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IMDbPro

Racines

Original title: Roots
  • TV Mini Series
  • 1977
  • TV-14
  • 1h 14m
IMDb RATING
8.4/10
20K
YOUR RATING
POPULARITY
2,006
53
Edward Asner, Louis Gossett Jr., John Amos, Lynda Day George, Doug McClure, and Leslie Uggams in Racines (1977)
Home Video Trailer from Warner Home Video
Play trailer1:28
3 Videos
99+ Photos
BiographyDramaHistoryWar

A dramatization of author Alex Haley's family line from ancestor Kunta Kinte's enslavement to his descendants' liberation.A dramatization of author Alex Haley's family line from ancestor Kunta Kinte's enslavement to his descendants' liberation.A dramatization of author Alex Haley's family line from ancestor Kunta Kinte's enslavement to his descendants' liberation.

  • Stars
    • LeVar Burton
    • Robert Reed
    • John Amos
  • See production info at IMDbPro
  • IMDb RATING
    8.4/10
    20K
    YOUR RATING
    POPULARITY
    2,006
    53
    • Stars
      • LeVar Burton
      • Robert Reed
      • John Amos
    • 79User reviews
    • 10Critic reviews
  • See production info at IMDbPro
    • Won 9 Primetime Emmys
      • 17 wins & 35 nominations total

    Episodes8

    Browse episodes
    TopTop-rated1 season

    Videos3

    Roots: 30th Anniversary Special Edition
    Trailer 1:28
    Roots: 30th Anniversary Special Edition
    Roots: 30th Anniversary Special Edition
    Trailer 1:28
    Roots: 30th Anniversary Special Edition
    Roots: 30th Anniversary Special Edition
    Trailer 1:28
    Roots: 30th Anniversary Special Edition
    Roots So Deep
    Trailer 3:16
    Roots So Deep

    Photos126

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    Top cast91

    Edit
    LeVar Burton
    LeVar Burton
    • Kunta Kinte…
    • 1977
    Robert Reed
    Robert Reed
    • Dr. William Reynolds
    • 1977
    John Amos
    John Amos
    • Older Kunta Kinte…
    • 1977
    Louis Gossett Jr.
    Louis Gossett Jr.
    • Fiddler
    • 1977
    Lynda Day George
    Lynda Day George
    • Mrs. Reynolds
    • 1977
    Olivia Cole
    Olivia Cole
    • Mathilda…
    • 1977
    Madge Sinclair
    Madge Sinclair
    • Bell Reynolds
    • 1977
    Ben Vereen
    Ben Vereen
    • Chicken George Moore
    • 1977
    Leslie Uggams
    Leslie Uggams
    • Kizzy Reynolds…
    • 1977
    Lloyd Bridges
    Lloyd Bridges
    • Evan Brent
    • 1977
    Chuck Connors
    Chuck Connors
    • Tom Moore
    • 1977
    Georg Stanford Brown
    Georg Stanford Brown
    • Tom Harvey
    • 1977
    Lorne Greene
    Lorne Greene
    • John Reynolds
    • 1977
    Ralph Waite
    Ralph Waite
    • Slater
    • 1977
    Sandy Duncan
    Sandy Duncan
    • Missy Anne Reynolds
    • 1977
    Brad Davis
    Brad Davis
    • Old George
    • 1977
    Lawrence Hilton-Jacobs
    Lawrence Hilton-Jacobs
    • Noah
    • 1977
    Edward Asner
    Edward Asner
    • Capt. Thomas Davies
    • 1977
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews79

    8.419.6K
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    Featured reviews

    8Richie-67-485852

    We All Have Roots

    The concept of your beginning or the beginning that led up to you is Universal and applies to everyone. Who wouldn't find their own ancestry fascinating? That's why this was a ground-breaking event never before scene and why it captured vast audiences for decades. Even today, it continues to beckon to anyone who watches the show to ask your personal questions of your own start-up. I remember at the time this came out on TV, the black people were in desperate need of something to hope for of which Martin Luther King had supplied and had done so successfully before his death. Right after these episodes were aired, a discovery of something greater than your hopeless daily day to day existence was introduced and people started believing in themselves and that they mattered. That's how powerful this series was. Of course today, the worth of a human being doesn't require prompting or remembering as we all have discovered that we matter. Kudos to all those that were able to be a part of this life-changing event. Sorry to say but necessary to be told is the shameful part of history where one race thought them selves superior to another and used degradation, pride, and perversion to assert this. Slavery had been going on since mankind matured and traveled the globe respecting no one. The strong preyed upon the weak. What makes it so unacceptable is that it took place in America proving that there is no perfect place to live but instead, lots of work to be done first with the self, then with each other and of course unto God the one who started it all up to begin with. Even sadder still, slavery and trade in humans exists to this day. Have a finger snack and a tasty drink ready to go when watching. Also, there are some scenes that just yank on your emotions and teach us if anything NOT to do what was being done on screen besides tugging at your innards with disgust. It is well said by Toby in one episode who after being unduly and harshly punished for causing trouble best..."how can one man do this to another man" How indeed....
    stevewest-1

