Les professionnels

On the surface the success of The Professionals is something of an enigma. Two characters with embarrassing haircuts, dreadful dress-sense, little respect for birds... err, women, in a show almost universally panned by the critics...

Yet the Professionals not only succeeded in its day but continues to do so in repeat runs almost 25 years on.

Bodie and Doyle's characteristics arguably had near-plagiaristic similarities to that of Starsky & Hutch. The action and (more particularly) violence depicted was essentially a continuation of the "rules" laid down by The Sweeney. Yet The Professionals still carved out a niche for itself. What sets it apart from the other shows is the firework chemistry between the two leads (as much down to the good fortune of casting Shaw and Collins together - two completely different actors) and the jibing, black humour they share and harangue each other with.

Gordon Jackson's searing performance as Cowley, meanwhile, proved to be a formidable boss for the two reprobates.

The humour also extended to the situations and the show was not afraid to make fun of itself occasionally.

In the early years the exciting, varied plots were a bonus, too (Contrary to other remarks, they were often quite complex). Action-wise, Collins and Shaw gamely tackled much of their own stuntwork.

Although characterisation was never the primary objective of the show, the characters were given a reasonable opportunity to add facets to their personae. Doyle, in particular, emerged as a surprisingly rounded, unpredictable and constantly surprising character - due mainly to Shaw's splendid acting skills.

Unlike other British action shows, the Professionals gained an immense female following - indeed its fandom is probably split 50:50 between the sexes.

In the meantime London Weekend Television exported the show massively to eager overseas broadcasters (and continues to do so to this day).

However the programme was not without faults. By the fourth season (1980) the writing team were struggling to find new ideas and the boys of CI5 often found themselves lumbered with jobs that more traditional law forces would normally take on.

By 1981 the show was clearly running out of steam and with Shaw and Collins keen to move on to other things, LWT decided to call it a day after a grand total of 57 episodes.

Today it's easy to say the whole reason it's such a success again is because of its refreshingly un-PC image. Yet there is more to it than that and, indeed, what were seen as the strengths of the show in 1977 are being appreciated by new audiences the world over.

'The Professionals' came into being at a time when the media was obsessed with secret services, specialist divisions, gun crime, and terrorism. For five years this expensive LWT series had a prime time slot just after the watershed and entertained us with its mix of violence, cars, guns, and sexist banter.

Lewis Collins (Bodie) and Martin Shaw (Doyle) became household names in their portrayals of the laconic, cynical, and fearless agents who saved the day from grenade-carriers, gunmen, and gangsters. Gordon Jackson as Cowley, their boss, had another plum TV role and was perfect in it. Sexist and silly the series may have been, but it has perhaps stood up better than other crime programmes made in the late 1970s.

Curtailed too soon because of the mood of the time, 'The Professionals' still looks good when viewed today, and enjoys re-runs on one of the many digital TV channels.

Arguably one of the best British action series ever made. The Professionals has a gritty, streetwise style, strong plots and scripts and excellent acting. Out of the episodes made between 1977 and 1981, there is hardly a bad one: the quality spoke for itself.

Many episodes see what feels like two hours' worth of storyline packed tightly and competently into the single hour. The editing, photography, direction, stunts and score stand comparison today. The ingredients endeared the series to its many fans, probably attracting viewers from outside its target market. It was an example of how we could have it all - and its longevity was not down to luck alone.

It is even credited for the long production life of the Ford Capri sports car, driven by the two main agents in the series, Bodie (Lewis Collins) and Doyle (Martin Shaw). The rapport between the two actors is superb and at no times are their performances unrealistic.

The series sees a fictional unit, CI5, which is not answerable to any one ministry. Its controller, Maj George Cowley (Gordon Jackson), commands loyalty and respect amongst his men, and would fight to the ends on their behalf. His access to the highest levels within Westminster is without doubt. Bodie, ex-SIS, and Doyle, formerly with the police, are faced with perilous situations against terrorists, spies, and traitors. Thanks to their specialist skills and attitude, they cope well in any situation.

The Professionals is still a demonstration of British television at its best.

When 'The Professionals' was aired at first in Germany - I believe it must have been some when in the eighties - I *loved* this show. I had never seen anything that grim and realistic before. What I liked most about it was that the 'good guys' weren't really 'good', they were complex character- and morality- wise and, especially the Bodie character, could as well have played on the other side of the fence. The violence was portrayed rather realistic and unstylised and the characters looked gritty enough to feel real.

Feeling somewhat nostalgic (must be my old age) I just bought the complete DVD set and found that I still like it a lot - although I see it differently nowadays. Analysing my feelings for it I found that what I like most about it now is the interaction between the main characters, and on my second watching of the complete series I find myself often ff-ing through the story to the parts with the lads (MS and LC). For me it's all about seeing pretty (but undoubtedly male) men run, jump, fight, shoot, saving each other's lives and - banter with each other. No wonder that it still has a major following among females and inspires reams of fanfiction!

Nearly thirty years since it was first seen on TV and still highly enjoyable despite the outdated fashion, hairstyles, motors and technique (have a look at those computers!) - this is a true classic that has proved its erstwhile critics wrong. An endeavour all participants (including Martin Shaw) can and should be proud of, I think, because it is no small feat to inspire such love and loyalty in their fans.

All I can add to what has been said before is, what an excellent series this was. It had to be London Weekend Television's most expensive production at the time, and you could see that every penny appeared on screen. There were shoot-outs, explosions, and fist-fights galore every friday night at 9pm, when the episodes were originally shown during the late '70s and early '80s. The sexist banter between the heroes Bodie and Doyle is typical of the period, but stills remains funny to watch. One episode called 'Klansman', about a British right wing group to which Bodie becomes sympathetic, has to this day never been screened in the U.K. for fear of inflaming racial tensions, which were at their height during the Professionals' five year run. It has however, been transmitted in other parts of Europe.

Due to the media, and the then Tory government's paranoia about 'Video Nasties' and TV violence, a sixth series was never made with the original actors. Unfortunately though, it's creator Brian Clemens, decided to update and resurrect the series about four years ago. It sank without trace.

My fave episode has to be 'Hunter Hunted', in which the heros have to recover a stolen prototype rifle, which has a laser aiming system. This series was truly revolutionary!!!