close are, first and foremost, the cast of "Remember WENN," and possibly the cast of "Frasier."

Everyone was great. Jay Johnson as demure Chuck and his daffy doll Bob, and Ted Wass as dim bulb Danny were always hilarious. Enigmatic but always worth a belly laugh was Arthur Peterson as the shell-shocked Major, forever trapped in his own little war. Anyone who's seen the episode with Sigmund, the Major's long-dead, moth-eaten stuffed dog (that he still believes to be alive) knows why the Major was so funny. Billy Crystal brought an understated air of dignity to his role as homosexual Jodie. Robert Guillaume won an Emmy beffore departing into his own spinoff as back-talking, "I-ain't-getting-that," tell-it-like-it-is butler Benson. His show, "Benson," ran longer than "Soap," and he won a Best Actor Emmy there. But the main part of the show--the planets the other characters revolved around--were Katherine Helmond, Cathryn Damon, Richard Mulligan, and Robert Mandan as the Tates and Campbells. Richard Mulligan was sidesplitting as Burt Campbell, a nervous, rubber-faced ball of energy. His physical comedy scenes were way out there, especially one where he stumbles in drunk, accidentally steps up onto a table, and is afraid to come down. Equally funny is a scene in which he and Danny are playing "police chase" while sitting in chairs in the living room. He was a great balance for the late Cathryn Damon, who beautifully and elegantly portrayed Mary Campbell. though some of her best stuff was when she really let loose (check out the third season), Damon's Mary was always a little more down-to-earth than the other characters, and one of the best-played on the show. They couldn't have matched up a better couple than these two, and it shows. Mulligan won an Emmy for "Soap" in 1980, and was nominated again the following year. Damon also won in '80, and was nominated each of the four seasons except the second, where Mary had less to do than usual. Surely, the episode she won for had to have been the one in which Mary thinks she has seen Burt disappear before her very eyes. She goes over to the Tates' house and, trying to explain it all, lapses into insanity. By the time it's done, she's saying that she's crazy and laughing hysterically. That is classic television.

Robert Mandan was big fun as pompous, skirt-chasing Chester, and was a great balance to my favorite, Katherine Helmond, as loony and delightfully dim Jessica Tate, Mary's sister. Helmond was dynamic, making the most of every second of screen time. She had a lot of top moments during the course of the show. Once, Jessica was being kidnapped by guerillas, and she has them put down their guns and help her move some furniture first, then asks if she can call "the nail lady" to cancel her appointment tomorrow--it seems that she charges anyway if you don't show up--then pulls the soldiers' own guns on them. Jessica's murder trial provides some of the show's most hilarious events. There's the time Jessica and her lawyer were in a small room outside the courtroom before the verdict is read, and her lawyer grabs her and tells her he loves her. At this moment, in comes Chester, and Jessica (fearful of what Chester would say) launches into a a waltz with her lawyer. She claims that they're learning the Hustle, and invites Chester to join. In a matter of seconds, the three are strutting around and dancing. To this day, it's one of the funniest things I've ever seen. The first day of the trial is one of the show's best scenes. Jessica, late along with her family and already having made a bad impression on the judge), bursts into the courtroom and begins hugging and greeting people as if hosting a party. She walks up to the judge and explains her tardiness, managing to unwittingly toss in an insult to "the idiotic inefficiency of the judicial system." She then looks over and gasps. She asks proudly, "Is this my jury?" She goes over to them, arms open, before she is pulled to her seat. She then has a friendly conversation with the prosecutor before getting up and trying to pull the defense and prosecution tables together. "It creates an almost antagonistic atmosphere," she says. "So 'them vs. us." She is later appalled by the slanderous words of the prosecutor and stands. "I don't have to take this--I'm going." Her attempt to storm out is stopped, but she warns: "All right, but if he continues in this manner, I will not come back tomorrow." Than, to the prosecutor: "Go ahead. But be nice." She could be dramatic, too, though; once, in one of her best moments on the show, Jessica single-handedly exorcises the Devil from her baby grandson in a bravura performance. Even after watching only one episode, it's easy to see why she was nominated (but, oddly enough, never won) for an Emmy every season that "Soap" was on the air. With a cast like this, what show could go wrong?

SOAP is this hilarious serialized saga about two completely Zany sisters and, their madcap families were awesome. This show from day one never ever took itself seriously and that's its greatest claim to fame. Soap dealt bluntly and honestly about a great many pressing social issues like homosexuality, veterans, treatment of the mentally ill.... of course it also in the same breath dealt with rubber suit wearing space aliens and, psycho's with wood puppet fixations.

SOAP for as madcap as it was has a heart of gold. The whole family is welded together in a very unique but strong love. I am a gay man and yet I loved Jessica Tate she was a woman of utter charm and, bearing and she was as off and ditzy but sweet as Gracie Allen. Burns & Allen I would have loved having Jessica Tate as a mom. SOAP was a perfect fusion of the Addams family and the Three Stooges meet Dallas. When I was young SOAP was another of my hiding places on the TV landscape.

SOAP had great moments of fun but SOAP could easily as well be moving and thought provoking. You just can't go wrong buying these tapes you will definitely laugh and, you will learn many things and, get many awesome insights as well! These too are on my highly recommended list of must see items.

This has to be one of the best casts ever. Just revisited this series and haven't laughed this hard in ages. It's sad that so many of the cast have passed on. This series was underappreviated. Hilarious spoof of soap operas...so brilliant.

This is the greatest sitcom ever made, a tremendous parody of the trashy soap operas that were all the rage when it was in production. There was topicality -homosexuality, racism, revolution, crime, and other things- and there was plenty of comedy, physical and otherwise. In particular, I think that the thing which hooked me on this program was the psychotic young ventriloquist and his dummy, which seemed at times to be more alive than some of the people! At least it was real to him! I particularly remember the scene where there is a discussion concerning a murder and the Black dummy, Bob, looks over at Benson and remarks, "I think the Black guy did it." Benson then coolly crosses the room, yanks the dummy out of Chuck's hands and throws it out a window, which sends Chuck into furious hysterics!

This is one of the very few shows from the 1970s that I can honestly say I miss. Good job, all!