    Completing the picture

    I was born in 1980, and had heard of Roots from reading about LeVar Burton being the only real "name" to join Star Trek: The Next Generation. I came across the boxset at my local library and was able to find out what this "Roots" thing was all about. Having the series on DVD was definitely a boon as (despite being in NTSC) it has a crisp and clear appearance, usually stuff on TV from the 70's or 80's has a characteristic fuzziness.

    Despite it's lowish budget, and age, Roots has a certain kinetic energy, it kept me interested from the start. Being able to see a young LeVar Burton was great, and without any visors or contact lenses. The casting was excellent all around and the actors put in 100% effort. My only bone to pick was using two different actors for Kunta Kinte. They were physically very different, John Amos doesn't look, act or sound like LeVar Burton, which disrupts the sense of continuity the rest of the multi-episode characters had.

    By the end I found I had become quite involved with the series and enjoyed seeing it unfold, I liked it so much I viewed the whole nine hours again with commentary (well, I had time to kill). It is interesting that Roots carries a sense of history (as in the late 70's) and culture with it, it's not just a TV show, there's a whole air surrounding it. I'm glad I got the opportunity to see it, I gained a clearer understanding of where African-Americans as a people are coming from, and I hope everyone who hasn't seen it yet gets the opportunity to do so.
    9mts43

    Still the most important miniseries in the history of television.

    All my life I have heard the same old "smoke screens" every time something happens to expose the history of racism in this country that they don't want to acknowledge. That is the case with "Roots", and all the rationalizations used by these people to try and denigrate the story's impact. It does not change the fact that racism is "as American as apple pie". But these people never give up. It has been over 40 years since "Roots", and while things may have improved, we still have a long, long, long, long way to go.
    10classicalsteve

    The Best TV Miniseries Ever Offered by a Major Commercial Network Before Cable

    Two of the most important American television programs are "The Civil War" by Ken Burns (1989), and the epic narrative miniseries "Roots" (1977) based on the book "Roots: The Saga of an American Family" by Alex Haley. Despite the controversy surrounding the book, and the facts of Haley's ancestry (for example, the slave Toby aka "Kunte Kinte", may never have fathered Kizzy and therefore may not be a direct ancestor of Haley) the series is an important and ground-breaking work in its stunning portrayal of slave life in America from the late 18th century to the mid-19th century.

    For decades, the United States has been largely in denial of its treatment of African-Americans both as slaves and later in post-Civil War periods. The south of the 19th century had fabricated the reality of slave conditions and down-played the brutality inflicted on both slaves and anti-slave sympathizers. Racial hatred and brutality continued into the 20th century, largely fueled by white traditions that have (and continue to) concoct misrepresentations of historical reality to younger generations. By the middle of the 20th century, nearly 100 years after the end of the American Civil War, President Johnson signed Civil Rights legislation into law with the White Southern community kicking and screaming all the way. If legislation couldn't change people's hearts and minds, what could?

    Americans love movies, story-telling/narrative film depictions of reality. There had never before been a nationally distributed film production that honestly told the story of the African-American slave experience. Fourteen years after Johnson's legislation, "Roots" was broadcast on national television by the American Broadcasting Company (ABC). I regard those network executives that green-lighted the broadcast in great esteem for their willingness to take a chance on this most-important series. I doubt whether US commercial television will ever produce and broadcast such a high-caliber and controversial program again in the near future. And to give credit to the American viewing public, "Roots" was a huge success.

    From beginning to end, "Roots" is an absolute triumph of film production, the best-ever miniseries offered by a corporate network prior to the rise of cable television. The acting and the script are top-notch. Almost every notable African-American acting talent of the time was solicited to join the cast, from LeVar Burton and John Amos (Kunte Kinte, Toby) to Lou Gosset Jr (Fiddler) to Ben Vareen (Chicken George) to James Earl Jones (Alex Haley). Even OJ Simpson makes an appearance. A lot of notable white talent appears as well, such as Ed Asner and Sandy Duncan.

    Slavery is a tragedy and "Roots" is a tragic story. "Roots" has its light moments, its inspiring moments, although it is its heartbreaking moments that stay with you: The moment the young African Kunte Kinte is shackled, sold as chattel and forced to board the slave ship bound for America. The whipping of the young Kunte Kinte to "break" him into slavery. The selling of Kizzy, Toby's daughter, to another slave master because of her involvement with a scheme to help a runaway. These are the moments that make Roots' larger point. Another aspect that makes Roots effective in its rhetoric is that it never seeps into sentimentality to makes its point. The story relies on an honest narrative and the audience is left to draw their on conclusions. Is it brutal? Yes. Unjust? Definitely. And that is what it was. (If you don't believe "Roots", sell yourself into slavery and see how you like it.)

    Two aspects occur to me about what this story means beyond just the plain inhumanity of the institution of slavery. One aspect is that the benefit of slavery is terribly minute when compared to the staggering price paid by the slaves themselves and everyone else. Simultaneously, non-slaves were pressed into service to maintain slavery as an institution. Such titanic sadness, misery, hopelessness brutality, and inhumanity is forced upon people (both slave and non-slave) in return for a more comfortable life for a minuscule segment of the population. And yet the amount of work, effort, and money to maintain the inhumane infrastructure seems more burdensome than if these people were free. The average white southerner could not afford to own slaves, and many worked for slave owners as overseers, slave-catchers, auctioneers, and other positions designed to maintain the institution. In short, misery for thousands with a little comfort for a few.

    The other tragedy is the denial of positive contribution to society. Those who were slaves were denied giving their love, their knowledge, their inspiration, and their culture to society. All this beauty sacrificed so a few white aristocrats can laze around on sofas in front of fireplaces in giant mansions. Someone once said that if we don't help foster the gifts in other people, we run the risk of never seeing how our world could be made better. Slavery is a tragedy for the people enacting it as well, although the suffering aspect is less apparent.

    "Roots" is a story that needs to be told and retold. Shown and re-shown. I would encourage any teacher trying to convey the reality of slavery in America to consider showing at least a segment or two of "Roots". There is no question that the film is mesmerizing. It saddens me that there are still those in America that want to hang onto southern myths that propagate that slavery wasn't that bad. These are some of the same people that are convinced the holocaust is a fabrication. It is better to forgive than the forget. We have to embrace our roots.
    Mrj72188

    EXTRAORDINARY PIECE OF HISTORY AND DRAMA

    I first became interested in Roots when I heard about it on the Disney Channel movie "The Color of Friendship" in 2001. The next time it resurfaced was in Jan. 2002, when Hallmark was going to reair it. Rather than wait (and waste tape) for every night, I bought it on DVD. It is amazing how the crew acheived the dream of Alex Haley's ancestors horrid past, from slave capture to auction, to escape to crippling, to being sold and death. The one thing that shocked me the most was how the KKK was involved in that family's life. When there were funny moments, I laughed and when there were sad moments, I wept. To sum it up: Roots is a masterful miniseries that no family should be without.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Author Harold Courlander successfully sued author Alex Haley for plagiarizing parts of his novel "The African" for his 1976 novel "Roots," the book that served as the basis for this miniseries. Haley paid $650,000 in a 1978 out-of-court settlement.
    • Goofs
      Kizzy, a slave who works in the fields, has long, beautifully manicured fingernails.
    • Quotes

      Omoro, Kunta's father: [holding his infant son up to starry sky] Kunta Kinte, behold the only thing greater than yourself!

    • Alternate versions
      The original version of Roots on ABC featured slightly different opening titles. The Roots Mural was the same, but when the title Roots was shown on-screen it was over a dark blue background. The cover of the novel rises up from a horizontal to a vertical position. The screen says "AN ABC NOVEL FOR TELEVISION ALEX HALEY'S ROOTS THE SAGA OF AN AMERICAN FAMILY." Current VHS, dvd, and re-broadcasts simply have "Roots" on a black background, without the other information. Also, the end credits have been changed considerably. In the original, there were eight sets of end credits (one for each episode.) When the show was re-edited to six episodes, names were combined for different hours and some of the end credit sequences (with a still from that episode) are missing, including one featuring Kizzy and Missy Anne having a picnic.
    • Connections
      Featured in The 29th Annual Primetime Emmy Awards (1977)
    • Soundtracks
      Oluwa
      by Quincy Jones

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    FAQ18

    • How many seasons does Roots have?Powered by Alexa

    Details

    Edit
    • Release date
      • January 10, 1978 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Roots
    • Filming locations
      • St. Simons Island, Georgia, USA
    • Production companies
      • David L. Wolper Productions
      • Warner Bros. Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 14 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1

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    Edward Asner, Louis Gossett Jr., John Amos, Lynda Day George, Doug McClure, and Leslie Uggams in Racines (1977)
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